Decades after economic and environmental collapse destroys much of civilization in the United States, the Coast Road region isn’t just surviving but thriving by some accounts, building something new on the ruins of what came before. A culture of population control has developed in which people, organized into households, must earn the children they bear by proving they can take care of them and are awarded symbolic banners to demonstrate this privilege. In the meantime, birth control is mandatory.Enid of Haven is an Investigator, called on to mediate disputes and examine transgressions against the community. She’s young for the job and hasn't yet handled a serious case. Now, though, a suspicious death requires her attention. The victim was an outcast, but might someone have taken dislike a step further and murdered him?In a world defined by the disasters that happened a century before, the past is always present. But this investigation may reveal the cracks in Enid’s world and make her question what she really stands for.

    The City is inhabited by those who have departed Earth but are still remembered by the living. They will reside in this afterlife until they are completely forgotten. But the City is shrinking, and the residents clearing out. Some of the holdouts, like Luka Sims, who produces the City’s only newspaper, are wondering what exactly is going on. Others, like Coleman Kinzler, believe it is the beginning of the end. Meanwhile, Laura Byrd is trapped in an Antarctic research station, her supplies are running low, her radio finds only static, and the power is failing. With little choice, Laura sets out across the ice to look for help, but time is running out. Kevin Brockmeier alternates these two storylines to create a lyrical and haunting story about love, loss and the power of memory.

    In this nightmare society, air pollution is so bad that gas masks are commonplace. Infant mortality is up, and everyone seems to suffer from some form of ailment.

    Mord once prowled the corridors of the biotech organization known as the Company, which lies at the outskirts of the city, until he was experimented on, grew large, learned to fly and broke free. Driven insane by his torture at the Company, Mord terrorizes the city even as he provides sustenance for scavengers like Rachel.At first, Borne looks like nothing at all—just a green lump that might be a Company discard. The Company, although severely damaged, is rumoured to still make creatures and send them to distant places that have not yet suffered Collapse.Borne somehow reminds Rachel of the island nation of her birth, now long lost to rising seas. She feels an attachment she resents; attachments are traps, and in this world any weakness can kill you. Yet when she takes Borne to her subterranean sanctuary, the Balcony Cliffs, Rachel convinces her lover, Wick, not to render Borne down to raw genetic material for the drugs he sells—she cannot break that bond.Wick is a special kind of supplier, because the drug dealers in the city don’t sell the usual things. They sell tiny creatures that can be swallowed or stuck in the ear, and that release powerful memories of other people’s happier times or pull out forgotten memories from the user’s own mind—or just produce beautiful visions that provide escape from the barren, craterous landscapes of the city.Against his better judgment, out of affection for Rachel or perhaps some other impulse, Wick respects her decision. Rachel, meanwhile, despite her loyalty to Wick, knows he has kept secrets from her. Searching his apartment, she finds a burnt, unreadable journal titled “Mord,” a cryptic reference to the Magician (a rival drug dealer) and evidence that Wick has planned the layout of the Balcony Cliffs to match the blueprint of the Company building. What is he hiding? Why won’t he tell her about what happened when he worked for the Company?

    Nuclear war has unleased firestorms and the killing cold of nuclear winter. Earthquakes and tidal waves have ravaged the West Coast of America. Desperate violent looters comb the devastated land. And a horrifying pandemic lays waste to the remaining human population. But one of the few survivors, Mary Hope, is determined to see that some spark of culture survives. Together with her beloved friend Rachel, she sets out to preserve the precious knowledge of the past by saving every book she can in what may very well be the last library—the only record of a world that has perished. But Mary and Rachel are not alone. They are forced to share their small subsistence farm, Amarna, with the Flock, a small band of survivors with fanatical beliefs. And one of those beliefs is that books are blasphemous and should be destroyed.

    Her grueling all-day Examination has just begun, and if she passes, she’ll be admitted into the Academy—the elite governing institution of her utopian society. But Anax is about to discover that for all her learning, the history she’s been taught isn’t the whole story. And the Academy isn’t what she believes it to be. In this brilliant novel of dazzling ingenuity, Anax’s examination leads us into a future where we are confronted with unresolved questions raised by science and philosophy. Centuries old, these questions have gained new urgency in the face of rapidly developing technology. What is consciousness? What makes us human? If artificial intelligence were developed to a high enough capability, what special status could humanity still claim? Outstanding and original, Beckett’s dramatic narrative comes to a shocking conclusion.

    #1 Science Fiction and Horror bestseller. More than 50,000 copies sold in less than three months.NOW AVAILABLE- THROUGH THE KILLING GLASS: ALICE IN DEADLAND BOOK II. Civilization as we know it ended more than fifteen years ago, leaving as it's legacy barren wastelands called the Deadland and a new terror for the humans who survived- hordes of undead Biters. Fifteen year-old Alice has spent her entire life in the Deadland, her education consisting of how best to use guns and knives in the ongoing war for survival against the Biters. One day, Alice spots a Biter disappearing into a hole in the ground and follows it, in search of fabled underground Biter bases. What Alice discovers there propels her into an action-packed adventure that changes her life and that of all humans in the Deadland forever. An adventure where she learns the terrible conspiracy behind the ruin of humanity, the truth behind the origin of the Biters, and the prophecy the mysterious Biter Queen believes Alice is destined to fulfill. A prophecy based on the charred remains of the last book in the Deadland- a book called Alice in Wonderland.

    Inside, assailed by mysterious forces, doctors and patients are left to remember the world they've lost and to imagine one to come. At the center, Jemma Claflin, a medical student, finds herself gifted with strange powers and a frightening destiny. Simultaneously epic and intimate, wildly imaginative and unexpectedly relevant, The Children's Hospital is a work of stunning scope, mesmerizing detail, and wrenching emotion.

    In Paris, a covert agent, a woman who inhabits a twilight of lies and death, is close to cracking a terrorist cell. And just north of the equator, a forty-foot wood-hulled sailboat, manned by a drug runner, a pirate, and two gun-slinging beauties, is witness to the unspeakable. In one instant, all around the world, for politicians and peasants, from Gaza to Geneva, things will never be the same. A wave of inexplicable energy has slammed into the continental United States. America, as we know it, is gone. . . . WITHOUT WARNING Now U.S. soldiers are fighting a war without command or control. A correspondent records horrors for no one. Washington is gone and the line of succession is in tatters; the functioning remnants of government are in Pearl Harbor, Guantánamo Bay, and one desperate, isolated corner of the Northwest. For the jihadists, it’s Allah’s miracle. For Saddam, it’s a chance to attack. Iran declares war on an America that doesn’t exist–except in the hearts and souls of the men and women who want it to.In this astounding work of alternate fiction, John Birmingham hurtles us into a scenario that is unimaginable but shatteringly real: a world of financial ruin where a cloud of noxious waste–from America’s burning cities–darkens Europe, while men and women in offices around the globe struggle to make decisions that cannot hold and opportunists unleash their secret demons.From a slick Texas lawyer who happens to be in the right place at the right time to a hard-working city engineer in Seattle who becomes his terrified city’s only hope, from the cancer-stricken secret agent to a drug runner off the Mexican coast and a U.S. general in Cuba, Without Warning tells a fast, furious story of survival, violence, and a new, soul-shattering reality.

    And the greatest city of them all is Charisat: Imperial seat and wonder of wonders, a great monolithic structure towering over the desert. Charisat, a phantasmagorical place where silken courtesans and beggars weave lies side by side, where any man’s dreams can be fulfilled at the whisper of a genie, and where the tier that you live on determines how high up the food (or more importantly, water) chain you are. It is the goal of every schemer, treasure hunter, and madman intent on finding his heart’s content — a place that dazzles the senses, makes the most somber mind dizzy with its scents and sights — and where no one knows friend from foe when it comes to the desperate fight for dwindling resources.And where a beautiful woman and a handsome thief will try to unravel the mysteries of an age-old technology to stop a fanatical cult before they unleash an evil that will topple Charisat.And destroy all the water in the world.

    That is, until she meets Mercury, an anti-establishment angel who's frittering his time away whipping up batches of Rice Krispy Treats and perfecting his ping-pong backhand instead of doing his job: helping to orchestrate Armageddon. With the end near and angels and demons debating the finer political points of the Apocalypse, Christine and Mercury accidentally foil an attempt to assassinate one Karl Grissom, a thirty-seven-year-old film school dropout about to make his big break as the Antichrist. Now, to save the world, she must negotiate the byzantine bureaucracies of Heaven and Hell and convince the apathetic Mercury to take a stand, all the while putting up with the obnoxious mouth-breathing Antichrist.

    Christened “Haters” by the media, the attackers strike without warning and seemingly without reason. Within seconds, normally rational, self-controlled people become frenzied, vicious killers. As the carnage mounts, one thing soon is clear: everyone, irrespective of race, gender, age, or class, has the potential to become either a Hater or a victim. At any moment, even friends and family can turn on one another with violent intent. In the face of this mindless terror, all McCoyne can do is secure his family, seek shelter, and watch as the world falls apart. But when he bolts the front door, the question remains: Is he shutting the danger out or locking it in?

    From here the story spans centuries of ignorance, violence, and barbarism, viewing through a sharp, satirical eye the relentless progression of a human race damned by its inherent humanness to recelebrate its grand foibles and repeat its grievous mistakes.

    Now it is their only chance for survival... Britain in 2075 is a dangerous place. A man known only as the Governor rules the country with an iron hand, but within the towering perimeter walls of London Greater Urban Area anarchy spreads unchecked through the streets. In the abandoned London Underground station of St. Cannerwells, a group of misfits calling themselves the Tube Riders seek to forget the chaos by playing a dangerous game with trains. Marta is their leader, a girl haunted by her brother's disappearance. Of the others, Paul lives only to protect his little brother Owen, while Simon is trying to hold on to his relationship with Jess, daughter of a government official. Guarding them all is Switch, a man with a flickering eye and a faster knife, who cares only about preserving the legacy of the Tube Riders. Together, they are family. Everything changes the day they are attacked by a rival gang. While escaping, they witness an event that could bring war down on Mega Britain. Suddenly they are fleeing for their lives, pursued not only by their rivals, but by the brutal Department of Civil Affairs, government killing machines known as Huntsmen, and finally by the inhuman Governor himself.

    She makes sure anyone who comes near the pond leaves thirsty, or doesn't leave at all.Confident in her own abilities, Lynn has no use for the world beyond the nearby fields and forest. Having a life means dedicating it to survival, and the constant work of gathering wood and water. Having a pond requires the fortitude to protect it, something Mother taught her well during their quiet hours on the rooftop, rifles in hand.But wisps of smoke on the horizon mean one thing: strangers. The mysterious footprints by the pond, nighttime threats, and gunshots make it all too clear Lynn has exactly what they want, and they won’t stop until they get it….With evocative, spare language and incredible drama, danger, and romance, debut author Mindy McGinnis depicts one girl’s journey in a barren world not so different than our own.