From the jazz clubs of Manhattan to the villages of Sri Lanka, Kristopher Jansma's irresistible narrator will be inspired and haunted by the success of his greatest friend and rival in writing, the eccentric and brilliantly talented Julian McGann, and endlessly enamored with Julian's enchanting friend, Evelyn, the green-eyed girl who got away. After the trio has a disastrous falling out, desperate to tell the truth in his writing and to figure out who he really is, Jansma's narrator finds himself caught in a never-ending web of lies. As much a story about a young man and his friends trying to make their way in the world as a profoundly affecting exploration of the nature of truth and storytelling, The Unchangeable Spots of Leopards will appeal to readers of Tom Rachman's The Imperfectionists and Jennifer Egan's A Visit from the Goon Squad with its elegantly constructed exploration of the stories we tell to find out who we really are.

    The only problem is, he's six years old. Featuring Annie as its frazzled but tireless heroine, Gil McNeil's endearing first novel turns chaos to poetry.Annie doesn't remember what it feels like to be pulled in any less than seven directions at once, but that's the beauty of her life. It seems like everywhere she turns there's a crisis in the making and a man who needs fussing over--whether it's her son, Charlie, who will only eat sausages for breakfast; her high-maintenance director-boss Barney, who's constantly being attacked by his own espresso maker; the crew on her ad shoots, whose work ethics are controlled exclusively by their stomachs; or her work nemesis, Lawrence, who's simply out to get her fired. And then she meets Mack...Funny, heartbreaking, truthful, and romantic, The Only Boy for Me is a stunning debut.Want to know what happens next? Annie Baker is back in the next one In the Wee Small Hours!

    He inhabited his own bizarre universe and obeyed no rules except his own, yet he was a familiar and characteristic American literary type: an author whose reputation rests on a single book. His life, which he described, and disguised, and distorted in all three of his books, rivaled his "fiction." Everything he did involved a struggle, and the most important struggle of his life was his writing; out of that strife came A Fan's Notes, which Jonathan Yardley believes is one of the best books of our time. Exley was an alcoholic who drank in copious amounts, yet he always sobered up when he was ready to write. In his younger days he did time in a couple of mental institutions, which imposed involuntary discipline on him and helped him start to write. He was personally and financially irresponsible - he had no credit cards, no permanent address, and ambiguous relationships with everyone he knew - yet people loved him and took care of him. No matter where he was, in the dark of night he phoned friends and subjected them to interminable monologues. To many, these were a nuisance and an imposition, but later, in the light of day, they were remembered with affection and gratitude. In Misfit, the Pulitzer Prize-winning book critic of The Washington Post portrays in full one of the most tormented, distinctive, and talented writers of the post-war years. Exley's story, which in Yardley's telling reads as if it were a novel, reveals a singular personality: raunchy, vulgar, self-centered, and even infantile, yet also loyal, self-deprecating, and unfailingly humorous.' to 's Lockridge, and even Ralph Ellison--is profiled by the Pulitzer Prize-winning book critic of "The Washington Post". Exley was an alcoholic who quit drinking when he wrote, and a man who spent time in a mental hospital. He was indeed a misfit, but one who left an indelible impression on those who knew him or read his works.

    On my eighteenth birthday my life fell apart as my dead brother turned out to be not dead at all. What's worse was that my parents knew and did something that I will not forgive. They sold me to his best friend who is supposed to be some kind of “prince”. They made the decision to ruin my life and payback is an understatement.

    It is a portrait of a ghetto saint - an ordinary man selected by the universe to bring enlightenment to poor belittled people.

    Koalas look cuddly, but they're actually irritable, solitary beasts who do not want belly rubs. What kind of mocking god created creatures with poofy ears and big black noses that don't want belly rubs? BOpossums: North America gets one lousy marsupial, and let's just say it's not going to win any beauty contests. Or even not-ugly contests. C−Wombats: "Wombat" is a great name. It's got a "wom" and a "bat," and an "omba." They're kind of nondescript animals, cute in a generic pudgy mammal way, but their name spelled backward is "tabmow," and that makes all the difference. AThe Book of Ratings is hysterically arbitrary and undeniably infectious.

    The candid memoirs of a great character actor Steven Spielberg called him "the best actor in the world," about which Postlethwaite said: "I'm sure what Spielberg actually said was, 'the thing about Pete is that he thinks he's the best actor in the world.'" This is the story of a diverse and multi-talented actor's eventful life, told in his own vibrant words as he was at the end of it.

    Brian Gail takes us out into the "trenches" and shows what life was like for Catholics good and bad during this critical time. This book is a great opportunity for Catholics to take hold of who they really are.

    Ghias Beg isn’t traveling light; he has with him a pregnant wife and three small children. When his family stops at Qandahar—which is today in modern-day Afghanistan, at that time was on the outer fringe of the Mughal Empire—his wife gives birth to a baby girl named Mehrunnisa. Thirty-four years later, this winter child will become an Emperor’s wife and the most powerful woman in that Mughal dynasty. Mehrunnisa is The Twentieth Wife of Emperor Jahangir, Akbar’s son, a woman so beloved of her husband that he grants her most of the powers of sovereignty. She signs on imperial documents called farmans and mints coins in her name and truly comes into power during the sixteen years of her marriage to Jahangir in The Feast of Roses . Mehrunnisa’s niece (her brother’s daughter and Ghias’ granddaughter) marries one of Jahangir’s sons, Prince Khurram who becomes Emperor Shah Jahan after his father’s death. When this niece dies in childbirth in June of 1631, Shah Jahan builds the Taj Mahal in her memory. But it is Mehrunnisa’s grand-niece (and Ghias’ great-granddaughter) Princess Jahanara who takes center stage in the third novel of the trilogy, Shadow Princess . She’s seventeen years old when her mother dies and her father, in his grief, leans upon her to the extent that she’s never allowed to marry. Throughout her life, Jahanara has to pacify warring brothers who each want the throne after their father, and engages in a rivalry with a sister, Roshanara—in supporting differing brothers politically, and in falling in love with the same noble at court, Najabat Khan. Powerful in her father’s harem, immensely rich with half her mother’s estate bestowed upon her and all of her mother’s yearly income, Jahanara still fails to turn the course of India’s history and has to find love with Najabat Khan in unconventional ways.

    Twenty-seven-year-old A&R man Stelfox is slashing and burning his way through the music industry, a world where 'no one knows anything' and where careers are made and broken by chance and the fickle tastes of the general public - 'Yeah, those animals'.Fuelled by greed and inhuman quantities of cocaine Stelfox blithely criss-crosses the globe ('New York, Cologne, Texas, Miami, Cannes: you shout at waiters and sign credit card slips and all that really changes is the quality of the porn') searching for the next hit record amid a relentless orgy of self-gratification.But as the hits dry up and the industry begins to change, Stelfox must take the notion of cutthroat business practices to murderous new levels in a desperate attempt to salvage his career.Kill Your Friends is a dark, satirical and hysterically funny evisceration of the record business, a place populated by frauds, charlatans and bluffers, where ambition is a higher currency than talent, and where it seems anything can be achieved - as long as you want it badly enough.

    It’s been three years since Cadence broke his heart by unceremoniously dumping him. Now, she wants his help in getting her son back after he’s abducted by her ruthless ex-husband. Seeing Cadence again rocks Parker’s world and reignites feelings he’s tried to stuff down over the past few years. Having the love of his life back in his orbit forces him to face the fact that he’s never gotten over her. And he fears he never will. Three years ago Cadence Johnson sacrificed herself in a bid to save the man she loved from a dangerous threat. Now, with her son kidnapped by her ex-husband, she turns to Parker to help her locate him. Being in Parker’s presence reminds Cadence of everything she lost when she ended things with Parker. But she fears Parker won’t ever truly forgive her for the pain she caused him in the past. Can Parker and Cadence work through the betrayals of the past and reignite their love story?

    But then again, there aren't many writers with such irrepressible genius as John Fante.The John Fante Reader is the important next step in the reintroduction of this influential author to modern audiences. Combining excerpts from his novels and stories, as well as his never-before-published letters, this collection is the perfect primer on the work of a writer -- underappreciated in his time -- who is finally taking his place in the pantheon of twentieth-century American writers.

    Castaneda has come to be seen as an anthropologist of the soul, showing us that the inner world has its own inaccessible mountains, forbidding deserts and awesomely beautiful dangers which we are all called to confront. This audio program presents the first two and the best known titles in the Don Juan series, the Teachings of Don Juan and A Separate Reality. Listen -- and marvel -- as you are drawn into a breathtaking world of magical reality and ultimate truth from one of the most influential writers of our time.

    These poems are written with the authority of classical myth, yet sound utterly contemporary: the poet's gaze - whether on the natural world or the details of his own life - is unflinching and clear, its utter seriousness leavened by a wry, dry and disarming humour. Alongside fine translations from Neruda and Montale and dynamic (and at times horrific) retellings of stories from Ovid, the poems in "The Wrecking Light" pitch the power and wonder of nature against the frailty and failure of the human. Ghosts sift through these poems - certainties become volatile, the simplest situations thicken with strangeness and threat - all of them haunted by the pressure and presence of the primitive world against our own, and the kind of dream-like intensity of description that has become Robertson's trademark. This is a book of considerable grandeur and sweep which confirms Robertson as one of the most arresting and powerful poets at work today.