Includes all four of the Skylark Series, Skylark of Space, Skylark Three, Skylark of Baleron, Skylark Duquesne

    Those two little words can mean so much. But how will things end...and will it hurt? That’s what we really want to know. Delve into the darkness and join us at the end of the world. From a blighted sky to an invasion from beyond, from untethered time to one person driven beyond the edge of sanity, from a child’s game to an unseen apocalypse...it’s all imagined here, and imagined darkly. Inside The Ways We End is a combination of new stories and previously published anthology tales, now re-imagined without word limits, including Cottage of Hunger, The Mergens, The Mountains of Five, The Bridge, Rock or Shell, and A Mother So Beautiful.

    and for a thousand years, they've hidden.The citizens claim they love Spes, the underground city where they evade the deadly toxins of the surface world, but the walls never end and the guards never cease to watch. There is a longing to escape, and a hope that someday the world might live again.But how do the people know what they are told is truth? How far will they go to trust the unknown, and how much will they fight for that they cannot have?

     Featuring new fiction by Ursula Vernon, John Chu, Chinelo Onwualu, Naomi Kritzer, Hiromi Goto, and K.M. Szpara, reprinted fiction by Carlos Hernandez, essays by Javier Grillo-Marxuach, Sarah Gailey, Sam J. Miller, Sarah Pinsker, Mimi Mondal, David J. Schwartz, Kelly McCullough, LaShawn M. Wanak, Yamile Saied Méndez, and DongWon Song, poetry by Roshani Chokshi, Sonya Taaffe, Betsy Aoki, and Theodora Goss, interviews with John Chu and Hiromi Goto by Julia Rios, a cover by Galen Dara, and an editorial by Lynne M. Thomas and Michael Damian Thomas.

    In NIGHTMARE's pages, you will find all kinds of horror fiction, from zombie stories and haunted house tales, to visceral psychological horror. Funded as a stretch goal of our sister-magazine LIGHTSPEED's Queers Destroy Science Fiction! Kickstarter campaign, this month we're presenting a special issue of NIGHTMARE called Queers Destroy Horror!: an all-horror extravaganza entirely written--and edited!--by queer creators. Here's what we've got lined up for you in this special issue: Original horror--edited by Wendy N. Wagner--by Chuck Palahniuk, Matthew Bright, Sunny Moraine, Alyssa Wong, and Lee Thomas. Reprints--also selected by Wagner--by Kelley Eskridge, Caitlin R. Kiernan, and Poppy Z. Brite. And nonfiction articles--edited by Megan Arkenberg--by Lucy A. Snyder, Sigrid Ellis, Catherine Lundoff, Michael Matheson, Evan J. Peterson, and Cory Skerry. Plus a selection of queer poetry selected by Robyn A. Lupo and an original cover illustration by AJ Jones.

    This story appears in the anthology Make Shift: Dispatches from the Post-Pandemic Future, edited by Gideon Lichfield and available for pre-order from The MIT Press.Content advisory: Discussion of pandemics, near-drowning

    Death by Alix E. Harrow- The Niddah by Elana Gomel- Gray Skies, Red Wings, Blue Lips, Black Hearts by Merc Fenn WolfmoorHOLIDAY HORRORS FLASH FICTION WINNER- All I Want for Christmas by Charles PayseurCLASSIC FICTION- The Ace of Knives by Tonya Liburd- Roots on Ya by LH MooreINTERVIEWS- Interview with Author Fargo Tbakhi by Andrea Johnson- Interview with Author P H Lee by Andrea Johnson- Interview with Cover Artist Vicki Be Wicked by Russell DickersonNONFICTION- Story-less: A Forethought by Usman T. Malik- Trapped in Stories by Malka Older- Words for Thought: Short Fiction Review by AC WiseCover art by Vicki Be Wicked.

    

    The only thing you need to know is that Wild Cards is set in our world, and an alien virus has been infecting people in rare outbreaks. It kills 90% of victims, makes ugly monsters of 9% (Jokers) and gives 1% random superpowers (Aces).A very personal short story that I'm proud of and want to find a wider audience for.There is a sequel story free on the Tor website, The Visitor: Kill or Cure.

    In its pages you will find all kinds of horror fiction, from zombie stories and haunted house tales to visceral psychological horror.For our debut issue we will be bringing you four all-new, never before published horror stories: “Property Condemned” by Jonathan Maberry, “Frontier Death Song” by Laird Barron, “Good Fences” by Genevieve Valentine, and “Afterlife” by Sarah Langan.We'll also have author spotlights with each of our authors, a showcase on our cover artist Jeff Simpson, as well as an in-depth feature interview with horror legend Peter Straub. And finally we'll have the first installment of “The H Word,” a monthly column which will focus on exploring the many facets of the field of horror.

    New issues are released on the first Tuesday of every month. We are a 2013 Hugo Award nominee for Best Semiprozine! FICTION Pale Skin, Gray Eyes by Gene O'Neill Jackalope Wives by Ursula Vernon [pseudonym: T. Kingfisher]Dispatches from the Revolution by Pat Cadigan NONFICTION Women in Pre–1947 Chinese and Indian Horror Fiction and Film by Jess Nevins Interview with Gene O'Neill Interview with incoming Editor-in-Chief Sigrid Ellis Resolute: Notes from the Editor-in-Chief by Sigrid Ellis Cover art by Emma Rios. Edited by Sigid Ellis.

    Military Science Fiction Short Story Nate is a test pilot for the United States Army. Actually, he is the best damned test pilot period, even with the headaches. The United States is developing a new kind of piloted war machine with the help of Franklin Industries and they have secured some of the most high tech, abrasive equipment on the planet. Does it work? According to the test pilot, it works like a champ. If that's the case, then why is everything shrouded in mystery at the end of Nate's test flight? Furthermore, why does Nate suffer such horrific migraines? Read here to find out!

    With American economic and military might eradicated, husband and wife become the unfortunate focus for years of subjugation and resentment.

    

    She changes bodies and fights, again and again. But now the enemy has surrendered. There will be no further deployment. The war is over . . . but not for her.