But beyond her massive professional success on the soccer field, Rapinoe has become an icon and ally to millions, boldly speaking out on the issues that matter most. In recent years, she's become one of the faces of the equal pay movement and her tireless activism for LGBTQ rights has earned her global support.In One Life, Rapinoe embarks on a thoughtful and unapologetic discussion of social justice and politics. Raised in a conservative small town in northern California, the youngest of six, Rapinoe was four years old when she kicked her first soccer ball. Her parents encouraged her love for the game, but also urged her to volunteer at homeless shelters and food banks. Her passion for community engagement never wavered through high school or college, all the way up to 2016, when she took a knee during the national anthem in solidarity with former NFL player Colin Kaepernick, to protest racial injustice and police brutality - the first high-profile white athlete to do so. The backlash was immediate, but it couldn't compare to the overwhelming support. Rapinoe became a force of social change, both on and off the field.Using anecdotes from her own life and career, from suing the United States Soccer Federation alongside her teammates over gender discrimination to her widely publicized refusal to visit the White House, Rapinoe discusses the obligation we all have to speak up, and reveals the impact each of us can have on our communities. As she declared during the soccer team's victory parade in New York in 2019, "[T]his is everybody's responsibility, every single person here, every single person who is not here, every single person who doesn't want to be here, every single person who agrees and doesn't agree.... It takes everybody. This is my charge to everybody. Do what you can. Do what you have to do. Step outside yourself. Be more. Be better. Be bigger than you've ever been before."

     Anthony had a special feeling about Jonathan Larson's rock musical from his first audition, so he was thrilled when he landed a starring role as the filmmaker Mark Cohen. With his mom's cancer in remission and a reason to quit his newly acquired job at Starbucks, his life was looking up. When Rent opened to thunderous acclaim off Broadway, Rapp and his fellow cast members knew that something truly extraordinary had taken shape. But even as friends and family were celebrating the show's success, they were also mourning Jonathan Larson's sudden death from an aortic aneurysm. By the time Rent made its triumphant jump to Broadway, Larson had posthumously won the 1996 Pulitzer Prize. When Anthony's mom began to lose her battle with cancer, he struggled to balance the demands of life in the theatre with his responsibility to his family. Here, Anthony recounts the show's magnificent success and his overwhelming loss. He also shares his first experiences discovering his sexuality, the tension it created with his mother, and his struggle into adulthood to gain her acceptance. Variously marked by fledgling love and devastating loss, piercing frustration and powerful enlightenment, Without You charts the course of Rapp's exhilarating journey with the cast and crew of Rent as well as the intimacies of his personal life behind the curtain.

    Nigel is the first openly gay rugby personality. He came out in 2007 and has since won Sports Personality of the year by Stonewall, was the only Welsh referee at the 2007 Rugby World Cup and is respected as one of the best refs in the world. His autobiography tells of his tormented life as a teenager in a Welsh village and his attempted suicide in his 20s. Nigel also became a heavy user of steroids and suffered with bulimia. But this is a story of triumph as he overcame everything and became o highly respected referee, and is now a favorite personality in the rugby world rugby. He's also a Welsh language t.v. personality and comedian

    For the subculture of chefs and cooks, for the restaurant business as a whole—and for Anthony Bourdain. Medium Raw explores those changes, taking the reader back and forth—from the author’s bad old days—to the present. Tracking his own strange and unexpected voyage from journeyman cook to globe travelling professional eater and drinker, Bourdain compares and contrasts what he’s seen and what he’s seeing, pausing along the way for a series of confessions, rants, investigations, and interrogations of some of the more controversial figures in food. Always returning to the question: “Why cook? “ Or the harder to answer: “Why cook well?”Beginning with a secret and highly illegal after-hours gathering of powerful chefs he compares to a Mafia summit, the story follows the twists and eddies through subjects ranging from:• “The Friends of David Chang” an incredibly undiplomatic discussion with (and peek into the mind of) the hottest, most influential chef in America.• “Don’t Ask Alice”: Alice Waters. Good . . . or Evil?• The Big Shake Out: The restaurant business in post economic meltdown America. How it’s changing. How it might change even more.• And, Heroes and Villains. (With a few returning favorites.)

    His comments on "Hockey Night in Canada"'s "Coach's Corner" routinely make headlines as they entertain, educate, and often upset some fans throughout North America. He may be controversial, but no one can deny the popularity he enjoys; popularity that was reflected in his top 10 ranking in the competition to determine "The Greatest Canadian." Now from Grapes himself comes the book that hockey fans of all ages have been waiting for. Written with veteran sports journalist Al Strachan, here are Don Cherry's favourite stories from his career in hockey. And you can imagine the stories he has to tell.

    His travel stories have had millions of views online and are collected within for the first time. The content of Wayward was written during a yearlong trip around the world, during which the author lived in twelve countries over twelve months. Gates' writing has been described as “evocative”, “hilarious” and “brilliant.” He has been described as a “wanker”, “kind of a dipshit” and “retarded”.Wayward is a must-read for anyone who needs a shrink and likes to travel.

    Driven by desires and the imaginary fairies in his brain, he is directed by a moral compass set in the land of make-believe. Feared by criminals, hated by cops, and adored by the public, Mercury rules his illegal empire with a velvet fist and violent temper.Sean Argeneau is a good cop. Coming from a less-than-perfect childhood, he's the poster boy for overachievement and quiet humility. Although he makes little mention of his part in capturing the notorious Mercury Fie, he's tasked with transporting the mob boss to trial. As a former Federation pilot, Sean is no stranger to space travel, but the sickness he gets from jump-gates has kept him grounded.Sean’s cynicism turns out to be his saving grace when everything that could possibly go wrong, does. He wakes up bound by police-issue handcuffs, and staring down the barrel of his own gun. Being a good cop hasn’t prepared him for surviving this insanely bad situation, and Mercury goes beyond any brand of crazy Sean has ever met.When survival clashes with duty, both men must abandon their agendas to stay alive. But to make it work, Sean must succumb to a little bit of crazy, while Mercury struggles to understand what it's like to be sane.

    Revealing himself to be a consummate storyteller, stage and screen star Everett ("My Best Friend's Wedding") pens a delightfully witty memoir in which he reveals his life experiences as an up-and-coming actor, detailing everything from the eccentricities of the British upper class to the madness of Hollywood.

    No idea they’ll need to live in filth, rely on dilapidated equipment and deal with a belligerent boss. Will the mouth-watering food she creates, the wonderful people they meet and the glorious French countryside help them salvage their dreams of life abroad or will they need to rethink their future?Perfect for fans of Peter Mayle’s A Year in Provence, Janine Marsh’s My Good Life in France and Beth Haslam’s Fat Dogs and French Estates.

    He takes care of his family, friends, neighbors—everyone but himself. He’s fine with his books and his cat, and sees his future as one without a partner by his side. That is, until a classic-film-loving twink named Will moves into the apartment across from him and throws flirtatious quotes from classic movies at him from his balcony. To Charlie’s surprise, lively, sexy Will does his best to get invited into Charlie’s apartment and then doesn’t seem to want to leave. Beneath the flirtatious exterior, Will has been looking for home since he was kicked out as a teen, and views the soft romances of old black-and-white movies as something he will never be able to have. Someone like Charlie, older, educated, kind and loving, in pain and achingly lonely, obviously wouldn’t want to keep Will around, much less let Will fuss over him, so he goes for what he thinks he can get, and makes it clear he’d like Charlie to be his new daddy. Charlie discovers it’s a role that suits him perfectly because Will needs care, and Charlie loves to give it. But Will has never stayed in one place for long. He’s never stayed long with one person, either. Charlie wants Will more with each moment they spend together, but to have him, he’ll have to risk the security of his quiet life. To be happy, Charlie will have to put his shattered heart in Will’s hands and invite him to stay.

    Most of the townsfolk of South Pass City treat him as a simpleton because he’s deaf, but that’s not his only problem. Something in Elijah runs contrary to nature and to God. Something that Elijah desperately tries to keep hidden.Harlan Crane, owner of the Empire saloon, knows Elijah for what he is—and for all the ungodly things he wants. But Crane isn’t the only one. Grady Mullins desires Elijah too, but unlike Crane, he refuses to push the kid.When violence shatters Elijah’s world, he is caught between two very different men and two devastating urges: revenge, and despair. In a boomtown teetering on the edge of a bust, Elijah must face what it means to be a man in control of his own destiny, and choose a course that might end his life . . . or truly begin it for the very first time.