The problem? Ryan Walters committed suicide just days earlier.Ryan tells Steven that he didn't kill himself. He believes he was murdered and that his death is linked to an article he was working on for the school paper. Steven sets out to solve the mystery, but as the story unfolds, so does Ryan's secret life of sex with guys and depression. Steven realizes suicide is more plausible than Ryan's conspiracy theory, but he struggles to convince Ryan of the real cause of his death. And despite revelations of his friend's closeted life, he must face the truth that Ryan doesn't—and never will—love him.

    Unemployed, depressed, mid-transition, friendless, and still living in the upstairs bedroom of his parents' house in a conservative suburb, he can think of little to do but write his memoir. In the third person, he tells the tale of his would-be love affair with his college roommate, Colin, another trans man with a girlfriend and a successful indie rock band. The plot is interrupted intermittently by Dean's first person commentary, often criticizing middle-class conformity-but also the queer counterculture from which he feels equally alienated. He is obsessed with Morrissey of The Smiths and wants nothing in life other than the same level of fame. As his far-fetched dreams become a foreseeable reality, he must decide between honesty and belonging, conformity or isolation, community or self....

    Miserable, Hope ends up meeting Nat, and developing a powerful crush. The only problem is that Nat is a girl. Hope is pretty sure she isn't gay. Or is she? Struggling with new feelings, fitting in and a strange city far from home, Hope finds that love--and acceptance--comes in many different forms.

    She wears big green fisherman's boots. She's the founding (and only) member of NOLAW, the National Organization to Liberate All Weirdos. Emily wears sweaters with faux pearl buttons. She's vice president of the student council. She has a boyfriend.These two girls have nothing in common, except the passionate "private time" they share every Tuesday afternoon. Jesse wishes their relationship could be out in the open, but Emily feels she has too much to lose. When they find themselves on opposite sides of a heated school conflict, they each have to decide what's more important: what you believe in, or the one you love?

    How can he uncover her secrets without revealing his own?Flynn's girlfriend, January, is missing. The cops are asking questions he can't answer, and her friends are telling stories that don't add up. All eyes are on Flynn—as January's boyfriend, he must know something.But Flynn has a secret of his own. And as he struggles to uncover the truth about January's disappearance, he must also face the truth about himself.

    Louie wants to be a lawyer and is an outstanding student. Willa lives in a pub and just wants to get through the year so she can graduate and become a chef. But they are completely attracted to one another when they first meet at a fast-food restaurant. Soon they fall in love fast and furiously, and everything the girls are sure of - their plans, their faith, their families, their identities - is called into question...

    Unprepared for the consequences of their attraction, at first each feigns indifference. But during the restless summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks' duration and an experience that marks them for a lifetime. For what the two discover on the Riviera and during a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy. The psychological maneuvers that accompany attraction have seldom been more shrewdly captured than in André Aciman's frank, unsentimental, heartrending elegy to human passion. Call Me by Your Name is clear-eyed, bare-knuckled, and ultimately unforgettable.

    His mother’s second husband is a licensed psychologist who eats like an ape, his stepsister is a stoner slut, and his father is engaged to a Southern belle. Rick’s only solace is his growing collection of original Broadway-cast LPs, bought on the sly at Wax Trax.    After he brings two girls in speech class to tears by reading a story aloud, Rick is coaxed onto the interscholastic forensics team to perform an eight-minute dramatic interpretation of The Boys in the Band, the controversial sixties play about homosexuality. Unexpectedly successful at this oddball event, Rick begins winning tournaments and making friends with his teammates.    Rick also discovers the joys of sex—with a speech coach from a rival school—just as his mother, reacting to a deteriorating home environment, makes an unnerving commitment to Christ. The newly confident Rick assumes this too shall pass—until the combined forces of family, sex, and faith threaten to undo him at the state meet in Peoria.    James Magruder’s Sugarless offers a ruefully entertaining take on the simultaneous struggles of coming-out, coming-of-age, and coming-to-Jesus.  A selection of InsightOut Book Club Finalist, Lambda Book Award for Gay Debut Fiction, Lambda Literary Foundation Finalist, TLA Gaybie Award for Best Gay Fiction Semi-finalist, James Branch Cabell First Novelist Award, Virginia Commonwealth University Semi-finalist, William Saroyan International Prize For Writing, Stanford University

    But David is up to the challenge. Living in a three-bedroom semi in 1970s' working-class East Dulwich, surrounded by his somewhat colourful relatives, he is bright, smart-mouthed, fanatical about pop music and ready to shine. Rehearsals begin, and he strikes up a friendship with the handsome yet enigmatic Maxie Boswell, captain of the school football team. As their alliance deepens it appears they might become more than just good friends, but that can't be right, can it?Discovering a confidant in empathetic teacher, Hamish McClarnon, and spurred on by his no-nonsense best friend, Frances Bassey, David takes on the school bully, the National Front, and anyone else who threatens to stand in the way of true love.Vibrant, warm, and full of life, this uproarious and touching coming-of-age novel, set against the backdrop of South-East London in the thrill of the late seventies, will transport you straight back to your first music obsession and the highs and lows of your first love.

    For whatever reason, their paths outside of class have never crossed.That is, until Kate spots Mark miles away from home, out in the city for a wild, unexpected night. Kate is lost, having just run away from a chance to finally meet the girl she has been in love with from afar. Mark, meanwhile, is in love with his best friend Ryan, who may or may not feel the same way.When Kate and Mark meet up, little do they know how important they will become to each other—and how, in a very short time, they will know each other better than any of the people who are supposed to know them more.Told in alternating points of view by Nina LaCour and David Levithan, You Know Me Well is a story about navigating the joys and heartaches of first love, one truth at a time.

    Like Wilde's Dorian Grey, Guy never seems to age; at thirty-five he is still modeling, still enjoying lavish gifts from older men who believe he's twenty-three--though their attentions always come at a price. Ambivalently, Guy lets them believe, driven especially by the memory of growing up poor, until he finds he needs the lie to secure not only wealth, but love itself. Surveying the full spectrum of gay amorous life through the disco era and into the age of AIDS, Edmund White (who wrote for Vogue for ten years) explores the power of physical beauty--to fascinate, to enslave, and to deceive--with sparkling wit and pathos.

    They’ve shared stolen kisses and romantic promises. But Iran is a dangerous place for two girls in love—Sahar and Nasrin could be beaten, imprisoned, even executed if their relationship came to light.So they carry on in secret—until Nasrin’s parents announce that they’ve arranged for her marriage. Nasrin tries to persuade Sahar that they can go on as they have been, only now with new comforts provided by the decent, well-to-do doctor Nasrin will marry. But Sahar dreams of loving Nasrin exclusively—and openly.Then Sahar discovers what seems like the perfect solution. In Iran, homosexuality may be a crime, but to be a man trapped in a woman’s body is seen as nature’s mistake, and sex reassignment is legal and accessible. As a man, Sahar could be the one to marry Nasrin. Sahar will never be able to love the one she wants, in the body she wants to be loved in, without risking her life. Is saving her love worth sacrificing her true self?

    Although Walter has never so much as seen a photograph of his mother, it doesn't stop him from keeping an eye out for her in the groups of tourists he caters to in his dead-end job along the Strip.Then Walter meets Chrysto and Acacia, a brother and sister working as living statues at the Venetian Hotel, and his world cracks open. Spending less time caring for his father, and more time riding on the backs of Vespas and drawing, Walter finds life has more to offer than he could have imagined. But as his feelings for Chrysto deepen, and as clues behind his mother's disappearance start to reveal themselves, Walter is forced to face the truth about himself and his family history.Threading through this coming-of-age story are beautiful and heart-wrenching graphic illustrations, depicting how Walter’s mother Emily, a Vietnamese-born accordion player, abandoned her family to chase a vision of Liberace across the country; and how Walter’s father went searching for her amongst the gondolas of the Venetian Hotel.In Still Life Las Vegas, the magical collides with the mundane; memory, sexual awakening and familial ties all lead to a place where everything is illuminated, and nothing is real.

    Brynn tells Rachel about breaking up with her first serious girlfriend, about her brother Nick's death, about her passive mother and even worse stepfather, about how she's stuck in remedial courses at school and is considering dropping out.Then Brynn is confronted with a moral dilemma. One student representative will be allowed to have a voice among the administration in the selection of a new school superintendent. Brynn's archnemesis, Adam, and ex-girlfriend, Sarah, believe only Honors students are worthy of the selection committee seat. Brynn feels all students deserve a voice. When she runs for the position, the knives are out. So she begins to ask herself: What Would Rachel Maddow Do?

    and what happens when her secret is revealed to the entire school. Incredibly compelling and sensitively told, None of the Above is a thought-provoking novel that explores what it means to be a boy, a girl, or something in between.What if everything you knew about yourself changed in an instant?When Kristin Lattimer is voted homecoming queen, it seems like another piece of her ideal life has fallen into place. She's a champion hurdler with a full scholarship to college and she's madly in love with her boyfriend. In fact, she's decided that she's ready to take things to the next level with him.But Kristin's first time isn't the perfect moment she's planned—something is very wrong. A visit to the doctor reveals the truth: Kristin is intersex, which means that though she outwardly looks like a girl, she has male chromosomes, not to mention boy "parts."Dealing with her body is difficult enough, but when her diagnosis is leaked to the whole school, Kristin's entire identity is thrown into question. As her world unravels, can she come to terms with her new self?