That they individually have value, and their life has meaning that goes beyond what they see or have been told to believe. But that's just the life-changing message Debbie Lindell passionately shares and champions. Every woman, no matter her history, social status, or position in society, was beautifully and magnificently designed by her Creator to live an amazing life. In She Believes, Lindell shares with women the beautiful truth of God's love for them, empowering them to live out their own unique purpose and bring change to their homes, their workplaces, their communities, and the world. With personal stories and biblical truth, Debbie invites women to trust God's Word--and discover the incredible, abundant life that he created them to live.

    In a narrative spanning several years, casting among the influence of her peers, partner, and her duties to her forbearers, she struggles to make a wise and moral choice. After seeking guidance from philosophy, her body, mysticism, and chance, she discovers her answer much closer to home.Motherhood is a courageous, keenly felt, and starkly original novel that will surely spark lively conversations about womanhood, parenthood, and about how—and for whom—to live.

    However, after years writing about women’s health and breast cancer, Guthrie is thrust into the role of the patient after a devastating diagnosis at age thirty-eight. At least, she thinks, I know what I'm up against.She was wrong. In one horrifying moment after another, everything that could go wrong does—the surgeon gives her a double mastectomy but misses the cancerous lump, one of the most effective drug treatments fails, and a doctor's error may have unleashed millions of breast cancer cells into her body.Flat is Guthrie’s story of how two bouts of breast cancer shook her faith in her body, her relationship, and medicine. Along the way, she challenges the view that breasts are essential to femininity and paramount to a woman’s happiness. Ultimately, she traces an intimate portrayal of how cancer reshapes her relationship with Mary, her partner, revealing—in the midst of crisis—a love story.Filled with candor, vulnerability, and resilience, Guthrie upends the “pink ribbon” narrative and offers a unique perspective on womanhood, what it means to be “whole,” and the importance of women advocating for their desires. Flat is a story about how she found the strength to forge an unconventional path—one of listening to her body—that she’d been on all along.

    The third edition adds new texts to sections throughout the book, vividly describing women's sentiments and circumstances through readings on love, bereavement, and friendship, as well as property rights, breast cancer, female circumcision, and women's roles in ancient religions, including Christianity and pagan cults.

    The dogs, led by the cruel, charismatic bitch named Miss Dog, alternate between being brutal attack animals and loyal companions, being real and otherworldly. Some chapters draw upon the ecstatic and horrifying visions of Christian mystics; others take place in the landscapes of familiar fairytales; others in the banal settings of the late-night pick-up bars or suburban picnics. The narrator uneasily inhabits these worlds until the dogs force her to take irrevocable action."A snarling attack on the fairytale form. A good girl's fears of inadequacy materialize as a pack of vicious dogs."—Publishers Weekly"A strange and wonderful first-person voice emerges from the stories of Rebecca Brown, who strips her language of convention to lay bare the ferocious rituals of love and need."—The New York Times"Using unsentimental language that slices, pries and exposes layers of emotion and sexuality as a scalpel does a body, Brown veers into the uncharted territory."—The San Francisco Chronicle"I read everything Rebecca Brown writes, watch for her books and hunt down her short stories. She is simply one of the best contemporary lesbian writers around."—Dorothy Allison"A dry, witty, graceful—if savage—gift."—Mary GaitskillRebecca Brown is the author of other fictions, including The Terrible Girls, Annie Oakley’s Girl, and The Gifts of the Body. She is the winner of the 2003 Washington State Book Award, and was awarded a Genius Award and grant from Seattle's weekly magazine, The Stranger. She lives in Seattle.

    The true stories she tells of couples who share your hopes, fears, frustrations, and the comfort only God can bring will encourage your heart.Infertility strikes at the core of what it means to be a woman or man, tests marriages, and shakes faith. The honest, open, and emotionally resonant first-person stories in Empty Womb, Aching Heart will touch your life--as you "cry in the diaper aisle," wonder if you "are less of a woman," ask "How far should we go?" or whisper to God, "It's not fair."

    She helps women unloc the fears that lie behind self-perpetuating patters and achieve the necessary balance of independence, vulnerability, desire and strength that will enable them to succeed in a relationship. In her personal and adverturous style, Maja Storch draws on the experiences of clients, friends and her own life to offer a unique perspective on contemporay relationships and enlightenment for strong women everywhere.'This book is not armchair psychology, it's the real deal and done with such guts and intelligence that it will change your life in a single reading.' Anna Warwick, former editor www.shesaid.com.au 'This book is compelling and a must for every feminine warrior on her journey to find a sustaining relationship ... an invaluable aid in discovering the authentic self.' Doreen Patenall, Lecturer and Psychotherapist, Jansen Newman Institute.'Great mentoring for getting it right. Maja Storch has done it. A thinking woman's guide to understanding herself. And from there being able to actualise the right him.' Toby Green, Chief Psychologist, Relationship Trainers.com and author of If You Really Loved Me.'This book gives us a modern anthem that will resonate deeply with strong women everywhere - and with the men who love them.' Susanna Freymark, writer.

    During the Argentine junta's Dirty War against subversives, as tens of thousands were abducted, tortured, and disappeared, a group of women forged the Mothers of the Plaza de Mayo and changed Argentine politics forever. The Mothers began in the 1970s as an informal group of working-class housewives making the rounds of prisons and military barracks in search of their disappeared children. As they realized that both state and church officials were conspiring to withhold information, they started to protest, claiming the administrative center of Argentina the Plaza de Mayo for their center stage. In this volume, Marguerite G. Bouvard traces the history of the Mothers and examines how they have transformed maternity from a passive, domestic role to one of public strength. Bouvard also gives a detailed history of contemporary Argentina, including the military's debacle in the Falklands, the fall of the junta, and the efforts of subsequent governments to reach an accord with the Mothers. Finally, she examines their current agenda and their continuing struggle to bring the murderers of their children to justice.

    Charles Goodnight knew the West of Jim Bridger, Kit Carson, Dick Wooton, St. Vrain, and Lucien Maxwell. He ranged a country as vast as Bridger ranged. He rode with the boldness of Fremont, guided by the craft of Carson. His vigorous zest for life enabled him to live intensely and amply, and in this book by J. Evetts Haley, himself no stranger to the West, provides a fully readable and important western biography, vividly told, thrilling, witty, and completely authentic.

    A surprising new beginning... Fall in love this summer with Her Last Promise, a gripping, heartwrenching story of how hope can blossom in the ruins of tragedy and of the redeeming power of love. From No. 1 bestselling author Kathryn Hughes. Tara Richards was just a girl when she lost her mother. Years later when Tara receives a letter from a London solicitor its contents shake her to the core. Someone has left her a key to a safe deposit box. In the box lies an object that will change everything Tara thought she knew and lead her on a journey to deepest Spain in search of the answers that have haunted her for forty years.Violet Skye regrets her decision to travel abroad leaving her young daughter behind. As the sun dips below the mountains, she reminds herself she is doing this for their future. Tonight, 4th June 1978, will be the start of a new life for them. This night will indeed change Violet's destiny, in the most unexpected of ways... Readers love the powerful novels of Kathryn Hughes: 'A wonderful, enthralling story'Lesley Pearse'Gripping'Good Housekeeping'A heartbreakingly powerful read'Sun

    When beautiful, reckless Southern belle Zelda Sayre meets F. Scott Fitzgerald at a country club dance in 1918, she is seventeen years old and he is a young army lieutenant stationed in Alabama. Before long, the "ungettable" Zelda has fallen for him despite his unsuitability: Scott isn't wealthy or prominent or even a Southerner, and keeps insisting, absurdly, that his writing will bring him both fortune and fame. Her father is deeply unimpressed. But after Scott sells his first novel, This Side of Paradise, to Scribner's, Zelda optimistically boards a train north, to marry him in the vestry of St. Patrick's Cathedral and take the rest as it comes.

    Joan Foster is the bored wife of a myopic ban-the-bomber.  She takes off overnight as Canada's new superpoet, pens lurid gothics on the sly, attracts a blackmailing reporter, skids cheerfully in and out of menacing plots, hair-raising traps, and passionate trysts, and lands dead and well in Terremoto, Italy.  In this remarkable, poetic, and magical novel, Margaret Atwood proves yet again why she is considered to be one of the most important and accomplished writers of our time.

    Inevitably, we too have aggressively set out on a pursuit to achieve this utopian “all.” We roll up our sleeves in true “Rosie the Riveter” style (to reveal our femininely chiseled arms of course) and belt out the lyrics to "I Am Woman Hear Me Roar" in our best Helen Reddy voice.We get up one hour earlier to exercise, another hour earlier to get the kids ready and packed for school and yet another hour before that to pray. We are consummate organizers, jugglers and problem solvers as we manage husbands, children, church commitments, friendships, finances, groceries, mealtimes, child taxi service, quiet time with God and whatever else is on the agenda.Then, we go to bed one hour later to ensure the house is tidy, or another hour later to read a chapter of the latest best seller and another hour later to have time with our husband. It almost gets to the point where we should forego sleep altogether because the moment our head touches the pillow, it’s time to rise and shine.Sound familiar? Well, this book is for every woman looking for answers on how to truly have (and do) it all!

    Amid the strange, disjointed rhythms of her days and nights and another impending winter in upstate New York, Ari is a tree without roots, struggling to keep her branches aloft.When Mina, a one-time cult musician — older, self-contained, alone, and nine-months pregnant —moves to town, Ari sees the possibility of a new friend, despite her unfortunate habit of generally mistrusting women. Soon they become comrades-in-arms, and the previously hostile terrain seems almost navigable.With piercing insight, purifying anger, and outrageous humor, Elisa Albert issues a wake-up call to a culture that turns its new mothers into exiles, and expects them to act like natives. Like Lionel Shriver’s We Need to Talk About Kevin and Anne Enright’s The Gathering, this is a daring and resonant novel from one of our most visceral writers.

    In fact, it was a time of great fear, especially for women, and especially the fear of not fitting in. As a woman, you were odd if you graduated from college without being married; if you were married you were odd if you didn't immediately have children; if you had children you were odd if you also wanted to work. Before the feminist movement, women were treated as second-class citizens whose roles were utterly restricted, and The Fifties: A Women's Oral History fully explores those roles, the women who lived them, and the women who broke the molds.