More family soon followed, and the clan has been here ever since. Funny in Farsi chronicles the American journey of Dumas's wonderfully engaging family: her engineer father, a sweetly quixotic dreamer who first sought riches on Bowling for Dollars and in Las Vegas, and later lost his job during the Iranian revolution; her elegant mother, who never fully mastered English (nor cared to); her uncle, who combated the effects of American fast food with an army of miraculous American weight-loss gadgets; and Firoozeh herself, who as a girl changed her name to Julie, and who encountered a second wave of culture shock when she met and married a Frenchman, becoming part of a one-couple melting pot.

    The star is Virgo - a young Zodiac goddess on a mission. But the pair accidentally release Thanatos, a wicked death daemon imprisoned beneath Stonehenge, and must then turn to the old Olympian gods for help. After centuries of cushy retirement on earth, are Zeus and his crew up to the task of saving the world - and solving Elliot's problems too?

    Hearing about all the money a girl can make working in the textile mills in Lowell, Massachusetts, she makes her way there, only to find that her dreams of returning home may never come true.

    Witty and irreverent, Horseradish is a book with universal appeal, a delightful vehicle to introduce Snicket's uproariously unhappy observations to a crowd not yet familiar with the Baudelaires' misadventures.

    With influences from Shakespeare and William Blake, Sendak pays homage to his late brother, Jack, whom he credited for his passion for writing and drawing. Pairing Sendak's poignant poetry with his exquisite and dramatic artwork, this book redefines what mature readers expect from Maurice Sendak while continuing the lasting legacy he created over his long, illustrious career. Sendak's tribute to his brother is an expression of both grief and love and will resonate with his lifelong fans who may have read his children's books and will be ecstatic to discover something for them now. Pulitzer Prize–winning literary critic and Shakespearean scholar Stephen Greenblatt contributes a moving introduction.

    Six words. What's yours?

    Jon Scieszka’s Guys Read initiative was founded on a simple premise: that young guys enjoy reading most when they have reading they can enjoy. And out of this comes a series that aims to give them just that. Ten books, arranged by theme, featuring the best of the best where writing for kids is concerned. Each book is a collection of original short stories, but these aren’t your typical anthologies: each book is edgy, inventive, visual, and one-of-a-kind, featuring a different theme for guys to get excited about. Funny Business is based around the theme of—what else?—humor, and if you’re familiar with Jon and Guys Read, you already know what you’re in store for: ten hilarious stories from some of the funniest writers around. Before you’re through, you’ll meet a teenage mummy; a kid desperate to take a dip in the world’s largest pool of chocolate milk; a homicidal turkey; parents who hand over their son’s room to a biker; the only kid in his middle school who hasn’t turned into a vampire, wizard, or superhero; and more. And the contributor list includes bestselling authors, award winners, and fresh new talent alike: Mac Barnett, Eoin Colfer, Christopher Paul Curtis, Kate DiCamillo (writing with Jon Scieszka), Paul Feig, Jack Gantos, Jeff Kinney, David Lubar, Adam Rex, and David Yoo. Guys Read is all about turning young readers into lifelong ones—and with this book, and each subsequent installment in the series, we aim to leave no guy unturned.

    But nothing heroic ever happened to Alex. Nothing, that is, until his eleventh birthday. When Alex rescues a stray dog as a birthday gift to himself, he doesn't think his life can get much better. Radar, his new dog, pretty much feels the same way. But this day has bigger things in store for both of them. This is a story about bullies and heroes. About tragedy and hope. About enemies with two legs and friends with four, and pesky little sisters and cranky old men, and an unexpected lesson in kindness delivered with a slice of pizza. This is "Eleven": the journey of a boy turning eleven on 9/11.

    What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, “The play is not about doctors or even about cancer. It’s about kindness, but it shows arrogance. It’s about compassion, but it shows insensitivity.” In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end?The immediacy of the presentation, and the clarity and elegance of Edson’s writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.

    This brief edition of the most widely adopted book of its kind offers all of the editorial features of the longer book with about half the stories and writer commentaries in a shorter, less expensive format.

    The French believe that their army can protect them from Nazi Germany. But is Paris a safe place for Jews? Gustave’s parents don’t think so. Forced to leave behind his best friend, the mischievous Marcel, and his cousin Jean-Paul, Gustave moves with his mother and father to Saint-Georges, a small village in the countryside.     During April and May, Nazi Germany invades one country after another. In June, the French army is defeated, and Paris is occupied. Saint-Georges is still part of the free zone, but the situation there is becoming increasingly precarious.Then Gustave meets Nicole, a Catholic girl who works for the French Resistance. Along with her father, Nicole tries to find a way to smuggle Jean-Paul, Marcel, and their families into Free France so that they can all escape to America. It is Gustave, however, who comes up with a plan that just might work. But going into Occupied France is a risky thing to do when you are Jewish.     Inspired by her father’s experiences as a Jewish child living in France during World War II, Susan Lynn Meyer tells the story of a family’s day-to-day struggles in a country that may not be able to keep its promise of “Liberty, Equality, and Fraternity.”

    Featuring work by Margaret Atwood (The Heart Goes Last), Mariko Tamaki (This One Summer), Trina Robbins (Wonder Woman), Marguerite Bennett (Marvel's A-Force), Noelle Stevenson (Nimona), Marjorie Liu (Monstress), Carla Speed McNeil (Finder), and over fifty more creators. It's a compilation of tales told from both sides of the tables: from the fans who love video games, comics, and sci-fi to those that work behind the scenes: creators and industry insiders.

    She's given him her bucket list (cue embarrassment), and now, it's his job to glue their family back together.No pressure or anything.Fixing his family's not going to be easy and Billy's not ready for change. But as he soon discovers, the first third has to end some time. And then what?It's a Greek tragedy waiting to happen.

    The Most Dangerous Game features a big-game hunter from New York who becomes shipwrecked on an isolated island in the Caribbean and is hunted by a Russian aristocrat.

    Gorey tells the tale of 26 children (each representing a letter of the alphabet) and their untimely deaths in rhyming dactylic couplets, accompanied by the author's distinctive black and white illustrations. It is one of Edward Gorey's best-known books, and is the most notorious amongst his roughly half-dozen mock alphabets.[2] It has been described as a "sarcastic rebellion against a view of childhood that is sunny, idyllic, and instructive". The morbid humor of the book comes in part from the mundane ways in which children die, such as falling down the stairs or choking on a peach. Far from illustrating the dramatic and fantastical childhood nightmares, these scenarios instead poke fun at the banal paranoias that come as a part of parenting.