Javellana's 368-paged book has two parts, namely Day and Night. The first part, Day, narrates the story of a pre-war barrio and its people in the Panay Island particularly in Iloilo. The second part, Night, begins with the start of World War II in both the U.S. and the Philippines, and retells the story of the resistance movement against the occupying Japanese military forces of the barrio people first seen in Day.It narrates the people's "grim experiences" during the war.First published in 1947, Javellana's novel sold 125,000 copies in the U.S. and was reprinted in paperback edition in Manila by Alemar's-Phoenix in 1976. The same novel was made into a film by the Filipino film maker and director, Lino Brocka under the title Santiago!, which starred the Filipino actor and former presidential candidate, Fernando Poe, Jr. and the Filipino actress, Hilda Koronel. It was also made into a mini-series film for Philippine television. The published novel received praises from the New York Times, New York Sun and Chicago Sun. Without Seeing the Dawn, the novel, became the culmination of Javellana's short-story writing career. The said novel was also known under the title The Lost Ones. It is currently a book requirement to the first year students of the University of the Philippines Rural High School.

    V. M. Gonzalez has influenced an entire generation of young Philippine writers and has also acquired a devoted international readership. His books, however, are not widely available in this country. The Bread of Salt and Other Stories provides a retrospective selection of sixteen of his short stories (all originally written in English), arranged in order of their writing, from the early 1950s to the present day.This is a powerful collection, both for the unity and universality of the author's subjects and themes and for the distinctive character of his prose style. As Gonzalez remarks in his Preface: "In tone and subject matter, [these stories] might suggest coming full circle - in the learning of one's craft, in finding a language and, finally, in discovering a country of one's own."Gonzalez has traveled widely and has taught the writer's craft in various countries. Nonetheless, his primary metaphor is his colonial island homeland, and his stories are peopled with the farmers and fishermen, the schoolteachers and small-town merchants, "the underclass who constitute the majority in all societies." He portrays, in the men, women, and children of the peasantry, an ordinary and enduring people who live lives of stark dignity against a backdrop of forgotten and unknown gods. A broad humanity suggests itself: "This feeling of having emerged out of a void, or something close to it, is not uncommon, and we face our respective futures predisposed, by an innocence, to prayer and hope."Colonization, Gonzalez feels, has created in Filipinos "a truly submerged people." The stories in The Bread of Salt explore this rich vein at several levels, from the river-crossed wilderness of the kaingin farmers, stoic in the hard face of nature; to the commercial centers of the town dwellers, cut off from the mythic animism of the land; to the America of the contemporary sojourner, exiled from the old ways without the guidance of new traditions. Gonzalez writes: "It was in America that I began to recognize my involvement in the process of becoming a new person . . . of trying to shed my skin as a colonial."Gonzalez's social commentary is implicit throughout his stories. His message is humane, moral, tellingly accurate, and gently ironic; he is neither sentimental nor doctrinaire. His narratives are presented without intrusive explanation, invoking instead the reader's own powers of contemplation and discovery. His strong prose style, spare yet lyrical suggests the cadences of Philippine oral narrative traditions.Each of these sixteen tales is a small masterpiece. The language and its imagery, the characters and their aspirations, all connect powerfully with the reader and serve to illuminate the dreams of exiles and colonials, suggesting what it was like, as a Filipino, to witness the endless interacting of cultures.

    It would take a young warrior to survive it.Cinelle Barnes was barely three years old when her family moved into Mansion Royale, a stately ten-bedroom home in the Philippines. Filled with her mother’s opulent social aspirations and the gloriously excessive evidence of her father’s self-made success, it was a girl’s storybook playland. But when a monsoon hits, her father leaves, and her mother’s terrible lover takes the reins, Cinelle’s fantastical childhood turns toward tyranny she could never have imagined. Formerly a home worthy of magazines and lavish parties, Mansion Royale becomes a dangerous shell of the splendid palace it had once been.In this remarkable ode to survival, Cinelle creates something magical out of her truth—underscored by her complicated relationship with her mother. Through a tangle of tragedy and betrayal emerges a revelatory journey of perseverance and strength, of grit and beauty, and of coming to terms with the price of family—and what it takes to grow up.

    

    

    Lucius Marius Nola, a retired veteran of the Roman Army, inherits a farm in the Alban Hills on the outskirts of Rome. Nola is looking forward to a new life in the countryside, living off the land, and more importantly, escaping his violent and disturbingly troubled past. However, no sooner has Nola begun to enjoy life once again when, against his will, a strange turn of events draws him into a web of murder and intrigue. 'Twelve Miles From Rome' is the first of a thrilling series of ancient world mysteries featuring Lucius Marius Nola.

    Will Rising had dragged himself from humble beginnings to his own small tailoring business in Gloucester - and on the way he'd fallen violently in love with Florence, refined, delicate, and wanting something better for her children. March was the eldest girl, the least loved, the plain, unattractive one who, as the family grew, became more and more the household drudge. But March, a strange, intelligent, unhappy child, had inherited some of her mother's dreams. March Rising was determined to break out of the round of poverty and hard work, to find wealth, and love, and happiness.

    Experiences as young children in Europe during World War II later affects a couples marriage and has impact on their friends.

    The translation by Ivan Morris is outstanding." —The New York Times**Winner of the 1952 Yomiuri Prize**This haunting novel explores the complete degradation and isolation of a man by war. Fires on the Plain is set on the island of Leyte in the Philippines during World War II, where the Japanese army is disintegrating under the hammer blows of the American landings. Within this broader disintegration is another, that of a single human being, Private Tamura. The war destroys each of his ties to society, one by one, until Tamura, a sensitive and intelligent man, becomes an outcast.Nearly losing the will to survive, he hears of a port still in Japanese hands and struggles to walk through the American lines. Unfazed by danger, he welcomes the prospect of dying, but first, he loses his hope, and then his sanity. Lost among his hallucinations, Tamura comes to fancy himself an angel enjoined by God to eat no living thing—but even angels fall.Tamura is never less than human, even when driven to the ultimate sin against humanity. Shocking as the outward events are, the greatness of the novel lies in its uplifting vision during a time of crushing horror. As relevant today as when it was originally published, Fires on the Plain will strike a chord with anyone who has lived through the horrors of war.

     Clydesdale is on the brink of becoming an ace. The only trouble is that he shouldn't be. Blind luck, mistakes and politics have seen him awarded with four of the five kills he needs. As the convoy Operation 'Harpoon' heads into the Western Mediterranean with only a handful of worn-out fighters to protect it, the eyes of the Navy and the press are on him. And soon, the eyes - and guns - of the enemy will be too. Six ships carry vital supplies, without which Malta cannot survive the Axis onslaught. The ageing carrier HMS Eagle, with its complement of battered Hawker Sea Hurricanes and their overworked pilots, must face legions of German and Italian bombers, all desperate to send the transports to the bottom of the Mediterranean. 'Harpoon' is the first book in a series chronicling the struggle of the Royal Navy's 'few' to protect the island fortress of Malta in the dark days of 1942. "Harpoon gets into the cockpit and inside the skin of a WW2 pilot. Willis has written a tale of triumph - and redemption. The author has used his intimate knowledge of the period to serve as a backdrop to a human - and thrilling - war story." Richard Foreman, author of Warsaw. Matthew Willis grew up near the historic port of Harwich and seaplane station at Felixstowe, developing a lifelong obsession with flying and the sea. He worked as a motorsport journalist and media relations officer before becoming a full time writer in 2011. His books include the epic novels of the Norman Conquest 'An Argument of Blood' and 'A Black Matter for the King' co-written with JA Ironside, and the novelette 'The Battle of Alma'.

     It follows little "Vikki" from childhood as she blossoms into a formidable young woman who becomes queen, and falls in love with Albert, the cousin who will be her prince. The story begins with the intriguing circumstances surrounding the marriage of Victoria's parents, and her own birth. A fascinating novelisation of a great woman's life, The Little Victoria is set in Kensington Palace, Buckingham Palace, and other royal residences. It lifts the curtain on the political intrigue, royal gossip, family feuds and romances that played a part in the destiny of the little girl who would one day be queen. Perfect for fans of the British Royal Family, historical fiction and TV historical dramas such as Victoria, War and Peace and Poldark.

    She is put to work at the female factory of Parramatta; a place where the women’s only hope of food and lodgings is to offer their bodies to the settlement’s men. Nell is given shelter by Lieutenant Blackwell, a brooding soldier to whom she is inexplicably drawn. Despite warnings from the other women, Blackwell’s motives seem decent, and beneath the roof of a military officer, Nell sees a chance to become more than just a convict woman sent to the factory to be forgotten. But tensions are high in New South Wales, with the young colony teetering on the edge of a convict rebellion. And as Nell treads a dangerous line between obedience and power, she learns the role of a factory lass is to remain silent – or face a walk to the gallows.

    Stricken by diphtheria, she is sent to the Hampshire countryside where she discovers a robust fighting spirit and the first stirrings of attraction...But then must she follow her mother into the city’s grim corset-making trade. Lu realizes that things must change. And she can make it happen.  Her journey from shy child to energetic woman encompasses love, deep friendship, and a growing political awareness. Above all, Lu is a survivor – and one to be reckoned with.The Girl Now Leaving is a powerful and unputdownable saga perfect for fans of Diney Costeloe, Nadine Dorries and Mary Gibson.

    will stay with me for a long time.’ Elizabeth LairdMore than a hundred years ago, a boy named Samkad thinks he knows everything about the world. He knows the mountains he lives in. He knows his people. He knows his blood enemy, the Mangili. And he wants to become a man, to be given his own shield, spear and axe to fight with. His best friend, Luki, wants all the same things – but she is a girl, and no girl has ever become a warrior.But everything changes when a new boy arrives in the village. He calls himself Samkad’s brother, yet he knows nothing of the ways of the mountain. And he brings news of a people called ‘Americans’, who are bringing war and destruction right to his home . . .

    At last she will be free from him, even though she and Nuala, the sister who depends on her for everything, must now leave his miners cottage. Then Kate discovers they have an aunt in the Midlands whom their father had kept secret, and who now offers them a home. Despite leaving her heart in Durham with Matthew, a young artist, Kate feels loved and safe with Aunt Beth. But her peace is shattered by an astonishing revelation from Nuala, and a series of brutal attacks on the women of Nuneaton. Kate turns to a handsome widower, Martin Denby, but is his kindness too good to be true?