Compiled by an American—the United States consul for Wales in the late nineteenth century—this volume was the work of several years’ labour.Scouring the hills and valleys of Wales after falling in love with the land, the author wrote down the oral traditions, stories, myths, and legends related to him by the people he met on his travels. The result was a spectacular work, divided up into four sections: “Faerie Realm,” the “Spirit-World,” “Quaint Old Customs,” and “Bells, Wells, Stones, and Dragons.”In this book, the reader will not only learn of the greatest Welsh legends (including King Arthur, Iolo ap Hugh, the Green Lady of Caerphilly), but also of the local fairy stories and even the superstitions of ancient—and not so ancient—Wales.Rarely has a nation’s mythos and essence been so elegantly captured as in this work. The legacy of Welsh mythology and folklore has entered the vocabulary of modern English, and spread around the world, being some of the oldest tales in all Europe.As the author states in his introduction:“In a certain sense Wales may be spoken of as the cradle of fairy legend. It is not now disputed that from the Welsh were borrowed many of the first subjects of composition in the literature of all the cultivated peoples of Europe.”This edition has been completely reset, contains the full text and all the wonderful—and hand restored—illustrations of the original work. It is a literary treasure of the first class.— Written on the back of the Second Edition, 2017

    . . and then must battle the Queen of Faery for possession of her lover’s body and soul.In this version of Tam Lin Janet is a college student, "Carterhaugh" is Carter Hall at the university where her father teaches, and Tam Lin is a boy named Thomas Lane. The book is set against the backdrop of the early 1970s.

    The ruling classes engage in such pursuits as patronizing the arts or hunting with the Royal Pack of Werewolves, while the lower orders take pleasure in conducting brutal raiding parties into the world to torment mortals.The Kingdoms of Elfin are more diverse and widely scattered than is often thought; from the Welsh Elfins who, though constitutionally incapable of faith, remove mountains, and the elegant and witty French Court of Brocéliande where castration almost becomes a vogue, to the Kingdom of Zuy in the Low Countries, trafficking suppositories and religious pictures.Sylvia Townsend Warner's richly exuberant imagination combined with the calm precision of her language conjures up a sublunary realm that is entirely convincing.

    But this isn’t any normal assignment—she’s sent to guard Prince Richard: Britain’s notorious, partying bad boy and soon-to-be King. The prince’s careless ways and royal blood make him the irresistible for the dark spirits that feed on mortals. Sweet, disheveled, and alive with adventure—Richard is one charge who will put Emrys’s magic and heart to the test.When an ancient force begins preying on the monarchy, Emrys must hunt through the London’s magical underworld, facing down Banshees, Black Dogs and Green Women to find the one who threatens Richard’s life. In this chaos of dark magic, palace murders and paparazzi, Emrys finds herself facing an impossible choice. For despite all her powers, Emrys has discovered a force that burns brighter than magic: love.

    Celebrating the 125th anniversary of its original publication, this expanded and updated edition of a classic reference features a new, simplified organization.

    The volume includes over forty of the Grimms' most beloved stories, including:Rapunzel * Hansel and Gretel * The Brave Little Tailor * Cinderella * Little Red Riding Hood * The Robber Bridegroom * Briar Rose * Snow White * Rumplestilskin * The Golden Goose * The Singing, Soaring Lark * The Frog King * The Juniper Tree * and Mother HolleWith over 150 paintings and drawings from the most celebrated fairy tale illustrators, including George Cruikshank, Paul Hey, Walter Crane, Warwick Goble, Kay Nielsen, and Arthur Rackham.

    Utilizing nearly two hundred examples of modern fantasy, author Farah Mendlesohn uses this system to explore how fiction writers construct their fantastic worlds. Mendlesohn posits four categories of fantasy--portal-quest, immersive, intrusion, and liminal--that arise out of the relationship of the protagonist to the fantasy world. Using these sets, Mendlesohn argues that the author's stylistic decisions are then shaped by the inescapably political demands of the category in which they choose to write. Each chapter covers at least twenty books in detail, ranging from nineteenth-century fantasy and horror to extensive coverage of some of the best books in the contemporary field. Offering a wide-ranging discussion and penetrating comparative analysis, Rhetorics of Fantasy will excite fans and provide a wealth of material for scholarly and classroom discussion.Includes discussion of works by over 100 authors, including Lloyd Alexander, Peter Beagle, Marion Zimmer Bradley, John Crowley, Stephen R. Donaldson, Stephen King, C. S. Lewis, Gregory Maguire, Robin McKinley, China Mieville, Suniti Namjoshi, Philip Pullman, J. K. Rowling, Sheri S. Tepper, J. R. R. Tolkien, Tad Williams

    "She is warrior, queen, death omen, mother, murderer, lover, spy, conspirator, faery, shape-shifter, healer, and sometimes the living earth itself. A captivating contradiction: a demonic female who both haunts and heals; benevolent in one moment, ghastly the next, and kind the moment after that.”The Morrigan is one of Pagan Ireland’s most famous—and notorious—goddesses. Her name translated as “phantom queen” or “great queen,” the Morrigan is famous for being a goddess of war, witchcraft and death, protection and retribution. This book also explores her patronage of motherhood, healing, shapeshifting, and the land. Classified among the Sidhe (fairies), the Morrigan dates back at least to Ireland’s Iron Age, but she is as modern as she is ancient―enjoying a growing contemporary and global following.Author Courtney Weber provides a guide for the modern devotee of this complex, mysterious goddess that encompasses practical veneration with modern devotionals, entwined with traditional lore and Irish-Celtic history.

    The fairy tale-based works of the tortured confessional poet, whose raw honesty and wit in the face of psychological pain have touched thousands of readers.

    Learn what really happened during that magical summer of 1920 when she discovered the secret world of the Flower Fairies.

    But when she meets the handsome Sonny Flannery, Kelley has to face the shocking truth that the world of Faeries is all too real - and that she is an unwitting part of it. Sonny warns Kelley that she is no mere mortal, and that she is being haunted by powerful forces from the Faerie realm. Now, Kelley must come to terms with her heritage - and her growing feelings for Sonny - if she wants to save not only herself, but also the human world that she holds dear.

    Finding herself catapulted into fairyland she discovers that the Real World is not quite what she thought and fairyland is not quite what she imagined. The question is... who will come out alive?

    Stories of miracles, visions of hell, jokes, fables, and legends, these tales reflect the Japanese worldview during a classic period in Japanese civilization. Masterfully edited and translated by the acclaimed translator of The Tale of Genji, these stories ably balance the lyrical and the dramatic, the ribald and the profound, offering a window into a long-vanished though perennially fascinating culture.

    Tradition defines faeries according to different general categories, which include nature spirits, helpers, tricksters and seducers, and angelic faeries. The author summarizes the long history of faery lore, and explains how we can develop our intuitive powers and perceive the faery realm, which he claims truly exists in the universe. He goes on to describe more than 50 faeries, including: Nymphs, nature spirits, favored by the ancient Greeks and found in places of natural beauty, Elves, revered in Anglo-Saxon lore as guardians of woods, mountains, and wild places, Jack Frost, a playful spirit of cold regions who nips at children's fingers and toes, Brownies, worker spirits attracted to industrious households, and said to bring luck, Puck, a mischievous sprite made famous by Shakespeare in A Midsummer Night's Dream, Leprechauns, the memorable faery pranksters of Irish folklore, Genies, the celebrated wonder workers of Arabian folklore. The author also offers recipes for "faery ointments" said to help us see faeries, rituals to attract beneficial faeries to home or garden, and faery herb lore for healing and making magic charms. More than 130 enchanting, full-color illustrations.

    But when Cam’s cousin Pip comes to stay with the family, Cam seems depressed. Finally Cam confesses to Morgan what’s going on: Cam is a fairy. The night he was born, fairies came down and switched him with a healthy human boy. Nobody expected Cam to live, and nobody expected his biological brother, heir to the fairy throne, to die. But both things happened, and now the fairies want Cam back to take his rightful place as Fairy King.Even as Cam physically changes, becoming more miserable each day, he and Morgan pledge to fool the fairies and stay together forever. But by the time Cam has to decide once and for all what to do, Morgan’s no longer sure what’s best for everyone, or whether her and Cam’s love can weather an uncertain future.