The last thing she has left is her art, and not even Banksy himself could convince her to give that up.Out in the ’burbs, Julia paints anywhere she can, eager to claim some turf of her own. But Julia soon learns that she might not be the only vandal in town. Someone is adding to her tags, making them better, showing off—and showing Julia up in the process. She expected her art might get painted over by cops. But she never imagined getting dragged into a full-blown graffiti war.

    Her family travels in an RV, their lives defined by state lines, exit signs, and the small communal caravan they call home. Among them is Cyrus, her best friend and long-time crush, whom she knows she can never be with. When your families are perpetually linked, it’s too dangerous to take a risk on romance. Instead, Dessa looks to the future. She wants to be a real artist and going to art school is her ticket to success and a new life. There’s just one problem: she hasn’t been accepted…anywhere. Suddenly her future is wide open, and it looks like she’s going to be stuck traveling forever.Then an unexpected opportunity presents itself: an internship working with a local artist in Santa Fe. Dessa struggles to prove to her boss—and herself—that she belongs there, but just as she finally hits her stride, her family suffers an unexpected blow. Faced with losing everything that she has worked for, Dessa has a difficult decision to make. Will she say goodbye to her nomadic lifestyle and the boy she loves? Or will she choose to never stop moving?

    It’s been two and a half years since Cassie’s mother dumped her in a mental institution against her will, and now, at eighteen, Cassie is finally able to reclaim her life and enter the world on her own terms.But freedom is a poor match against a lifetime of psychological damage. As Cassie plumbs the depths of her new surroundings, the startling truths she uncovers about her own family narrative make it impossible to cut the tethers of a tumultuous past. And when the unhealthy mother-daughter relationship that defined Cassie’s childhood and adolescence threatens to pull her under once again, Cassie must decide: whose version of history is real? And more important, whose life must she save?

    Sure, she and her best (okay, only) friend, Sanger, will never be prom queens, but that’s just because the Central Austin Homeschool Cooperative doesn’t believe in proms. Or dancing. Still, Stevie and Sanger know how to create their own brand of fun.Enter Max Garza, the new boy next door. After a near-fatal accident, Max is determined to defy mortality with a checklist: 23 Ways to Fake My Death Without Dying. Dead set on carrying out fabricated demises ranging from impalement to spontaneous combustion, Max charms Stevie and Sanger into helping him with this two-month macabre mission. But as Stevie finds herself falling for Max, it becomes increasingly difficult to draw a line between his make-believe deaths and her real life.

    Only this isn’t one of her single, terrifying performances. It’s her life.And it isn’t pretty.Ivy is forced to move with her family out of their affluent neighborhood to Lakeside, also known as “the wrong side of the tracks.” Hiding the truth from her friends—and the cute new guy in school, who may have secrets of his own—seems like a good idea at first. But when a bad boy next door threatens to ruin everything, Ivy’s carefully crafted lies begin to unravel . . . and there is no way to stop them.As things get to the breaking point, Ivy turns to her music, some unlikely new friends, and the trusting heart of her disabled little brother. She may be surprised that not everyone is who she thought they were . . . including herself.Debut author Sharon Huss Roat crafts a charming and timely story of what happens when life as you know it flips completely upside down.

    A summer of culture and language, with no sports in sight.That turns out to be impossible, though, because her French partner is the exact kind of boy she was hoping to avoid. Eight weeks. 120 hours of class. 80 hours of conversation practice with someone who seems to exclusively wear baseball caps and jerseys.But Zeke in French is a different person than Zeke in English. And Abby can’t help but fall for him, hard. As Abby begins to suspect that Zeke is hiding something, she has to decide if bridging the gap between the distance between who she is and who he is, is worth the risk.

    Guitar-strumming slacker HUNTER FAHRENBACH has made an art of blending into the background, but now desperate coaches are recruiting him and popular girls are noticing his scruffy good looks. With a little help, Hunter might even by boyfriend material...Down-to-earth KELLY ROBBINS has a simple wish for her junior year: "one normal, nice boy to crush on." Kelly and Hunter have always been friends, but is there something more to their platonic relationship? And can Kelly overcome the odds? After all, dating is hard enough without a four-to-one ratio.

    I'm eighteen. I've been stealing things for as long as I can remember.Dani has been trained as a thief by the best--her mother. Together, they move from town to town, targeting wealthy homes and making a living by stealing antique silver. They never stay in one place long enough to make real connections, real friends--a real life.In the beach town of Heaven, though, everything changes. For the first time, Dani starts to feel at home. She's making friends and has even met a guy. But these people can never know the real Dani--because of who she is. When it turns out that her new friend lives in the house they've targeted for their next job and the cute guy is a cop, Dani must question where her loyalties lie: with the life she's always known--or the one she's always wanted.

    The book, which Sullivan calls The Statistical Probability of Love at First Sight meets Bridesmaids, is a dual narrative novel by authors who dated when they were in high school, about a boy and girl who must navigate social misunderstandings, the plotting of well-meaning friends, and their own fears about being virgins forever. It's slated for summer 2016; Allison Hellegers of Rights People brokered the deal on behalf of Barry Cunningham and Elinor Bagenal at Chicken House in the U.K.

    Fourteen-year-old Ashley is the undisputed “It” girl in her class, but her grades stink. Their worlds are about to collide when Stewart and his dad move in with Ashley and her mom. Stewart is trying to be 89.9 percent happy about it, but Ashley is 110 percent horrified. She already has to hide the real reason her dad moved out; “Spewart” could further threaten her position at the top of the social ladder. They are complete opposites. And yet, they have one thing in common: they—like everyone else—are made of molecules.

    Straight As, close friends and a home life so perfect that it could have been a TV show straight out of the 50s. Then his oldest brother died. Now his fun-loving mom cries constantly, he and his remaining brother can’t talk without fighting, and the father he always admired proved himself a coward by moving out when they needed him most.Jolene Timber’s life is nothing like the movies she loves—not the happy ones anyway. As an aspiring director, she should know, because she’s been reimagining her life as a film ever since she was a kid. With her divorced parents at each other’s throats and using her as a pawn, no amount of mental reediting will give her the love she’s starving for. Forced to spend every other weekend in the same apartment building, the boy who thinks forgiveness makes him weak and the girl who thinks love is for fools begin an unlikely friendship. The weekends he dreaded and she endured soon become the best part of their lives. But when one’s life begins to mend while the other’s spirals out of control, they realize that falling in love while surrounded by its demise means nothing is ever guaranteed.

    Then Zach and Lucy, her two best friends, hook up, leaving her feeling slightly miffed and decidedly awkward. She’d always imagined she would end up with Zach one day―in the version of her life that played out like a TV show, with just the right amount of banter, pining, and meaningful looks. Now everything has changed, and nothing is quite making sense. Until an unexpected romance comes along and shakes things up even further.It Sounded Better in My Head is a compulsively readable love letter to teenage romance in all of its awkward glory, perfect for fans To All the Boys I’ve Loved Before and Emergency Contact.

    Actually, she meant to do something right. But her kind act inadvertently played a role in a deadly tragedy. In order to move on, Morgan must learn to forgive—first someone who did something that might be unforgivable, and then herself. But Morgan can’t move on. She can’t even move beyond the front door of the apartment she shares with her mother and little brother. Morgan feels like she’s underwater, unable to surface. Unable to see her friends. Unable to go to school. When it seems Morgan can’t hold her breath any longer, a new boy moves in next door. Evan reminds her of the salty ocean air and the rush she used to get from swimming. He might be just what she needs to help her reconnect with the world outside.

    But Ali doesn’t plan on keeping it. Not when it reminds her too much of all her father’s unfulfilled promises. So when she finds a buyer three hundred miles up the Pacific coast willing to pay enough money for the car to save her childhood home, Ali can’t wait to get going. Except Ali has no idea how to drive a stick shift. But guess who does?Ali’s ex-boyfriend, Nico. And Nico has other plans.He persuades Ali that instead of selling the car, they should “trade up” the items they collect on their trip to eventually reach the monetary amount Ali needs. Agreeing with Nico’s crazy plan, Ali sets off on a unique adventure that is unlike anything she ever could have expected.And it’s through Ali’s travels, through the strangers she meets and the things that they value—and why they value them—that Ali eventually comes to understand her father and how his life may not have been as easy and carefree as she previously thought. Because just like the seemingly insignificant objects Ali collects, not everything is exactly as it appears.

    Her grandmother is sick, maybe dying. Like the rest of her family, Caroline's been at Gram's bedside since her stroke. With the pressure building, all Caroline wants to do is escape--both her family and the reality of Gram's failing health. So when Caroline's best friend offers to take her to a party one fateful Friday night, she must choose: stay by Gram's side, or go to the party and live her life.The consequence of this one decision will split Caroline's fate into two separate paths--and she's about to live them both.Friendships are tested and family drama hits an all-new high as Caroline attempts to rebuild old relationships, and even make a few new ones. If she stays, her longtime crush, Joel, might finally notice her, but if she goes, Chris, the charming college boy, might prove to be everything she's ever wanted.Though there are two distinct ways for her fate to unfold, there is only one happy ending...