Seeing Trees celebrates seldom seen but easily observable tree traits and invites you to watch trees with the same care and sensitivity that birdwatchers watch birds. Many people, for example, are surprised to learn that oaks and maples have flowers, much less flowers that are astonishingly beautiful when viewed up close. Focusing on widely grown trees, this captivating book describes the rewards of careful and regular tree viewing, outlines strategies for improving your observations, and describes some of the most visually interesting tree structures, including leaves, flowers, buds, leaf scars, twigs, and bark. In-depth profiles of ten familiar species—including such beloved trees as white oak, southern magnolia, white pine, and tulip poplar—show you how to recognize and understand many of their most compelling (but usually overlooked) physical features.

    It led him to begin exploring these questions, prompting a journey westwards to Land's End through one of the most fascinating regions of Europe.From the Neolithic ritual landscape of Bodmin Moor to the Arthurian traditions of Tintagel, from the mysterious china-clay country to the granite tors and tombs of the far south-west, Marsden assembles a chronology of our shifting attitudes to place. In archives, he uncovers the life and work of other 'topophiles' before him - medieval chroniclers and Tudor topographers, eighteenth-century eighteenth-century antiquarians, post-industrial poets and abstract painters. Drawing also on his own travels overseas, Marsden reveals that the shape of the land lies not just at the heart of our history but of man's perennial struggle to belong on this earth.

    In My India, the first volume in the set, Corbett recounts his experiences in the Kumaon Hills. He discusses the villages he visited, the people he got acquainted with, and the lifestyles and customs he encountered. The second book, Jungle Lore, presents an autobiographical account of his initial days and experiences in the Himalayan region, and his frank, farsighted views on various aspects of wildlife conservation. In Tree Tops, the final title in the set, Corbett provides rich, fascinating glimpses of the stark, savage beauty of the Kenyan landscape and wildlife. An account of the 1952 royal visit of Princess Elizabeth is also included in this volume. The collection was released in 2001 by Oxford University Press. It received positive reviews for its remarkable presentation of Jim Corbett in a new light.About the AuthorJim Corbett was a British hunter-turned-conservationist, naturalist, author, and photographer, best-known for hunting several man-eaters in India. He has written several books such as The Jim Corbett Omnibus, Not While I Have Ammo, and Man-Eaters Of Kumaon. Corbett was born on July 25, 1875, in Nainital, India. He served as a Colonel in the British Indian Army for several years. Corbett played a vital role in protecting wildlife, particularly the Bengal tiger of India. He passed away on April 19, 1955, in Nyeri, Kenya. His life has been featured in various media, including a Hollywood movie, a TV movie, and a docudrama.topTable of ContentsMy IndiaIntroductionThe Queen of the VillageKunwar SinghMothiPre-Red-Tape DaysThe Law of the JunglesThe BrothersSultana: India's Robin Hood LoyaltyBudhuLalajeeChamariLife at mokameh GhatJungle LoreIntroductionChapter ThreeChapter FourChapter FiveChapter SixChapter SevenChapter EightChapter NineChapter TenChapter ElevenChapter TwelveTree TopsIntroductionTree Tops

    Her characters—Peter Rabbit, Jemima Puddle Duck, and all the rest—exist in a charmed world filled with flowers and gardens. In Beatrix Potter’s Gardening Life, bestselling author Marta McDowell explores the origins of Beatrix Potter’s love of gardening and plants and shows how this passion came to be reflected in her work. The book begins with a gardener’s biography, highlighting the key moments and places throughout her life that helped define her. Next, follow Beatrix Potter through a year in her garden, with a season-by-season overview of what is blooming that truly brings her gardens alive. The book culminates in a traveler’s guide, with information on how and where to visit Potter’s gardens today.

    So one night, he sets out to find it – a pylon-slung edge-land, a tangle of wood, meadow, field and river on the outskirts of town. Despite being in the shadow of thousands of houses, it feels unclaimed, forgotten, caught between worlds, and all the more magical for it.Obsessively revisiting this contested ground, Cowen ventures deeper into its many layers and lives, documenting its changes through time and season and unearthing histories that profoundly resonate and intertwine with transformative events happening in his own life.Blurring the boundaries of memoir, natural history and novel, Common Ground offers nothing less than an enthralling new way of writing about nature and our experiences within it. We encounter the edge-land's inhabitants in immersive, kaleidoscopic detail as their voices and visions rise from the fields and woods: beasts, birds, insects, plants and people – the beggars, sages and lovers across the ages.Startlingly personal and poetic, this is a unique portrait of a forgotten realm and a remarkable evocation of how, over the course of a year, a man came to know himself once more by unlocking it. But, above all, this is a book that reasserts a vital truth: nature isn’t just found in some remote mountain or protected park. It is all around us. It is in us. It is us.

    Maybe not all that unusual a thing to do in the seventies, but what Kenn was searching for was a little different: not sex, drugs, God, or even self, but birds. A report of a rare bird would send him hitching nonstop from Pacific to Atlantic and back again. When he was broke he would pick fruit or do odd jobs to earn the fifty dollars or so that would last him for weeks. His goal was to set a record - most North American species seen in a year - but along the way he began to realize that at this breakneck pace he was only looking, not seeing. What had been a game became a quest for a deeper understanding of the natural world. Kingbird Highway is a unique coming-of-age story, combining a lyrical celebration of nature with wild, and sometimes dangerous, adventures, starring a colorful cast of characters.

    In The Moth Snowstorm Michael McCarthy, one of Britain's leading writers on the environment, proposes this joy as a defence of a natural world which is ever more threatened, and which, he argues, is inadequately served by the two defences put forward hitherto: sustainable development and the recognition of ecosystem services.Drawing on a wealth of memorable experiences from a lifetime of watching and thinking about wildlife and natural landscapes, The Moth Snowstorm not only presents a new way of looking at the world around us, but effortlessly blends with it a remarkable and moving memoir of childhood trauma from which love of the natural world emerged. It is a powerful, timely, and wholly original book which comes at a time when nature has never needed it more.

    In an earlier book, Almost Like A Whale, he took on the extraordinary task of updating The Origin of Species, which he described as the “most original book of the millennium”. His latest book, Coral, follows once more in the footsteps of Darwin, who also wrote a detailed study of coral reefs.For a book with such a humble title, Coral covers a lot of ground, including Captain Cook’s bones; French nuclear tests; in-vitro fertilization; the De Beers’ diamond cartel; color blindness; chaos; immortality; and, of course, Charles Darwin himself. In the hands of a lesser author, such a seemingly disparate range of topics would result in a disjointed and rambling mess. But Jones weaves them around his theme to create a coherent and well-formed whole.Jones explores what coral can teach us about life on Earth, from the survival and decline of species to the role of cooperation in inter-species relationships. Drawing not only on biology, but also on history, politics, literature, economics and mythology, he leads the reader on a wide-ranging and always interesting exploration.He adds that if you have never visited a coral reef, now might be a good time. The book is subtitled A Pessimist in Paradise, and Jones foresees a grim future for the world’s reefs. Today, less than one fifth are protected. He argues that “greenhouse gases have proved impossible to control and marine pollution has been almost as intractable”. The decline of the world’s reefs has already begun and within about fifty years, Jones believes that many more will be gone.Jones is one of the best popularizers of science writing today and this book matches the high standards set by his earlier work. Despite the deeply pessimistic message, at times he still manages to elicit an almost Carl Sagan-esque sense of awe about the natural world.The threat to coral reefs from global warming and damage caused by agricultural runoff have become common topics of media reports. Yet, no matter how much you think you know about coral and coral reefs, you will learn plenty more from this book. (COSMOS Magazine)

    It’s not quite a nature book, not quite a humour book, not quite a family memoir, not quite folklore, not quite social history, not quite a collection of essays, but a bit of all six.It contains owls, badgers, ponies, beavers, otters, bats, bees, scarecrows, dogs, ghosts, Tom’s loud and excitable dad and, yes, even a few cats. It’s full of Devon’s local folklore – the ancient kind, and the everyday kind – and provincial places and small things. But what emerges from this focus on the small are themes that are broader and bigger and more definitive.The book’s language is colloquial and easy and its eleven chapters are discursive and wide-ranging, rambling even. The feel of the book has a lot in common with the country walks Tom Cox was on when he composed much of it: it’s bewitched by fresh air, intrepid in minor ways, haunted by weather and old stories and the spooky edges of the outdoors, restless, sometimes foolish, and prone to a few detours... but it always reaches its intended destination.The book is illustrated with Tom’s own landscape photographs and linocuts by his mother.

    Some of these pieces come from a world which is now well known and loved by almost everyone: that of the Gloucestershire childhood celebrated in Cider with Rosie. One is tragic and deeply moving, inspired by a visit to Aberfan a year after the disaster there. Many were brought home by Laurie Lee the traveller, from Holland, Tuscany, Mexico, Ireland, the West Indies, a film festival in Cannes. In all of them he displays the gifts that make him one of the best-loved writers now at work in Britain. This is a collection to buy in pairs - one for the bedside, and one to give to a friend.Cover design and illustration by John Gorham.

    Simon Winchester has also fashioned an enthralling and informative informative look at the tumultuous subterranean world that produces earthquakes, the planet's most sudden and destructive force.In the early morning hours of April 18, 1906, San Francisco and a string of towns to its north-northwest and the south-southeast were overcome by an enormous shaking that was compounded by the violent shocks of an earthquake, registering 8.25 on the Richter scale. The quake resulted from a rupture in a part of the San Andreas fault, which lies underneath the earth's surface along the northern coast of California. Lasting little more than a minute, the earthquake wrecked 490 blocks, toppled a total of 25,000 buildings, broke open gas mains, cut off electric power lines throughout the Bay area, and effectively destroyed the gold rush capital that had stood there for a half century.Perhaps more significant than the tremors and rumbling, which affected a swatch of California more than 200 miles long, were the fires that took over the city for three days, leaving chaos and horror in its wake. The human tragedy included the deaths of upwards of 700 people, with more than 250,000 left homeless. It was perhaps the worst natural disaster in the history of the United States.Simon Winchester brings his inimitable storytelling abilities -- as well as his unique understanding of geology -- to this extraordinary event, exploring not only what happened in northern California in 1906 but what we have learned since about the geological underpinnings that caused the earthquake in the first place. But his achievement is even greater: he positions the quake's significance along the earth's geological timeline and shows the effect it had on the rest of twentieth-century California and American history.A Crack in the Edge of the World is the definitive account of the San Francisco earthquake. It is also a fascinating exploration of a legendary event that changed the way we look at the planet on which we live.

    She delivers a rapturous celebration of other species that is also a warning to our own. Traveling from the Amazon rain forest to a forbidding island off the coast of Japan, enduring everything from broken ribs to a beating by an irate seal, Ackerman reveals her subjects in all their splendid particularity. She shows us how they feed, mate, and migrate. She eavesdrops on their class and courtship dances. She pays tribute to the men and women hwo have deoted their lives to saving them.

    Much like human families, tree parents live together with their children, communicate with them, and support them as they grow, sharing nutrients with those who are sick or struggling and creating an ecosystem that mitigates the impact of extremes of heat and cold for the whole group. As a result of such interactions, trees in a family or community are protected and can live to be very old. In contrast, solitary trees, like street kids, have a tough time of it and in most cases die much earlier than those in a group.Drawing on groundbreaking new discoveries, Wohlleben presents the science behind the secret and previously unknown life of trees and their communication abilities; he describes how these discoveries have informed his own practices in the forest around him. As he says, a happy forest is a healthy forest, and he believes that eco-friendly practices not only are economically sustainable but also benefit the health of our planet and the mental and physical health of all who live on Earth.

    In this moving testimonial to the preservation of the Arctic wilderness, Mardy Murie writes from her heart about growing up in Fairbanks, becoming the first woman graduate of the University of Alaska, and marrying noted biologist Olaus J. Murie. So begins her lifelong journey in Alaska and on to Jackson Hole, Wyoming where along with her husband and others, they founded The Wilderness Society. Mardy's work as one of the earliest female voices for the wilderness movement earned her the Presidential Medal of Freedom.

    How might we shift to a more durable and responsible way of life? What changes in values and behavior will be required? Ranging geographically from southern Indiana to the Boundary Waters Wilderness and culturally from the Bible to billboards, Sanders extends the visions of Henry David Thoreau, John Muir, and Rachel Carson to our own day. A Conservationist Manifesto shows the crucial relevance of a conservation ethic at a time of mounting concern about global climate change, depletion of natural resources, extinction of species, and the economic inequities between rich and poor nations. The important message of this powerful book is that conservation is not simply a personal virtue but a public one.