Joining together with a wizard, a druid, a necromancer, and a crusader, Morbed has arrived at a remote island to track down an elusive vagabond andreclaim valuable items pilfered from the city of Westmarch.But there is something loose on the island, something that has killed and is very close to killing again. In order to leave the island alive, Morbed will be forced to confront not only the terrifying creature that stalks the forests, but the darkest corners of his own spirit as well.

    Dealing with his pain and his "magnificent gift," Gianni passes through a decade of darkness where he moves away from his classical background and develops into a renowned and versatile guitarist, dazzling the clubs of Milano with his late-night jazz set. Also playing as an acclaimed studio musician, his life nevertheless tumbles ever deeper into the despair of drink, drugs, and affairs.By invitation from an old friend, Gianni travels to Germany and is confronted with the radical faith of a contemporary Christian music group whose life stories read like his. In a highly realistic and dramatic style, Gianni must deal with his doubts about God, his fears, the unforgiveness of those who hurt him most, and ultimately find salvation. There is no holding back from the issues of real faith as he reorders his life under the miraculous touch of God's intervention.A moving story of grace and commitment in the lives of real people. Just what readers are looking for!

    In his early teens, Keys bribed his way into Buddy Holly's garage band rehearsals. He took up the saxophone because it was the only instrument left unclaimed in the school band, and he convinced his grandfather to sign his guardianship over to Crickets drummer J.I. Allison so that he could go on tour as a teenager.Keys spent years on the road during the early days of rock 'n' roll with hitmakers like Bobby Vee and the various acts on Dick Clark's Caravan of Stars Tour, followed by decades as top touring and session sax man for the likes of Mad Dogs and Englishmen, George Harrison, John Lennon, and onto his gig with The Rolling Stone from 1970 onward. Every Night's a Saturday Night finds Keys setting down the many tales of an over-the-top rock 'n' roll life in his own inimitable voice.Augmented by exclusive contributions with famous friends like Keith Richards, Joe Crocker, and Jim Keltner, Every Night's a Saturday Night paints a unique picture of the coming-of-age of rock 'n' roll.

    

    Art, passion, history intersect with burning immediacy in this beautifully crafted book.”–CHITRA BANERJEE DIVAKARUNI Author of The Mistress of SpicesThe world’s most famous choreographer becomes infatuated with a talented young dancer who proves both siren and muse . . . A rising star plunges into an affair with a principal but finds that the ecstasy on the stage cannot be matched in the bedroom . . . A dying legend reflects on the fading beauty of a life in motion, lost to everything but memory. In this beguiling collection, Adrienne Sharp captures the essence and passion of ballet and its fleeting world and translates them into unforgettable stories. White Swan, Black Swan heralds the arrival of a unerringly graceful new voice in American fiction.

    In music, these strengths have earned him comparisons to Bruce Springsteen, the ardent devotion of his fans, and the admiration of the media. And Earle does a lot: he is singer, songwriter, producer, social activist, teacher. . . . He’s not only someone who makes great music; he’s someone to believe in. With the publication of his first collection of short stories, Doghouse Roses, he gives us yet another reason to believe. Earle’s stories reflect the many facets of the man and the hard-fought struggles, the defeats, and the eventual triumphs he has experienced during a career spanning three decades. In the title story he offers us a gut-wrenchingly honest portrait of a nearly famous singer whose life and soul have been all but devoured by drugs. “Billy the Kid” is a fable about everything that will never happen in Nashville, and “Wheeler County” tells a romantic, sweet-tempered tale about a hitchhiker stranded for years in a small Texas town. A story about the husband of a murder victim witnessing an execution addresses a subject Earle has passionately taken on as a social activist, and a cycle of stories features “the American,” a shady international wanderer, Vietnam vet, and sometime drug smuggler — a character who can be seen as Earle’s alter ego, the person he might have become if he had been drafted. Earle is a songwriter’s songwriter, and here he takes his writing gift into another medium, along with all the grace, poetry, and deep feeling that has made his music honored around the world.

    Walking a tightrope between sexual desire and self-extinction, Alexander Vine charts his destructive course -- and his struggle for redemption -- with startling, unadorned clarity.

    Just moments after four o’clock, a large split of snow separates from Jubilee Mountain high above the tiny hamlet and hurtles down the rocky slope, enveloping everything in its path including nine young children who are walking home from school. But only four children survive. Whiter Than Snow takes you into the lives of each of these families: There’s Lucy and Dolly Patch—two sisters, long estranged by a shocking betrayal. Joe Cobb, Swandyke’s only black resident, whose love for his daughter Jane forces him to flee Alabama. There’s Grace Foote, who hides secrets and scandal that belies her genteel façade. And Minder Evans, a civil war veteran who considers his cowardice his greatest sin. Finally, there’s Essie Snowball, born Esther Schnable to conservative Jewish parents, but who now works as a prostitute and hides her child’s parentage from all the world. Ultimately, each story serves as an allegory to the greater theme of the novel by echoing that fate, chance, and perhaps even divine providence, are all woven into the fabric of everyday life. And it’s through each character’s defining moment in his or her past that the reader understands how each child has become its parent’s purpose for living. In the end, it’s a novel of forgiveness, redemption, survival, faith and family.

    The titular poem is the longest, and it has cross-references to 14 of the following poems. These are the "Notes" in the book title. The "Grace Notes" are the 30 final poems. Contained in this collection are some of Frost's best known works, such as "Fire and Ice", "Nothing Gold Can Stay", and "Stopping by Woods on a Snowy Evening".

    

    Invisible. Devastating. And it's taking New York by storm. With its insatiable hunger for fast food, easy fixes and life lived at breakneck speed, the city that never sleeps is hurtling towards disaster. Now John Wyse, an ordinary New York cop, looks set to be the only person who can thwart catastrophe on an apocalyptic scale ...New York City is under attack. Millions may die. But the enemy's weapons are invisible, undetectable and creating terror at lightning speed. Now, there's nothing to stand in their way ...A Hiroshima survivor turned criminal mastermindA pharma industry riddled with corruptionA Libyan entrepreneur coerced by threats to his familyA New York cop falling fast for an elusive beautyA visitor to Tokyo from the mountains of Afghanistan One terrible desire for revenge connects them all. With the clock ticking on an audacious, devastating plot to bring America to its knees, can anyone save New York from catastrophe?   PRAISE FOR THE MANHATTAN PROJECT 'Paul McNeive takes a very real worldwide medical problem and turns it into a disturbingly plausible thriller that builds to an edge-of-your-seat climax. Altogether a compelling read!' – Robert Goddard, author of The Wide World trilogy'With an extraordinary, original and well-researched plot, contemporary themes, action, twists and turns, The Manhattan Project has all the ingredients of an international bestseller.' – Glenn Meade, New York Times bestselling author of The Romanov Conspiracy'With a plot as fast-paced as the writing – bioterrorism meets big pharma – and a storyline stretching from Japan through the Middle East to the USA, The Manhattan Project is a cracking debut thriller. Guaranteed to be read in an all-night sitting!' – Paul Carson, author of Inquest'The Manhattan Project, a brilliant debut novel, starts as a slow-burn and quickly ignites into a fast-paced biological disaster facing the citizens of New York.' – John McAllister, author of The Station Sergeant trilogy'For anyone who likes their books big, blistering and utterly compulsive, this is the read for you. It is explosive, addictive and ultimately very satisfying. There's a new boy in town – at last an heir to Tom Clancy.' – Doreen Finn, author of My Buried Life

    Mark Beyer was breathing delirious, heartbreaking, otherworldly life into it by means of Amy and Jordan. Obviously, you weren’t reading New York Press. But I sure was. Voraciously. Back in 1989, when I discovered that Beyer’s strips were appearing regularly in this new “alternative weekly” paper, I quickly became hooked, and a thought seized me: I had to clip and save them–they were exquisite poems of urban despair, dreamy and nightmarish. I was already a fan of Beyer’s talent based on his book Agony (Pantheon, 1988), but these new strips revealed, week by week, a whole new dimension to his work–an ingenious reinvention of panel-design that redefined what a comic strip could be. As with Peanuts, it helps to try and picture these in the context which they first appeared in order to appreciate just how profoundly they emerged from anything else on the newspaper page. Even the “outré” NYP ads and listings which often ran alongside them were hopelessly dull by comparison. One of its most impressive aspects was the way Form served the Content–no matter how eccentric the layout got, it somehow never confused the narrative. And what narrative: it was as if Candide had been transported to the East Village and split in two like an amoeba and holed up in a squat on Avenue C. Along with giant bugs from outer space. So I did clip and save them, and put them into an envelope, which was then placed in a shoebox with a lot of other envelopes (receipts, receipts!), which was shoved to the back of the closet of my sixth-floor walk-up studio apartment, which I moved out of three years later and in the process I unwittingly threw them all away. Which frankly is just the sort of thing that Amy and Jordan would do. Drat. “Oh well,” I thought, once I’d realized it, “at some point someone will collect and publish them, and I’ll get them back that way.” And that was that. Fast forward more than ten years, to the spring of 2002. During a panel of cartoonists I was chairing in Philadelphia, a member of the audience asked what Mark was working on and where he was. No one seemed to know. The discussion was transcribed and published in The Comics Journal that summer, and in the fall Mark contacted me with the best possible news: He’d read the panel transcript and wanted to publish again. And the Amy and Jordan strips had never been comprehensively collected. So now, as an editor, I was able to grant my own wish. Amy and Jordan ran from 1988 through early 1996. After that, Beyer put cartooning aside to pursue other projects. This book signals his return to the realm of comics, which he says he wants to start making again. We can only hope he does. For now, I’m just thankful I finally have my Amy and Jordan collection back. –Chip Kidd, NYC, 10/03

    Every action fan knows it could only be the explosive big-screen blockbuster Die Hard. But before Bruce Willis blew away audiences as unstoppable hero John McClane, author Roderick Thorp knocked out thriller readers with the bestseller that started it all.A dozen heavily armed terrorists have taken hostages, issued demands, and promised bloodshed all according to plan. But they haven't counted on a death-defying, one-man cavalry with no shoes, no backup, and no intention of going down easily. As hot-headed cops swarm outside, and cold-blooded killers wield machine guns and rocket launchers inside, the stage is set for the ultimate showdown between anti-hero and uber-villains. Merry Christmas to all, and to all a good fight to the death. Ho ho ho!

    Brief dreamlike sketches deal with a safari in the suburbs, a mother struck by lightning, a cow wearing lingerie, and a visit from dead parents.

    Now one of country music's brightest lights, "Mac" McPhail is a millionairess many times over, whose career is her life. At thirty-five, Mac has no time for marriage, children, or kinfolk - until her sisters insist she come home to help care for their widowed mother. Assuming a month in Wintergreen will be merely dreary, Mac is unprepared for what awaits her. After almost two decades of public adoration, she is suddenly a nonperson - insulted by her jealous older sister, enraged by her intractable mother, ignored by Kenny Kronek, the next-door neighbor she mercilessly taunted all through high school. A handsome divorce who dotes upon his teenage daughter, Casey, Kenny is widely respected in the community. Now he refuses to give Mac even the time of day. Once she discovers Casey is a promising country music talent, Mac assumes the role of mentor. She gradually becomes an integral part of life in Wintergreen, and the feigned indifference between Mac and Kenny turns to playful bickering, then passion. By month's end, Mac McPhail has not only grown to treasure the priceless solidarity of family and community, but also opened up her heart to love. Yet what was possible in Wintergreen appears a naive fantasy back in Nashville: Is there room for caring and commitment in the realm of superstardom - or is a woman worshipped by millions destined always to be alone?