Left in the care of the cruel Miss Slighcarp, the girls can hardly believe what is happening to their once happy home. The servants are dismissed, the furniture is sold, and Bonnie and Sylvia are sent to a prison-like orphan school. It seems as if the endless hours of drudgery will never cease.With the help of Simon the gooseboy and his flock, they escape. But how will they ever get Willoughby Chase free from the clutches of the evil Miss Slighcarp?

    When the family moves to an old farmhouse Miri accidentally travels back in time to 1935 only to discover Molly, a girl in need of a real family to call her own. A very satisfying classic-in-the-making, with spine-tingling moments, this is a delightful family-friendly middle grade time-slip novel.

    But, despite the Gatsby-like parties and trimmings of success, she suspects something might be deeply wrong in the household—specifically with Rose Sewell, the formerly vivacious lady of the house who now refuses to leave her room. The other servants say Rose is crazy, but scrappy, strong-willed Martha thinks there’s more to the story—and that the paintings in the Sewell’s gallery contain a hidden message detailing the truth. But in a house filled with secrets, nothing is quite what it seems, and no one is who they say. Can Martha follow the clues, decipher the code, and solve the mystery of what’s really going on with Rose Sewell . . . ?Inspired by true events described in the author’s note.

      Twelve-year-old Sophie Brown feels like a fish out of water when she and her parents move from Los Angeles to the farm they’ve inherited from a great-uncle. But farm life gets more interesting when a cranky chicken appears and Sophie discovers the hen can move objects with the power of her little chicken brain: jam jars, the latch to her henhouse, the entire henhouse....   And then more of her great-uncle’s unusual chickens come home to roost. Determined, resourceful Sophie learns to care for her flock, earning money for chicken feed, collecting eggs. But when a respected local farmer tries to steal them, Sophie must find a way to keep them (and their superpowers) safe.   Told in letters to Sophie’s abuela, quizzes, a chicken-care correspondence course, to-do lists, and more, Unusual Chickens is a quirky, clucky classic in the making.

    But she has no home, no family, and no choice. Rodzina doesn’t believe the orphans are on their way out West to be adopted by good families. She’s sure they will become slaves to strangers. Anyway, who would ever adopt a large, tough, stubborn girl of Polish origin? As the train heads west, all Rodzina has is a small suitcase and her family memories from the past. Will Rodzina ever step off the train to find the family that deep in her heart she’s searching for?

    But once Vesper and Brinnie arrive, they are plunged into a fierce struggle between rebel forces— and someone is out to kill the two of them! If anyone can triumph over those kind of odds, it's Vesper — one of Lloyd Alexander's most intrepid (and best-selling) heroines.

    Down in the Quarters people pray for freedom - they sing 'bout freedom, but to keep Mas' Henley from knowin' their true feelings, they call freedom "heaven." Everybody's mind is on freedom.But it is a word that aine never showed me no picture. While fannin' this afternoon, my eyes fell on "freedom" in a book William was readin'. No wonder I don't see nothin'. I been spellin' it F-R-E-D-U-M.I put the right letters in my head to make sure I remembered their place. F-R-E-E-D-O-M. I just now wrote it. Still no picture...

    Twelve-year-old Olympia is an artist—and in her neighborhood, that's normal. Her dad and his business partner Apollo bring antique paintings back to life, while her mother makes intricate sculptures in a corner of their loft, leaving Ollie to roam the streets of New York with her best friends Richard and Alex, drawing everything that catches her eye.Then everything falls apart. Ollie's dad disappears in the middle of the night, leaving her only a cryptic note and instructions to destroy it. Her mom has gone to bed, and she's not getting up. Apollo is hiding something, Alex is acting strange, and Richard has questions about the mysterious stranger he saw outside. And someone keeps calling, looking for a missing piece of art. . . .Olympia knows her dad is the key--but first, she has to find him, and time is running out.

    Orphaned years ago, she and her brother Domingo work on a ranch run by the stern Señor Medina. María's writing captures the intense tradition and culture of the Spanish as she observes the war that Alta California ultimately loses to the Americans.

    Late at night, monkeys are scaling the walls and searching the neighborhood—but what are they looking for? Noah, his sister Megan, and their best friends, Richie and Ella, live next door to the zoo. Megan is the first to notice the puzzling behavior of some of the animals. One day Megan disappears, and her brother and their friends realize it's up to them to find her. Their only choice is to follow a series of clues and sneak into the zoo. But once inside, will they discover there's much more to the Clarksville City Zoo than they could ever have guessed?

    In the mirrors that line its grand hallways, which once belonged to a princess. In those that reflect the elegant rooms, now filled with sick children. It is her secret.One morning, when Emmaline climbs over the wall of the hospital’s abandoned gardens, she discovers something incredible: a white horse with broken wings has left the mirror-world and entered her own. Tucked into the garden’s once-gleaming sundial, Emmaline finds a letter from the Horse Lord. He is hiding the wounded white horse, named Foxfire, from a dark and sinister force—a Black Horse who hunts by colorless moonlight. If Emmaline is to keep the Black Horse from finding her new friend, she must collect colorful objects with which to blind him. But where can Emmaline find color when her world is filled with gray?

    Addie, on the other hand, is fearful even of spiders and depends on Meryl for courage and protection. Waving her sword Bloodbiter, the older girl declaims in the garden from the heroic epic of Drualt to a thrilled audience of Addie, their governess, and the young sorcerer Rhys. But when Meryl falls ill with the dreaded Gray Death, Addie must gather her courage and set off alone on a quest to find the cure and save her beloved sister. Addie takes the seven-league boots and magic spyglass left to her by her mother and the enchanted tablecloth and cloak given to her by Rhys - along with a shy declaration of his love. She prevails in encounters with tricky specters (spiders too) and outwits a wickedly personable dragon in adventures touched with romance and a bittersweet ending.

    There’s plenty to explore in her grand home, although she must take care to never be seen. None of the rich folk upstairs know that Serafina exists; she and her pa, the estate’s maintenance man, have secretly lived in the basement for as long as Serafina can remember.But when children at the estate start disappearing, only Serafina knows who the culprit is: a terrifying man in a black cloak who stalks Biltmore’s corridors at night. Following her own harrowing escape, Serafina risks everything by joining forces with Braeden Vanderbilt, the young nephew of the Biltmore’s owners. Braeden and Serafina must uncover the Man in the Black Cloak’s true identity... before all of the children vanish one by one.Serafina’s hunt leads her into the very forest that she has been taught to fear. There she discovers a forgotten legacy of magic, one that is bound to her own identity. In order to save the children of Biltmore, Serafina must seek the answers that will unlock the puzzle of her past.

    An Indian boy who tends llamas in a hidden valley in Peru learns the traditions and secrets of his Inca ancestors.

    At least she tried very hard to be good. She did her homework without being told. She ate all her vegetables, even the slimy ones. And she never talked back to her nanny, Miss Barmy, although it was almost impossible to keep quiet, some days.She really was a little too good. Which is why she liked to sit by the Rat. The Rat was not good at all . . .Hilarious, inventive, and irresistably rodent-friendly, Emmy and the Incredible Shrinking Rat is a fantastic first novel from acclaimed picture book author Lynne Jonell.