Accident or suicide?On the other side of the world, a young woman walks out of a sandstorm in sub-Saharan Africa. In the labyrinth of the Niger Delta, a young boy learns to survive by navigating through the gas flares and oil spills of a ruined landscape. In the seething heat of Lagos City, a criminal cartel scours the internet looking for victims.Lives intersect, worlds collide, a family falls apart. And it all begins with a single email: “Dear Sir, I am the son of an exiled Nigerian diplomat, and I need your help ...”419 takes readers behind the scene of the world’s most insidious internet scam. When Laura’s father gets caught up in one such swindle and pays with his life, she is forced to leave the comfort of North America to make a journey deep into the dangerous back streets and alleyways of the Lagos underworld to confront her father’s killer. What she finds there will change her life forever...

    Twenty-five-year-old David Slaney, locked up on charges of marijuana possession, has escaped his cell and sprinted to the highway. There, he is picked up by a friend of his sister’s and transported to a strip bar where he survives his first night on the run. But evading the cops isn’t his only objective; Slaney intends to track down his old partner, Hearn, and get back into the drug business. Along the way, Slaney’s fugitive journey across Canada rushes vibrantly to life as he visits an old flame and adopts numerous guises to outpace authorities: hitchhiker, houseguest, student, lover. When finally he reunites with Hearn just steps ahead of a detective hell-bent on making a high-profile arrest, their scheme sends Slaney to Mexico, Colombia, and back again on an epic quest fueled by luck, charm, and unbending conviction. Moore's most plot-driven novel to date, Caught is a thrillingly charged escapade that thrums with energy and suspense and deftly captures a moment in the late 1970s before the almost folkloric glamour surrounding pot smuggling turned violent. Ripe with bravado, love, ambition, and folly, Caught is about trust and deceit, about the risks we take for the lives we want and the mistakes we can’t outrun.

    At that very moment, Connie stands, laughs, and walks away. Sidney keeps his promise through adulthood despite the fact that his insular, rural community uses his pacifism to exploit him. Sidney's son Lyle, however, assumes an increasingly aggressive stance in defense of his family. When a small boy is killed in a tragic accident and Sidney is blamed, Lyle takes matters into his own hands. In his effort to protect the people he loves—his beautiful and fragile mother, Elly; his gifted sister, Autumn; and his innocent brother, Percy—it is Lyle who will determine his family's legacy.

    The war is over, and as the initial phase of de-Nazification winds down, the citizens of Vienna struggle to rebuild their lives amidst the rubble.Anna Beer returns to the city she fled nine years earlier after discovering her husband's infidelity. She has come back to find him and, perhaps, to forgive him. Traveling on the same train from Switzerland is 18-year-old Robert Seidel, a schoolboy summoned home to his stepfather's sickbed and the secrets of his family's past.As Anna and Robert navigate an unrecognizable city, they cross paths with a war-widowed American journalist, a hunchbacked young servant girl, and a former POW whose primary purpose is to survive by any means and to forget. Meanwhile, in the shells of burned-out houses and beneath the bombed-out ruins, a ghost of a man, his head wrapped in a red scarf, battles demons from his past and hides from a future deeply uncertain for all.In The Crooked Maid, Dan Vyleta returns to the shadows of war-darkened Vienna, proving himself once again "a magical storyteller, master of the macabre" (David Park).

    Agathe handles her grief by fondling the shirts in the Big and Tall department at Henderman's Family Apparel and carrying on a relationship with a cigarette survey. As her hope dwindles, Agathe falls in with her spirited coworker Debbie, who teaches Agathe about rock and roll, and with Martin Bureau, the one man who might just know the truth about Rejean's fate.Reminiscent of 2015 Canada Reads finalist And the Birds Rained Down and Gone Girl, I Am A Truck is a funny and moving portrayal of Acadian love and loyalty.

    When Swiv is expelled from school, Grandma takes on the role of teacher and gives her the task of writing to Swiv's absent father about life in the household during the last trimester of the pregnancy. In turn, Swiv gives Grandma an assignment: to write a letter to "Gord," her unborn grandchild (and Swiv's soon-to-be brother or sister). "You’re a small thing," Grandma writes to Gord, "and you must learn to fight."As Swiv records her thoughts and observations, Fight Night unspools the pain, love, laughter, and above all, will to live a good life across three generations of women in a close-knit family. But it is Swiv’s exasperating, wise and irrepressible Grandma who is at the heart of this novel: someone who knows intimately what it costs to survive in this world, yet has found a way—painfully, joyously, ferociously—to love and fight to the end, on her own terms.

    His wife, Joan, vaults between denial and rage as the community she loved turns on her. Their daughter, Sadie, a popular over-achieving high school senior, becomes a social pariah. Their son, Andrew, assists in his father’s defense, while wrestling with his own unhappy memories of his teen years. A local author tries to exploit their story, while an unlikely men’s rights activist attempts to get Sadie onside their cause. With George locked up, how do the members of his family pick up the pieces and keep living their lives? How do they defend someone they love while wrestling with the possibility of his guilt?With exquisite emotional precision, award-winning author Zoe Whittall explores issues of loyalty, truth, and the meaning of happiness through the lens of an all-American family on the brink of collapse.

    Now, in The Girl Who Was Saturday Night, she returns to the grubby, enchanted city with a light and profound tale of the vice of fame and the ties of family.Nineteen years old, free of prospects, and inescapably famous, the twins Nicholas and Nouschka Tremblay are trying to outrun the notoriety of their father, a French-Canadian Serge Gainsbourg with a genius for the absurd and for winding up in prison. “Back in the day, he could come home from a show with a paper bag filled with women’s underwear. Outside of Québec nobody had even heard of him, naturally. Québec needed stars badly.”Since the twins were little, Étienne has made them part of his unashamed seduction of the province, parading them on talk shows and then dumping them with their decrepit grandfather while he disappeared into some festive squalor. Now Étienne is washed up and the twins are making their own almost-grown-up messes, with every misstep landing on the front pages of the tabloid Allo Police. Nouschka not only needs to leave her childhood behind; she also has to leave her brother, whose increasingly erratic decisions might take her down with him.

    Observing them and darkening their lives is the principal, Parley Burns, whose strange behaviour culminates in an attack so disturbing its repercussions continue to the present day.Connie’s niece, Anne, tells the story. Impelled by curiosity about her dynamic, adventurous aunt and her more conventional mother, she revisits Connie’s past and her mother’s broken childhood. In the process, she unravels the enigma of Parley Burns and the mysterious (and unrelated) deaths of two young girls. As the novel moves deeper into their lives, the triangle of principal, teacher, student opens out into other emotional triangles – aunt, niece, lover; mother, daughter, granddaughter – until a sudden, capsizing love thrusts Anne herself into a newly independent life. This spellbinding tale – set in Saskatchewan and the Ottawa Valley – crosses generations and cuts to the bone. It probes the roots of obsessive love and hate, how the hurts and desires of childhood persist and are passed on as if in the blood. It lays bare the urgency of discovering what we were never told about the past. And it celebrates the process of becoming who we are in a world full of startling connections that lie just out of sight.Following her award-winning, #1 bestselling Late Nights on Air, Alone in the Classroom is Elizabeth Hay’s most intricate, compelling, and seductive novel yet

    A brother and sister are orphaned in an isolated cove on Newfoundland's northern coastline. Their home is a stretch of rocky shore governed by the feral ocean, by a relentless pendulum of abundance and murderous scarcity. Still children with only the barest notion of the outside world, they have nothing but the family's boat and the little knowledge passed on haphazardly by their mother and father to keep them. Muddling though the severe round of the seasons, through years of meagre catches and storms and ravaging illness, it is their fierce loyalty to each other that motivates and sustains them. But as seasons pass and they wade deeper into the mystery of their own natures, even that loyalty will be tested. The Innocents is richly imagined and compulsively readable, a riveting story of hardship and survival, and an unflinching exploration of the bond between brother and sister. By turns electrifying and heartbreaking, it is a testament to the bounty and barbarity of the world, to the wonders and strangeness of our individual selves.

    Escaping the only way he can, Rank disappears. But almost twenty years later he discovers that an old, trusted friend -- the only person to whom he has ever confessed his sins -- has published a novel mirroring Rank's life. The betrayal cuts to the deepest heart of him, and Rank will finally have to confront the tragic true story from which he's spent his whole life running away.With the deep compassion, deft touch, and irreverent humour that have made her one of Canada's best-loved novelists, Lynn Coady delves deeply into the ways we sanction and stoke male violence, giving us a large-hearted, often hilarious portrait of a man tearing himself apart in order to put himself back together.

    His niece Annie Bird, beautiful and self-reliant, has returned from her own perilous journey to sit beside his bed. Broken in different ways, the two take silent communion in their unspoken kinship, and the story that unfolds is rife with heartbreak, fierce love, ancient blood feuds, mysterious disappearances, fires, plane crashes, murders, and the bonds that hold a family, and a people, together. As Will and Annie reveal their secrets-the tragic betrayal that cost Will his family, Annie's desperate search for her missing sister, the famous model Suzanne-a remarkable saga of resilience and destiny takes shape. From the dangerous bush country of upper Canada to the drug-fueled glamour of the Manhattan club scene, Joseph Boyden tracks his characters with a keen eye for the telling detail and a rare empathy for the empty places concealed within the heart. Sure to appeal to readers of Louise Erdrich and Jim Harrison, Through Black Spruce establishes Boyden as a writer of startling originality and uncommon power.

    At mealtimes he is seated at the "cat's table" - as far from the Captain's Table as can be - with a ragtag group of "insignificant" adults and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys tumble from one adventure to another, bursting all over the place like freed mercury. But there are other diversions as well: one man talks with them about jazz and women, another opens the door to the world of literature. The narrator's elusive, beautiful cousin Emily becomes his confidante, allowing him to see himself "with a distant eye" for the first time, and to feel the first stirring of desire. Another Cat's Table denizen, the shadowy Miss Lasqueti, is perhaps more than what she seems. And very late every night, the boys spy on a shackled prisoner, his crime and his fate a galvanizing mystery that will haunt them forever.As the narrative moves between the decks and holds of the ship and the boy's adult years, it tells a spellbinding story - by turns poignant and electrifying - about the magical, often forbidden, discoveries of childhood and a lifelong journey that begins unexpectedly with a spectacular sea voyage.

    Phoenix has nearly forgotten what freedom feels like. And Elsie has nearly given up hope. Nearly.After time spent in foster homes, Cedar goes to live with her estranged father. Although she grapples with the pain of being separated from her mother, Elsie, and sister, Phoenix, she's hoping for a new chapter in her life, only to find herself once again in a strange house surrounded by strangers. From a youth detention centre, Phoenix gives birth to a baby she'll never get to raise and tries to forgive herself for all the harm she's caused (while wondering if she even should). Elsie, struggling with addiction and determined to turn her life around, is buoyed by the idea of being reunited with her daughters and strives to be someone they can depend on, unlike her own distant mother. These are the Strangers, each haunted in her own way. Between flickering moments of warmth and support, the women diverge and reconnect, fighting to survive in a fractured system that pretends to offer success but expects them to fail. Facing the distinct blade of racism from those they trusted most, they urge one another to move through the darkness, all the while wondering if they'll ever emerge safely on the other side. A breathtaking companion to her bestselling debut The Break, Vermette's The Strangers brings readers into the dynamic world of the Stranger family, the strength of their bond, the shared pain in their past, and the light that beckons from the horizon. This is a searing exploration of race, class, inherited trauma, and matrilineal bonds that--despite everything--refuse to be broken.

    He makes a deal with a crusty old Scot, Angus McLintock — an engineering professor who will do anything, anything, to avoid teaching English to engineers — to let his name stand in the election. No need to campaign, certain to lose - or is he?