His father is an abusive drunk with muddled religious views, and his mother, as hard as she tries to defend her son, only ever ends up delaying the inevitable. Things take a turn for the worse one Friday when Bobby brings home a black eye from school. The following day his father brings him out into the woods on a mission to do “God’s Work” and bring him into adulthood. A coming-of-age story about the sins of a father and a son’s chance to absolve himself from them.

    A handmade book on music to be gifted. A pair of mud-brown tea cups without handles. A shelf to hoard dying memories. A little home tucked away in a remote village. A haunting voice after boarding an empty bus... The images on the cover belong to people whose stories are packed in this book: A man who meets his lost friend in a new world. A seeker who resists everyone to reach an unwanted place. Lovers that separate, only to find some hope. A failed artist who finds another voice. A new entrant in a home who creates turmoil. A cheated girl who makes a desperate call. A shattered man who pegs on a sudden dreamy trip. With eleven stories of unrequited love, hope, acceptance, heart breaks or just needs, ‘Afsaane’ will tug at your heartstrings and open windows to people that experience unusual situations in far too usual lives.

     Whether we are following WB through a grim future where human meat is on the market, or trailing slowly behind while she introduces us to Marie Laveua's daughter, you can be certain of one thing: you will be surprised. The best and the most brutal of WB's works has been brought together in this all-too-believable collection. Includes a total of eighteen tales. Stories include: - Her - Undo - Slipping - Siren - Alone in the House - Antics - House Arrest - Mall Food - Meat Aisle - The Water Stain - Heart Problems - Laveau - The Birth - The Look - Love/Death - Beneath the Surface - Nighttime Terror - Girl in the Pink Coat

    Dubner (the coauthor of Freakanomics) about a high-society silver thief, and an extraordinarily memorable "ode to bar fights" written by Jonathan Miles for Men's Journal after he punched an editor at a staff party. But this year's edition includes a bonus -- an original essay by James Ellroy detailing his fascination with Joseph Wambaugh and how it fed his obsession with crime -- even to the point of selling his own blood to buy Wambaugh's books. Smart, entertaining, and controversial, The Best American Crime Writing is an essential edition to any crime enthusiast's bookshelf.The girls next door / Peter Landesman --The ones that got away / Robert Draper --The family man / Skip Hollandsworth --Mysterious circumstances / David Grann --The virus underground / Clive Thompson --Punch drunk love / Jonathan Miles --The terror web / Lawrence Wright --Anatomy of a foiled plot / Craig Horowitz --To catch an oligarch / Justin Kane and Jason Felch --A long way down / Bruce Porter --Fine disturbances / Jeff Tietz --The silver thief / Stephen J. Dubner --Stalking her killer / Philip Weiss --Social disgraces / Debra Miller Landau --The self-destruction of an M.D. / Neil Swidey --Choirboys / James Ellroy

    This collection of eight stories and sketches, among them the celebrated classic "The Notorious Jumping Frog of Calaveras County," shows the great humorist at the top of his form.Also included here are "Journalism in Tennessee," in which a novice newspaperman is shown the "correct way" to report a news story; "About Barbers," a delightful account of every barbershop customer's worst fear; "Fenimore Cooper's Literary Offenses," Twain's hilarious savaging of that author's style; and four more: "A Literary Nightmare," "The Stolen White Elephant," "The Private History of a Campaign that Failed," and "How to Tell a Story."Delightfully entertaining, these charming pieces will find an appreciative audience among students, general readers, and lovers of classic American humor.

    His picaresque travels are filled with beguiling and hilarious characters: nineteenth-century author Ambrose Bierce; an unknown group of famous poets; a twenty-first-century treasure hunter in the Gulf of Mexico; an ex-Nazi mechanic shepherding an old Mexican road race; a stenographer who records every passing moment; and various incarnations of the trickster devil.As bold, ambitious, and funny as it is unconventional, Nothing Happened and Then It Did is a deep and lasting pleasure.

    This is the era of Fat Man and Little Boy, of FDR and Stalin, but also of Casablanca and Citizen Kane, zoot suits and Christian Dior, Duke Ellington and Edith Piaf. The 1940s were when The New Yorker came of age. A magazine that was best known for its humor and wry social observation would extend itself, offering the first in-depth reporting from Hiroshima and introducing American readers to the fiction of Vladimir Nabokov and the poetry of Elizabeth Bishop. In this enthralling book, masterly contributions from the pantheon of great writers who graced The New Yorker’s pages throughout the decade are placed in history by the magazine’s current writers. Included in this volume are seminal profiles of the decade’s most fascinating figures: Albert Einstein, Marshal Pétain, Thomas Mann, Le Corbusier, Walt Disney, and Eleanor Roosevelt. Here are classics in reporting: John Hersey’s account of the heroism of a young naval lieutenant named John F. Kennedy; A. J. Liebling’s unforgettable depictions of the Fall of France and D Day; Rebecca West’s harrowing visit to a lynching trial in South Carolina; Lillian Ross’s sly, funny dispatch on the Miss America Pageant; and Joseph Mitchell’s imperishable portrait of New York’s foremost dive bar, McSorley’s. This volume also provides vital, seldom-reprinted criticism. Once again, we are able to witness the era’s major figures wrestling with one another’s work as it appeared—George Orwell on Graham Greene, W. H. Auden on T. S. Eliot, Lionel Trilling on Orwell. Here are The New Yorker’s original takes on The Great Dictator and The Grapes of Wrath, and opening-night reviews of Death of a Salesman and South Pacific. Perhaps no contribution the magazine made to 1940s American culture was more lasting than its fiction and poetry. Included here is an extraordinary selection of short stories by such writers as Shirley Jackson (whose masterpiece “The Lottery” stirred outrage when it appeared in the magazine in 1948) and John Cheever (of whose now-classic story “The Enormous Radio” New Yorker editor Harold Ross said: “It will turn out to be a memorable one, or I am a fish.”) Also represented are the great poets of the decade, from Louise Bogan and William Carlos Williams to Theodore Roethke and Langston Hughes. To complete the panorama, today’s New Yorker staff, including David Remnick, George Packer, and Alex Ross, look back on the decade through contemporary eyes. Whether it’s Louis Menand on postwar cosmopolitanism or Zadie Smith on the decade’s breakthroughs in fiction, these new contributions are illuminating, learned, and, above all, entertaining.Including contributions by W. H. Auden • Elizabeth Bishop • John Cheever • Janet Flanner • John Hersey • Langston Hughes • Shirley Jackson • A. J. Liebling • William Maxwell • Carson McCullers • Joseph Mitchell • Vladimir Nabokov • Ogden Nash • John O’Hara • George Orwell • V. S. Pritchett • Lillian Ross • Stephen Spender • Lionel Trilling • Rebecca West • E. B. White • Williams Carlos Williams • Edmund Wilson And featuring new perspectives by Joan Acocella • Hilton Als • Dan Chiasson • David Denby • Jill Lepore • Louis Menand • Susan Orlean • George Packer • David Remnick • Alex Ross • Peter Schjeldahl • Zadie Smith • Judith Thurman

    Can you imagine Draupadi in a Brothel house? How did she end there and who is responsible for that? Read this short story to meet her and know about her life.