It was not because of a comet, prophecy, natural disaster or whatever garbage foretold on the internet, but because every myth ever written turned out to be an account of historical fact. These monsters we’ve read about as children waged a war that lead to the human race’s downfall. And the unlucky who survived are hunted down or, worse, tortured.In these dark times, people could only turn to the Shepherd for help. I am one such Shepherd and I thought my only task was to protect the few humans who still thrived on this desolate world. But when I rescued Dorian from Dwende captivity, I discovered that not only is he the most dangerous thing to have around, but he could be our one hope for redemption. I now find myself protecting a born killer, but in doing so, I’m turning my back on everything human.

    Among Japanese readers both young and old it has enjoyed a timeless popularity, making it, according to Donald Keene, "probably the most widely read novel in modern Japan."The setting is Japan's deep south, where the author himself spent some time teaching English in a boys' school. Into this conservative world, with its social proprieties and established pecking order, breezes Botchan, down from the big city, with scant respect for either his elders or his noisy young charges; and the result is a chain of collisions large and small.Much of the story seems to occur in summer, against the drone of cicadas, and in many ways this is a summer book light, funny, never slow-moving. Here, in a lively new translation much better suited to Western tastes than any of its forebears, Botchan's homespun appeal is all the more apparent, and even those who have never been near the sunlit island on which these calamitous episodes take place should find in it uninterrupted entertainment.

    The lyrical passages and poetic images, the wry humor, the tall-tale extravagance, and the homely realism of the 'Kalevala' come through with extraordinary effectiveness.

    Tezuka evidences his profound grasp of the subject by contextualizing the Buddha’s ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka’s Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one’s life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers’ attention.Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse’s novel or Bertolucci’s film is comparable in this regard; in fact, Tezuka’s approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.

    As her unnamed mother breathes her last, Sarah is taken in at the grand Meadow Hall in South Riding, Yorkshire. As soon as she can hold a scrubbing brush, her working life begins. Feisty and headstrong, Sarah's temper often leads her into trouble. At just 14 she decides to escape the life of a servant and run away. Dressed as a boy, she meets good-hearted Aidan and impulsive Danby, forming an unlikely but happy trio. Sarah's true identity eventually comes to the surface after nearly a year, along with new feelings for Aidan. However, knowing that the place for a teenage girl is definitely not with two young men, Aidan reluctantly takes Sarah to the workhouse. He plans to rescue her from this miserable place just as soon as he can, but something keeps Aidan from his promise—and nearly takes his life. Reunited as adults, and now strangers to each other, Sarah holds a secret about Danby, Aidan, and her unborn child. But can she do what is right for her baby, even if it means losing the love of her life?

    

    Two men, aided by her father, hustle her mother away without a word, leaving a stunned Sarah staring after them. Thus begins Sarah’s journey into a world of secrets, a world of great responsibility and little guidance. Along the way, “The Blue Car,” set in western North Carolina in 1952, explores when to keep a promise and when to break it, and whether people can really change. Book club discussion questions included.

    The bewitched Lucius passes from owner to owner - encountering a desperate gang of robbers and being forced to perform lewd 'human' tricks on stage - until the Goddess Isis finally breaks the spell and initiates Lucius into her cult. It has long been disputed whether Apuleius meant this last-minute conversion seriously or as a final comic surprise and the challenge of interpretation continues to keep readers fascinated. Apuleius' enchanting story has inspired generations of writers such as Boccaccio, Shakespeare, Cervantes and Keats with its dazzling combination of allegory, satire, bawdiness and sheer exuberance, and The Golden Ass remains the most continuously and accessibly amusing book to have survived from Classical antiquity.

    But who took it? Twenty-one-year-old Nurse Gillian Snow finds her career in jeopardy when a dangerous drug disappears from the drug cupboard under her care. The situation also affects her romance with dashing house-surgeon Peter Kier. Moved from her ward to do other duties, Gillian experiences the happiness and heartache that comes from nursing both children and accident victims. As she struggles to understand who took the drug, and why, Gillian finds support and truth from some unexpected quarters. The Quiet Wards is the third novel by the bestselling hospital fiction author Lucilla Andrews. For the first time, Lucilla's novels are now available as ebooks (with new print editions available from 2018). More at www.lucillaandrews.com Perfect for fans of Donna Douglas and her Nightingales series, Jean Fullerton, Maggie Hope and Nadine Dorries.

    But the forest is gradually emptying as more and more people leave to settle in villages, where they break their backs tilling the land to grow wheat for their “bread” (which Leemet has been told tastes horrible) and where they pray to a god very different from the spirits worshipped in the forest’s sacred grove. With lothario bears who wordlessly seduce women, a giant louse with a penchant for swimming, a legendary flying frog, and a young charismatic viper named Ints, The Man Who Spoke Snakish is a totally inventive novel for readers of David Mitchell, Sjón, and Terry Pratchett.

    Fry transforms the adventures of Zeus and the Olympians into emotionally resonant and deeply funny stories, without losing any of their original wonder.This stunning book features classical artwork inspired by the myths, as well as learned notes from the author. Each adventure is infused with Fry's distinctive wit, voice, and writing style. Connoisseurs of the Greek myths will appreciate this fresh-yet-reverential interpretation, while newcomers will feel welcome. Retellings brim with humor and emotion and offer rich cultural contextCelebrating the thrills, grandeur, and unabashed fun of the Greek myths, Mythos breathes life into ancient tales—from Pandora's box to Prometheus's fire.This gorgeous volume invites you to explore a captivating world with the brilliant storyteller Stephen Fry as your guide.

    Emi, a gifted koto player, cherishes Taku's doting love. But the couple can't conceive, and Taku's work takes him away more and more often. When she finally gives birth to a healthy son, Emi dares hope that the preternaturally intelligent Jun will help mend the rift in her marriage. That is, until she meets Hana, an extraordinarily beautiful and wicked geisha, and discovers a betrayal so devastating it would take the aid of eight million gods and demons-the number of deities in the Japanese pantheon-to overcome.

    All this seems far removed from Kami, a boy who quietly goes about his everyday life in his farm village until one day he trips over the unconsious body of a warrior hidden in the long grass.That discovery will lead him on an adventure across the warring kingdoms, facing assassins and enemy soldiers as he journeys to the capital to face the new Shogun. Through his travels he aspires to become a samurai, and in his many challenges he eventually comes to understand what it means to be one.

    Drawing from anthropology, history, contemporary events, popular culture, and the author’s field experiences and travels, the essays draw connections between nature and culture, self and society, the local and the global, as well as the past and the present in order to arrive at a deeper, fuller, critical, yet hopeful view of a country that is larger than many imagine it to be.Published in 2020.

    A unique body of medieval literature, the Sagas rank with the world’s great literary treasures – as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the long ships did from home, the Sagas are written with psychological intensity, peopled by characters with depth, and explore perennial human issues like love, hate, fate and freedom.