Wineglass in hand, Kate strikes a bargain with them. To celebrate her new lease on life, she'll do the one thing that's always terrified her: white-water rafting down the Grand Canyon. But if she goes, each of them must promise to do one thing in the next year that is new, or difficult, or scary—and Kate gets to choose their challenges.Shimmering with warmth, wit, and insight, Joy for Beginners is a celebration of life: unexpected, lyrical, and deeply satisfying.

    Sarah, a beautiful, successful lawyer, wants nothing more than to have a baby. But balancing IVF treatments with a grueling eighty-hour workweek is no walk in the park. Meanwhile, Annie, a Harvard-grad chemist recently transplanted to Southern California, is cutting coupons to afford her young autistic son’s expensive therapy.Desperate, the two friends come up with a brilliant plan: they’ll combine Sarah’s looks and Annie’s brains to sell a “luxury” antiaging face cream to the wealthy, fading beauties in Annie’s La Jolla book club. The scheme seems innocent enough, until Annie decides to add a special—and oh-so-illegal—ingredient that could bring their whole operation crashing to the ground.Hilarious, intelligent, and warm, Crimes Against a Book Club is a delightful look at the lengths women will go to fend for their families and for one another.

    I guess it depends on what I do next."American Rebecca Porter was never one for fairy tales. Her twin sister, Lacey, has always been the romantic who fantasized about glamour and royalty, fame and fortune. Yet it's Bex who seeks adventure at Oxford and finds herself living down the hall from Prince Nicholas, Great Britain's future king. And when Bex can't resist falling for Nick, the person behind the prince, it propels her into a world she did not expect to inhabit, under a spotlight she is not prepared to face.Dating Nick immerses Bex in ritzy society, dazzling ski trips, and dinners at Kensington Palace with him and his charming, troublesome brother, Freddie. But the relationship also comes with unimaginable baggage: hysterical tabloids, Nick's sparkling and far more suitable ex-girlfriends, and a royal family whose private life is much thornier and more tragic than anyone on the outside knows. The pressures are almost too much to bear, as Bex struggles to reconcile the man she loves with the monarch he's fated to become.Which is how she gets into trouble.Now, on the eve of the wedding of the century, Bex is faced with whether everything she's sacrificed for love-her career, her home, her family, maybe even herself-will have been for nothing.

    As a girl, Genevieve Martin spent the happiest summer of her life in Paris, learning the delicate art of locksmithing at her uncle's side. But since then, living back in the States, she has become more private, more subdued. She has been an observer of life rather than an active participant, holding herself back from those around her, including her soon-to-be-ex-husband. Paris never really left Genevieve, and, as her marriage crumbles, she finds herself faced with an incredible opportunity: return to the magical city of her youth to take over her late uncle's shop. But as she absorbs all that Parisian culture has to offer, she realizes the city also holds secrets about her family that could change her forever, and that locked doors can protect you or imprison you, depending on which side of them you stand.

    When she meets Max, a beguiling romantic hero who tells her on date one that he's going to marry her, it feels like all is going to plan.A new relationship couldn't have come at a better time - her thirties have not been the liberating, uncomplicated experience she was sold. Everywhere she turns, she is reminded of time passing and opportunities dwindling. Friendships are fading, ex-boyfriends are moving on and, worse, everyone's moving to the suburbs. There's no solace to be found in her family, with a mum who's caught in a baffling mid-life makeover and a beloved dad who is vanishing in slow-motion into dementia.Dolly Alderton's debut novel is funny and tender, filled with whip-smart observations about relationships, family, memory, and how we live now.

    They shared an incredible, brief, fleeting moment of deep possibility, somewhere halfway down Charlotte Street.And then, just like that, she was gone - accidentally leaving him holding her old-fashioned, disposable camera, chock full of undeveloped photos...And now Jason - ex-teacher, ex-boyfriend, part-time writer and reluctant hero - faces a dilemma. Should he try and track The Girl down? What if she's The One? But that would mean using the only clues he has, which lie untouched in this tatty disposable...It's funny how things can develop...

    Kathleen has been cut off financially by her family and forced to enter "the real world" for the very first time. Sari has fallen for the man who made her life a living hell in high school, but now desperately needs her help. Lucy, torn between emotion and reason, must reevaluate her life when her lab and her boyfriend are assailed by an animal-rights group. At their club meetings, they discuss the really important questions: how bad is it, really, to marry for money if you like the guy a lot anyway? Can you ever forgive someone for something truly atrocious that they've done? Is it better to be unhappily coupled than happily alone? And the little ones: Can you wear a bra with a hand-knit tube top? Is it ever acceptable to knit something for a boyfriend? And why do your stitches become lopsided after your second martini? In Claire LaZebnik's hilarious and sometimes heartbreaking novel, Sari, Lucy, and Kathleen's lives intersect, overlap, unravel, and come back together in an utterly satisfying read.

    The adventures of an extraordinary and unforgettable woman as she attempts to rescue her family’s struggling shoe business and find love at the same time, Very Valentine sweeps the reader from the streets of Manhattan to the picturesque hills of la bella Italia.

    But it’s what she leaves unsaid—she’s alone, a drinker, a former artist, a shrieker in bed, captain of the sinking ship that is her flesh—that feels the most true. Everyone around her seems to have an entirely different idea of what it means to be an adult: her best friend, Indigo, is getting married; her brother—who miraculously seems unscathed by their shared tumultuous childhood—and sister-in-law are having a hoped-for baby; and her friend Matthew continues to wholly devote himself to making dark paintings at the cost of being flat broke. But when Andrea’s niece finally arrives, born with a heartbreaking ailment, the Bern family is forced to reexamine what really matters. Will this drive them together or tear them apart? Told in gut-wrenchingly honest, mordantly comic vignettes, All Grown Up is a breathtaking display of Jami Attenberg’s power as a storyteller, a whip-smart examination of one woman’s life, lived entirely on her own terms.

    The other has ideas: about rhythm and time, about black bodies and black music, about what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either.Dazzlingly energetic and deeply human, Swing Time is a story about friendship and music and stubborn roots, about how we are shaped by these things and how we can survive them. Moving from northwest London to West Africa, it is an exuberant dance to the music of time.

    She has another skill too: reading signs that other people miss. Like the time she sat across from Reid Sutherland and his gorgeous fiancée, and knew their upcoming marriage was doomed to fail. Weaving a secret word into their wedding program was a little unprofessional, but she was sure no one else would spot it. She hadn’t counted on sharp-eyed, pattern-obsessed Reid . . .A year later, Reid has tracked Meg down to find out—before he leaves New York for good—how she knew that his meticulously planned future was about to implode. But with a looming deadline, a fractured friendship, and a bad case of creative block, Meg doesn’t have time for Reid’s questions—unless he can help her find her missing inspiration. As they gradually open up to each other about their lives, work, and regrets, both try to ignore the fact that their unlikely connection is growing deeper. But the signs are there—irresistible, indisputable, urging Meg to heed the messages Reid is sending her, before it’s too late . . .

    She also strongly believes in crisp schedules, clear guidelines, and taking people at face value. Not that the twenty-seven-year-old sees many people. After several unfortunate incidents, her overbearing mother keeps her at home.But when her mother has a stroke, Elvira is suddenly on her own. To help her navigate a world that is often puzzling, she draws up seven ironclad rules. Armed with these, a notebook full of questions, and guidance from a helpful neighbor, she takes charge of herself―and realizes that something isn't quite right about the life she thought she knew.She'll need all the courage, perseverance and curious charm she can muster to unravel the mystery of what happened to her family and to manager her own life, her way.

    If given the opportunity, what sixteen-year-old wouldn't jump at the chance to move in with a friend and live parent-free? Although maybe "opportunity" isn't the right word, since April had to tell her dad a tiny little untruth to make it happen (see #1: "Lied to Our Parents"). But she and her housemate Vi are totally responsible and able to take care of themselves. How they ended up "Skipping School" (#3), "Throwing a Crazy Party" (#8), "Buying a Hot Tub" (#4), and, um, "Harboring a Fugitive" (#7) at all is kind of a mystery to them. In this hilarious and bittersweet tale, Sarah Mlynowski mines the heart and mind of a girl on her own for the first time. To get through the year, April will have to juggle a love triangle, learn to do her own laundry, and accept that her carefully constructed world just might be falling apart . . . one thing-she-shouldn't-have-done at a time.

    Until now. When an old schoolmate from Possett turns up at Arlene's door in Chicago asking questions about Jim Beverly, former quarterback and god of Possett High, Arlene's break with her former hometown is forced to an end. At the same time, Burr, her long-time boyfriend, has raised an ultimatum: introduce him to her family or consider him gone. Arlene loves him dearly but knows her lily white (not to mention deeply racist) Southern Baptist family will not understand her relationship with an African American boyfriend. Reluctantly, Arlene bows to the pressure, and she and Burr embark on the long-avoided road trip back home. As Arlene digs through guilt and deception, her patched-together alibi begins to unravel, and she discovers how far she will go for love and a chance at redemption.

    She feels lost in social situations, saying the wrong thing or acting the wrong way. She just can't read people. She prefers the quiet solitude of books or playing chess to being around others. Apart from Jonathan. She liked being around him, but she hasn't seen him for ten years. Until now that is. And she's not sure he'll want to see her again after what happened all those years ago. Annika Rose likes being alone.Except that, actually, she doesn't like being alone at all.The Girl He Used to Know is an uplifting novel full of surprising revelations that keep you turning the page. Perfect for fans of Jojo Moyes, Gail Honeyman, Jill Santopolo and Sliding Doors.