Laurinda Brown's characters explore every aspect of black lesbian life - whether it's first times, illicit trysts, cheating hearts or longtime love.

    In contemporary Lagos, a young boy may pose as a woman online, and a maid may be suspected of sleeping with her employer and yet still become a young wife’s confidante. Men and women can be objects of fantasy, the subject of beery soliloquies. They can be trophies or status symbols. Or they can be overwhelming in their need.In these wide-ranging stories, A. Igoni Barrett roams the streets with people from all stations of life. A man with acute halitosis navigates the chaos of the Lagos bus system. A minor policeman, full of the authority and corruption of his uniform, beats his wife. A family’s fortunes fall from love and wealth to infidelity and poverty as poor choices unfurl over three generations. With humor and tenderness, Barrett introduces us to an utterly modern Nigeria, where desire is a means to an end, and love is a power as real as money.

    Uriel, the winery's young widower, steers clear of complicated relationships. He prefers the lonely comfort of his vineyard and his horses. Until he is reminded of his love affair with Amanda Scanlon, a relationship that ended when she abruptly left the country years ago under a cloud of mystery. When, due to a family crisis, Amanda returns to Sonoma, she tries to mend the broken relationships left behind. In addition, she seeks the truth about her parents' complicated history and her own parentage. But Amanda's unveiling of the past has devastating consequences. In the midst of California's beautiful Sonoma Valley, the Scanlon family struggles to overcome harsh realities with dignity and grace. Both Amanda and Uriel stretch to take care of their families, who are facing immigration issues, marital crises, and illness. While navigating these challenges, the couple must decide if they trust themselves to love again, or to finally let each other go. A Sonoma local, author Joanell Serra's debut novel is captivating, poignant, and uplifting, demonstrating how seeds planted long ago continue to grow. Sometimes into a strangling weed, sometimes offering a bountiful harvest.

    Having a fear of germs is inconvenient when you’re on a road-trip adventure. However, needing to know what it’s like to have a mom, and to finally see the beach means more than anything to an eleven-year-old.Some twenty years later, a man Sandy never wanted to see again shows up at her doorstep. When Sandy’s best friend places an ultimate life-changing decision in her hands, Sandy must venture back down the road, this time with the father she hates.Making these decisions will be much easier with Justin, a long-time friend, by Sandy’s side. Yet, Justin’s help only leads to continued mixed emotions Sandy has been fighting for some time.Sandy is searching for what she lost, but will she accept what she finds? A journey rich in history, the truth, and determining forgiveness with a touch of humor is the portrait of life.

    I knew I was also in the presence of the brillian voice and sensibility of a major new American writer. This is an important novel by a true artist."--Robert Olen Butler"Dedra Johnson has caught something wonderful in Sandrine's Letter to Tomorrow. She writes brilliantly about childhood, New Orleans, the intricacies of a vexed family life. Sandrine is a remarkable debut novel that will catch your heart."--Frederick BarthelmeDespite being a straight-A student and voracious reader, eight-year old Sandrine Miller is treated as little more than a servant by her mother, who forces Sandrine to clean house, do chores and take care of her younger half sister, Yolanda. On top of the despair of her life at home, Sandrine must confront growing up against the harshness of life in 1970s-era New Orleans, where men in cars follow her home from school and she is ostracized because she is a light-skinned black girl. The only refuge Sandrine has against her bleak world is spending summers with her beloved grandmother, Mamalita. After Mamalita’s death, Sandrine realizes that she must escape from her mother, from New Orleans, from everything she has known, if she is to have any kind of future. In the tradition of Toni Morrison's The Bluest Eye and Alice Walker's The Color Purple, Sandrine's Letter to Tomorrow is a brilliant debut from an important new African-American voice in literary fiction.A native and current resident of New Orleans, Dedra Johnson received her MFA from the University of Florida, where she was a finalist for the Hurston/Wright Award for College Writers. Sandrine's Letter to Tomorrow was a runner-up for the William Faulkner-William Wisdom Award in 2006.

    This memorable collection of poems exhibits Maya Angelou's unique gift for capturing the triumph and pain of being black and every man and woman's struggle to be free. Filled with bittersweet intimacies and ferocious courage, these poems are gems–many-faceted, bright with wisdom, radiant with life.

    Spanning 40 years and including Himes's first work, written during his imprisonment in the 1940s, this collection uncovers the internal struggles of black individuals caught between resignation and rage, probing the heart of the African-American experience with wit, indignation, and ruthless honesty.

    Elizabeth’s mother rang her morning, noon and night. He’s driving me mad with his pepper talk, she said, I’ll crown him if he talks to me about the need for Vietnam to join the International Pepper Community and duties and postmen one more time! The cracks one begins to see in families.Flight is the story of four travellers as their journeys intersect one winter in Dublin.Sandrine, a Zimbabwean woman who has left her husband and son behind in the hope of making a better life for them in Ireland, is alone and secretly pregnant. She finds herself working as a carer for Tom and Clare, a couple whose travels are ending as their minds begin to fail. Meanwhile Elizabeth, their world-weary daughter, carries the weight of her own body’s secret.Set in Ireland in 2004 as a referendum on citizenship approaches, Flight is a magically observed story of a family and belonging, following the gestation of a friendship during a year of crisis. A story of arrival and departure, the newly found and the left behind, Flight is among a new breed of Irish novel – one that recognizes the global nature of Ireland experience in the late 20th century, and one that considers Ireland in the aftermath of the failed Celtic Tiger.

    It reveals the warmth and humor as well as the oppression in the Syrian society. The stories make the reader laugh while addressing serious issues such as domestic violence.Um Hussam can't find a suitable bride for her son, testing each candidate's sight, hearing and reading skills, occasionally cobbing a feel. Jamila's husband Hassan can't forget his deceased wife, until she makes sure he never mentions her again. Rami can't help but wonder whether his new bride is a natural beauty or a talented surgeon's masterpiece. Khadija's maid stabs her in the back while Rana's husband Muafak can't find the right excuse to avoid a fight.

    What I got instead is heartbreak and a divorce. With my life a shambles, I hit the road and begin a voyage of self discovery and growth. When my keyboard reveals a world of sensual fantasy and dark desires, I don’t know whether to leap into the unknown or play things safe. What I do know is that I’m worth a second chance. I may be forty-five, but I’m not ready to give up on love.

    She tells of the trials of immigration, of exile, of thwarted interracial love, and of social injustice. Some poems recall the Confucian "Book of Songs," while others echo the African American blues tradition and Western railroad ballads. The title poem references the Han Dynasty rhapsody but is also a wild, associative tour de force. Political allegories sing out with personal revelations. Personal revelations open up to a universal cry for compassion and healing. These songs emerge as a powerful and elegant collection: sophisticated yet moving, hard-hitting yet refined.

    But Allison rises to the challenge of raising Westley's toddling daughter as though she were her own. Over the course of their lifetime together, Allison, Westley, and Michelle form the strong bond of family. As Allison struggles with infertility and finding her way during a time of great change for women, others--some she knows and others whom she never meets--brush and weave against the fabric of her life, leaving her with more questions than answers. From teen bride to grandmother, Allison's life chronicles the ups and downs of an ordinary woman's life to examine the value of what we all leave behind.

    Legendary doyenne of the fabled Palm Springs getaway, she can always tell from the moment the women arrive, which ones will be problems.This group will not disappoint: a burned-out Fifth Avenue retail executive...a striking former model and Chicago socialite... an overweight Texas housewife on the brink of her second divorce and her beautiful, teenage daughter...and a CEO who, unhappy with recent plastic surgery, is secluded in her room.Fortunately, Madame Demidova can rely on her Assistant Director to help manage the herd, not knowing that this valued employee is poised to make an audacious move.Lust, ambition, secrets, betrayal, competition for the ownership of the world's premier spa and a chance to snag the uber-eligible man who unexpectedly arrives on the scene are all on the menu at The Spa at Lavender Lane.

    Why Wakanda Matters gives this iconic film the in-depth analysis it deserves under the lens of the latest psychological concepts-as well as delving into the lasting cultural impact of this unforgettable story.Edited by Sheena C. Howard, an award-winning author, filmmaker, and scholar, Why Wakanda Matters: What Black Panther Reveals About Psychology, Identity, and Communication features a collection of essays from leading experts in a variety of fields who offer insightful perspectives on topics such as:- Cognitive dissonance: The important messages within T'Challa's nuanced identity and eventual shift from nationalism to globalism.- Intergenerational trauma and resistance: How N'Jadaka (aka Erik/Killmonger) identifies with the trauma that his ancestors have suffered.- Social identity: How Nakia, Shuri, Okoye, and Ramonda—all empowered, intelligent, and assertive women of color—can make a lasting impression on women and girls.- Collective identity: How Black Panther has created a shared fantasy for Black audience members—and why this is groundbreaking.- Cultural and racial identity: What we can learn from Black Panther's portrayal of a culture virtually untouched by white supremacy.Fans of the movie and those interested in deeper discussions about the film will revel in this thought-provoking examination of all aspects of Black Panther and the power of psychology.

    In these 115 titled chapters, a man, who learns he has a 5-year-old son, is caught between the life he knows and a life he may not yet be ready for. This is a book that tears down the boundaries in relationships, sentences, origin and identity, no matter how quickly its narrator tries to build them up.“In Matt Salesses’s smart novel-in-shorts, a newly-minted father flees telling his own story by any means necessary—by sarcasm, by denial, by playful and precise wordplay—rarely allowing space for his emerging feelings to linger. But the truth of who we might be is not so easily escaped, and it is in the accumulation of many such moments that our narrator, like us, is revealed: both the people we have been, and the better people we might be lucky enough to one day hope to become.”– Matt Bell, author of In the House upon the Dirt between the Lake and the Woods“Matthew Salesses has written an extraordinary and startlingly original novel that explores connection and disconnection, the claims and limitations of the self, and the shifting terrain of truth. Poetic, unforgettable, shot through with fury and yearning, I’m Not Saying, I’m Just Saying captures in clear and chilling flashes our capacity for the cruelty and tenderness of love.”–Catherine Chung, author of Forgotten Country“Matthew Salesses’ I’m Not Saying, I’m Not Saying is an absolute stunner of a novel. Told is short, sharp vignettes with prose that is taut, yet overflowing with meaning, this is the story of a year in the life of a complex and haunted, cobbled together family. The beauty of Salesses’ writing here lies in his fearlessness, the emotional blows to the heart and head and gut he’s willing to deliver, as if to say: This, this is life! And we are all, in one way or another, survivors.”– Kathy Fish, author of Together We Can Bury It“I’m not Saying, I’m just Saying renders the messiness of life, family, love in its myriad complex forms—romance lost and found, blood ties, squandered, unrequited—via 115 micro-stories that add up to a pointillist masterpiece.”– Marie Myung-Ok Lee, author of Somebody’s Daughter