Supplemented with original newspaper articles, clippings, funeral notices, memorial ephemera and more, the collection will take us on a journey through a fascinating, moving, and melancholically beautiful part of our past. The images in Beyond the Dark Veil speak to us: they speak of love, loss, lives cut short, brave final hours, shattered families, and the depths of the human spirit. Contains 194 images of hand-colored photographs, albumen prints, ambrotypes, cabinet cards, carte de viste, daguerreotypes, gelatin silver prints, opaltypes, real photo postcards, stereoviews, tintypes, and supplementary articles and related ephemera. Contributors include: Adam Arenson I, Jacqueline Ann Bunge Barger, Alex Jackson, Bess Lovejoy, Marion Peck, Joanna Roche, and Joe Smoke. ABOUT THE ARCHIVE: Located in Woodinville, Washington, The Thanatos Archive houses an extensive collection of early post-mortem, memorial, and mourning photographs dating as far back as the 1840s. The online version of the archive, hosted at Thanatos.net since 2002, offers a searchable database of over 2,300 scanned images, with scans of new acquisitions being added on a regular basis. In addition to the main online archive, hundreds of additional images and material can be found in the community discussion forum, including hi-resolution enlargements, genealogical information, and more.

    It's Gossip Girl meets Six Feet Under, told from the unique perspective of a fashionista turned funeral planner.Elizabeth Meyer stumbled upon a career in the midst of planning her own father's funeral, which she turned into an upbeat party with Rolling Stones music, thousands of dollars worth of her mother's favorite flowers, and a personalized eulogy. Starting out as a receptionist, Meyer quickly found she had a knack for helping people cope with their grief, as well as creating fitting send-offs for some of the city's most high-powered residents.Meyer has seen it all: two women who found out their deceased husband (yes, singular) was living a double life, a famous corpse with a missing brain, and funerals that cost more than most weddings. By turns illuminating, emotional, and darkly humorous, Good Mourning is a lesson in how the human heart grieves and grows, whether you're wearing this season's couture or drug-store flip-flops.

    Even if it breaks his heart all over again.Note: This is now 3 books in one. Previously released titles: On the Run, Going Rogue, Catch me if you Can.Now all together in Flirting with Her FBI Heartbreaker. This book has been extensively re-written, re-edited, and updated to be included in the Knight Family Romances.Alexa Fulbright doesn’t expect the man she’s been trying to forget for the past 7 years to show up on assignment from the FBI…and she really doesn’t expect him to kiss her.Sam Knight doesn’t want to be on this assignment, even though he requested it. He doesn’t want to see Alexa and he definitely doesn’t want to put away the thug she calls her boyfriend…but most things in life aren’t fair when it comes to her.As Sam tries to convince Alexa that her boyfriend is a drug dealer with connections to the Columbian cartel, she doesn’t believe it, until a gun is pointed at her head and ‘said boyfriend’ puts a bullet in Sam’s shoulder.Now Sam has to get her out of dodge and Alexa has to make a choice—face the past or live a lie that could destroy her and everyone she’s ever loved.

    He visited a specialist and from that appointment, he writes, "deep personal loss for some unknown reason wrapped its tentacles around me and my family." Diagnosed with ALS (Lou Gehrig's Disease), he lost his abilities to walk and speak within two years and, confined to a wheelchair, was forced to retire from his life's calling at age forty-three. Not long after, he was locked in his own inanimate body, unable to eat, drink, or breathe without assistance. His meals were delivered through a feeding tube, and a ventilator controlled his lungs through an opening in his throat. The only parts of his body he was able to move voluntarily were his eyes.Despite these extreme limitations, Sutherland made peace with his disease and, surrounded by his loving family, found happiness again, only to suffer another soul-shattering loss. His eldest son, Zachary, a lifeguard, drowned along with his girlfriend in a freak kayaking accident in the river behind the family home. "Despite everything I lost through ALS," he says, Zachary's death was worse. Yet again, through a long process of suffering and healing, Sutherland was able to accept his loss and find a renewed sense of purpose and meaning in his constricted life. His story, laboriously written on a computerized device that tracks his eye movements on a visual keyboard, is a testament to both the human will's ability to overcome unspeakable tragedy, and the power of familial love to heal incomprehensible pain. "When a negative change occurs," writes Sutherland, "we have to choose how we will face it. We can be paralyzed with fear or we can make the choice to integrate it into our lives, make peace with it, and eventually grow from it. With any change, good or bad, personal growth is the ideal outcome. It is my belief that this our soul's mission on earth."

    What he shared was a truth that many have felt but rarely acknowledged by the professionals they turn to: that our grief is not a mental illness to be cured, but part of the abiding connection with the one we’ve lost. Illuminated by O’Malley’s own story and those of many clients that he’s supported, readers learn how the familiar "stages of grief" too often mislabel our sorrow as a disorder, press us to "get over it," and amplify our suffering with shame and guilt when we do not achieve "closure" in due course. "Sadness, regret, confusion, yearning—all the experiences of grief—are a part of the narrative of love," reflects O’Malley. Here, with uncommon sensitivity and support, he invites us to explore grief not as a process of recovery, but as the ongoing narrative of our relationship with the one we’ve lost—to be fully felt, told, and woven into our lives. For those in bereavement and anyone supporting those who are, Getting Grief Right offers an uncommonly empathetic guide to opening to our sorrow as the full expression of our love.

    Now, puzzled by the choices he made about the disposal of his “organic matter,” she embarks on a series of voyages to discover how death is commemorated in different cultures.   Death’s Doors is Murray’s exploration of the extraordinary creativity unleashed when we seek to dignify the dead. Along the way, she encounters a royal cremation in Bali, Mexico’s Dia de los Muertos, a Czech chandelier made from human bones, a weeping ceremony in Iran, and a Philippine village where the casketed dead are left hanging in caves. She even goes to Ghana to commission a coffin for herself.   Her accounts of these journeys are fascinating, poignant, and funny. But this is a very personal quest—on her travels, Murray is also seeking inspiration for her own send off.

    As she watches over her father, she relives the past week and the events that brought the family together . . . and she recalls all the weeks before that served to pull it apart.There has never been anything normal about the lives raised in this house. It seems to her that sometimes her family is so colorful that the brightness hurts, and as they all join together in this time of impending loss she examines how they came to be the way they are and how it came to just be her, the drifter, that her father came home to die with.But, the middle of five children, the woman has her own secrets . . . particularly the draw that pulled her back to the house when her own life looked set to crumble. And sitting through her lonely vigil, she remembers the thing she saw out in the fields all those years ago . . . the thing that they found her screaming for outside in the mud. As she peers through the familiar glass, she can't help but hope and wonder if it will come again.Because it's one of those nights, isn't it Dad? A special terrible night. A full night. And that's always when it comes. If it comes at all.

    Perfect for fans of All the Bright Places and We Were Liars.It’s the summer before senior year. Reid is in the thick of Scofield High’s in-crowd thanks to her best friend, Hattie, who has been her social oxygen since middle school.But summer is when Hattie goes to her family’s Maine island home. Instead of sitting inside for eight weeks, waiting for her to return, Reid and their friend, Sam, enter into a pact—to live it up, one party at a time.But days before Hattie is due home, Reid finds out the shocking news that Hattie has died by suicide. Driven by a desperate need to understand what went wrong, Reid searches for answers.In doing so, she uncovers painful secrets about the person she thought she knew better than herself. And the truth will force Reid to reexamine everything.

    He was Jewish and white; she was Christian and black, but that didn't give them a moment's hesitation. They moved in together, got married, and started the long process of adopting their son, Brooks Robinson Streeter Zervitz, named for Scott's favorite baseball player. Then, out of nowhere, the unthinkable happened. While the couple was sharing a late-night kiss, Scott had a fatal heart attack at the age of 44.Black Widow is a story about coping with the kind of loss that blindsides you, the kind that can leave you with mascara streaked down your face, barefoot and slugging a bottle of gas station saké in front of a bunch of mourners (yep, Streeter has been there). But it's also a celebration -- of faith, love, and the people who show up when we need them most, who pry the saké away from us and who help us laugh and cry our way through this crazy roller-coaster ride called life.

    Exploring new literary territory while keeping to her native Floridian roots, Fowler is here at her most original and entertaining.As a new year dawns over the island of Iris Haven, Murmur Lee Harp and her lover, Billy, go for a romantic sail without a care in the world. The evening comes to an abrupt halt when Murmur Lee discovers that she has drowned—but by whose hand?—in the Iris Haven river.Grief-stricken and haunted by the mysteries surrounding her death, Murmur Lee’s circle of friends sets out to discover what really happened to her, and in the process they learn as much about her failings and triumphs as their own. After years of self-exile in the North, Charlee Mudd returns to set her best friend’s affairs in order, only to confront her own ghosts. Edith Piaf, a former marine whose sex change at the age of sixty-two Murmur Lee supported unquestioningly, must find the confidence to carry on without the encouragement of her friend. Lonely widower Dr. Zachary Klein plummets into the depths of depression at the loss of the second woman he has ever loved. As for Murmur Lee—who lived her entire life on an island named by her great-great grandfather in honor of the Greek goddess who receives the souls of dying women—in death she experiences her own journey as she is plunged into her familial past and discovers the truth about who she really is.With poignancy and humor Fowler weaves the voices of Murmur and her friends into a compelling narrative. Part family saga, part murder mystery, The Problem with Murmur Lee is Fowler’s most rewarding and engrossing work yet.

    No two people cope with it the same way: some cry while others remain dry-eyed; some discover growth through pain, others find arid wastes; some feel angry, others feel numb. Virginia Ironside deals with this complicated and sensitive issue with great frankness and insight, drawing on other's people's accounts as well as her own experiences.

    Sean was a tall, blue-eyed, warmhearted Australian, and he and Shannon planned to return to Australia after their excursion to Koh Pha Ngan, Thailand. Their plans, however, were devastatingly derailed when a box jellyfish—the most venomous animal in the world—wrapped around Sean’s leg, stinging and killing him in a matter of minutes as Shannon helplessly watched. Rejecting the Thai authorities attempt to label Sean’s death a “drunk drowning,” Shannon ferried his body home to his stunned family—a family to which she suddenly no longer belonged. Shattered and untethered, Shannon’s life paused indefinitely so that she could travel around the world to find healing. Travel had forged her relationship with Sean, and she hoped it could also aid in processing his death. Though Sean wasn’t with Shannon, he was everywhere she went—among the places she visited were Oświęcim, Poland (the site of Auschwitz); war-torn Israel; shelled-out Bosnia; poverty-stricken Romania; and finally to Barcelona, where she first met Sean years before. Ultimately, Shannon had to confront the ocean after her life’s first great love took her second great love away. Cheryl Strayed’s Wild meets Helen Macdonald’s H Is for Hawk in this beautiful, profoundly moving memorial to those we have lost on our journeys and the unexpected ways their presence echoes in all places—and voyages—big and small.

    So when her mother is killed in a sudden and violent manner, Dani goes into an even deeper protection mode, total numbness. It’s the only way she can go on.But when Dani chooses The Stranger by Albert Camus as summer reading for school, it feels like fate. The main character’s alienation after his mother’s death mirrors her own.Dani’s life is thrown into further turmoil when she is sent to New Mexico to live with an aunt she never knew she had. The awkwardness between them is palpable. To escape, Dani takes long walks in the merciless heat. One day, she meets Paulo, who understands how much Dani is hurting. Although she is hesitant at first, a mutual trust and affection develop between Dani and Paulo, and Dani begins to heal. And as she and her aunt begin to connect, Dani learns about her mother’s past. Forgiving isn’t easy, but maybe it’s the only way to move forward.

    Her grief, however, was immediately interrupted by the realization that she would have to tell their three-year-old son, Jake, that his father was dying. The prognosis gave her husband just a year to live. In that short time, the three of them—Patty, Willem, and Jake—would have to find a way to live with the illness and prepare for his death.   Written with disarming honesty, courage, and humor, Patty weaves together a series of vignettes that chart her and Jake’s eventual acceptance of their new family—through coping with the daily challenges, the sorrow, and the uncertainty, as well as embracing the surprising moments of beauty and acceptance. As much about exploring memory as it is about appreciating the moment, this captivating narrative will serve as a genuine comfort to anyone surprised by grief.

    We’re awkward and uncertain; we avoid, ignore, or even deny feelings of sadness; we offer platitudes; we send sympathy bouquets whittled out of fruit.Enter Rebecca Soffer and Gabrielle Birkner, who can help us do better. Each having lost parents as young adults, they co-founded Modern Loss, responding to a need to change the dialogue around the messy experience of grief. Now, in this wise and often funny book, they offer the insights of the Modern Loss community to help us cry, laugh, grieve, identify, and—above all—empathize.Soffer and Birkner, along with forty guest contributors including Lucy Kalanithi, singer Amanda Palmer, and CNN’s Brian Stelter, reveal their own stories on a wide range of topics including triggers, sex, secrets, and inheritance. Accompanied by beautiful hand-drawn illustrations and witty "how to" cartoons, each contribution provides a unique perspective on loss as well as a remarkable life-affirming message.Brutally honest and inspiring, Modern Loss invites us to talk intimately and humorously about grief, helping us confront the humanity (and mortality) we all share. Beginners welcome.