Her ex, after all, has moved on to a new wardrobe, a new penchant for lattes--and worst of all, new adult friends. But in Claudia's house she's still finding bananas in the sock drawer and cigarettes taped to wrestling figures. Then Claudia receives the unexpected news that her mother has died.Shared through the hilarious, honest, and often poignant perspective of a single mother, Roost is the story of a woman learning about motherhood while grieving the loss of her own mother. And as she begins to mend, she's also learning that she might be able to accept her home--as it is.

    Escaping into her research, Constance decodes the Gustav Manuscript, and discovers a pair of comedies that she believes are the source for Shakespeare's Othello and Romeo and Juliet. Transported into the world of her theory, she comes face-to-face with Desdemona and Juliet and discovers that, far from shrinking violets, they are hellions full of surprises. What follows is a riotous retelling of theatrical legend that brings Constance out of her gloom and straight into a new and confident self.

    Carol Shields's award-winning and critically acclaimed "literary mystery," first published in 1987.Swann is the story of four individuals who become entwined in the life of Mary Swann, a rural Canadian poet whose authentic and unique voice is discovered only hours before her husband hacks her to pieces.Who is Mary Swann? And how could she have produced these works of genius in almost complete isolation? Mysteriously, all traces of Swann's existence — her notebook, the first draft of her work, even her photograph — gradually vanish as the characters in this engrossing novel become caught up in their own concepts of who Mary Swann was.

    Sharing stories in search of The One, or even better, that One-Night-Stand, or the opening of boundaries -- can we say medicine wheel -- this collection fearlessly sheds light on the sharing and honesty that comes with discussions of men, women, sex, and relationships, using humour to chat about the complexities of race, culture and intent within relationships. From discovering your own John Smith to sharing sushi in bed, #IndianLovePoems will make you smile, shake your head, and remember your own stories about that special someone.?

    Wherein The Rez Sisters the focus was on seven Wasy women and the game of bingo, Dry Lips Oughta Move to Kapuskasing features seven Wasy men and the game of hockey. It is a fast-paced story of tragedy, comedy, and hope.

    A woman runs away to a cottage in the English moors to escape a love affair; shards of glass reconcile a middle-aged wife to her husband’s estrangement; a grandmother makes a startling confession from her youth; a young woman discovers herself through the life of an Italian saint; and, in a spellbinding story of artistic jealousy, we enter the mind of poet Robert Browning at the end of his life. In these beautifully crafted stories, ordinary objects brim with meaning and memories radiate with significance as Jane Urquhart illuminates the things that lie just beneath the surface of our lives.

    . . bug stew? In the vein of The Glass Castle and Wild, Cea Sunrise Person’s compelling memoir of a childhood spent with her dysfunctional counter-culture family in the Canadian wilderness—a searing story of physical, emotional, and psychological survival.In the late 1960s, riding the crest of the counterculture movement, Cea’s family left a comfortable existence in California to live off the land in the Canadian wilderness. But unlike most commune dwellers of the time, the Persons weren’t trying to build a new society—they wanted to escape civilization altogether. Led by Cea’s grandfather Dick, they lived a pot-smoking, free-loving, clothing-optional life under a canvas tipi without running water, electricity, or heat for the bitter winters.Living out her grandparents’ dream with her teenage mother Michelle, young Cea knew little of the world beyond her forest. She spent her summers playing nude in the meadow and her winters snowshoeing behind the grandfather she idolized. Despite fierce storms, food shortages, and the occasional drug-and-sex-infused party for visitors, it seemed to be a mostly happy existence. For Michelle, however, now long separated from Cea’s father, there was one crucial element missing: a man. When Cea was five, Michelle took her on the road with a new boyfriend. As the trio set upon a series of ill-fated adventures, Cea began to question both her highly unusual world and the hedonistic woman at the centre of it—questions that eventually evolved into an all-consuming search for a more normal life. Finally, in her early teens, Cea realized she would have to make a choice as drastic as the one her grandparents once had in order to save herself.While a successful international modeling career offered her a way out of the wilderness, Cea discovered that this new world was in its own way daunting and full of challenges. Containing twenty-four intimate black-and-white family photos, North of Normal is Cea’s funny, shocking, heartbreaking, and triumphant tale of self-discovery and acceptance, adversity, and strength that will leave no reader unmoved.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    While Lark is shy and studious, Robin is wild and artistic. Raised in Montreal by their disinterested single mother, they form a fierce team in childhood despite these differences. As they grow up, Lark excels at school and Robin becomes an extraordinary pianist. At seventeen, Lark flees to America to attend college, where she finds her calling in documentary films, and her sister soon joins her.Later, in New York City, the sisters find themselves tested: Lark struggles with self-doubt, and Robin chafes against the demands of Juilliard. Under pressure, their bond grows strained and ultimately broken, and their paths diverge. Lark leaves New York when she meets Lawrence Wheelock, a renowned filmmaker who becomes both her employer and occasional lover, while Robin returns to Canada. When Wheelock denies Lark what she hopes for most of all--a child--she is forced to re-examine a life marked by unrealized ambitions and thwarted desires. And as she takes charge of her destiny, Lark discovers that despite their complicated, oftentimes painful relationship, there is only one person she can truly rely on: her sister.In this gripping, unforgettable novel about motherhood, sisterhood, desire, and self-knowledge, Alix Ohlin traces the rich and complex path towards fulfillment as an artist and a human being, capturing the peculiar language of sisters and making visible the imperceptible strings that bind us to the ones we love--or have loved--for good.

    At 15 she tried in vain to escape by marrying a white man, only to find herself trapped in the slums of Vancouver—addicted to drugs, tempted by suicide, close to death. But the inspiration of her Cree great-grandmother, Cheechum, gives her confidence in herself and in her people, confidence she needs to survive and to thrive.Half-Breed offers an unparalleled understanding of the Métis people and of the racism and hatred they face. Maria Campbell's story cannot be denied and it cannot be forgotten: it stands as a challenge to all Canadians who believe in human rights and human dignity.

    She has also been a mother, a yoga instructor, and part-time soap maker. She loves her life in picturesque Lunenburg, Nova Scotia, but it’s just not enough anymore. With a burning entrepreneurial desire, she decides that when her husband, Paul, retires, it will finally be her turn to live out her dream. The catch: her dream is to open a sex shop. While Paul begrudgingly goes along with Wendy’s “half-cocked” idea, it’s out of a sense of guilt; a recently spilled secret has their marriage on the rocks. As soon as the townspeople get wind of Wendy’s plans, it opens up a whole other can of worms—and Paul finds himself bait for the local rumour mill. Her silent, “invisible” partner in the project, he secretly hopes her plan for the shop will fail.Orbiting around Paul and Wendy’s story is a motley crew of characters, including the Hebbs’ daughter, Ellen, a feminist academic who catches the eye of a lady-killer coworker while home for the summer; Wendy’s best friend, Betty, a chain-smoking seamstress with secrets of her own; the local minister and her husband, who secretly indulge in role play; and the wealthy Sonya and Booth, who will stop at nothing to make sure the shop never opens its doors—as long as they can avoid discussing their failing marriage.An irreverent novel full of heart and humour, Fishnets & Fantasies is a story of love and lust at any age, of old grudges and older secrets, and of the relationships that make all the awkward fumbling worthwhile.

    By the end of the first chapter, Sophie Hippolyte’s husband Pierre will have been gone for three days, and the suspense, as a lone horseman approaches their homesteader cabin in the southwest Saskatchewan of the 1880s, is palpable.Wild Rose, an epic story of The West, now long gone, charts Sophie’s journey from underloved child in religion-bound rural Quebec, to headstrong young woman to exhausted homesteader to deserted bride and mother to independent businesswoman finding her way in a hostile, if beautiful, landscape. In language that is haunting, elegiac and rich with detail, Butala casts an unblinking eye on a merciless West that has become obscured behind headlines about wheat and oil prices. Sophie’s West – filled with sodbusters and cowboys, fallen women and proper ladies, settlers and Indians – comes vividly alive in the pages of Wild Rose, Butala’s most unforgettable novel.

    Befitting someone who "speaks things into being," Christmas extracts from family history, queer lineage, and the political landscape of a racialized life to create a rich, softly defiant collection of poems. Christmas draws a circle around the things she calls "holy" the family line that cannot find its root but survived to fill the skies with radiant flesh; the body, broken and unbroken and broken and new again; the lover lost, the friend lost, and the loss itself; and the hands that hold them all with brilliant, tender care. Expansive and beautiful, these poems allow readers to swim in Jillian Christmas's mother-tongue and to dream at her shores.

    Blood Lyrics is a mother's song, one seared with the knowledge that her country wages long, aching wars in which not all lives are equal. There is beauty imparted, too, but it arrives at a cost: "Don't say it's the beautiful / I praise," Ford writes. "I praise the human, / gutted and rising."

    Stephansson Award for PoetryWith a title derived from John A. Macdonald’s moniker for the Métis, The Pemmican Eaters explores Marilyn Dumont’s sense of history as the dynamic present. Combining free verse and metered poems, her latest collection aims to recreate a palpable sense of the Riel Resistance period and evoke the geographical, linguistic/cultural, and political situation of Batoche during this time through the eyes of those who experienced the battles, as well as through the eyes of Gabriel and Madeleine Dumont and Louis Riel.Included in this collection are poems about the bison, seed beadwork, and the Red River Cart, and some poems employ elements of the Michif language, which, along with French and Cree, was spoken by Dumont’s ancestors. In Dumont’s The Pemmican Eaters, a multiplicity of identities is a strengthening rather than a weakening or diluting force in culture.