These five canonical cases have been examined at length in Ripper literature, but other contemporary murders and attacks bearing strong resemblance to the gruesome Ripper slayings have received scant attention. These unsolved cases are the focus of this intriguing book.   The volume devotes separate chapters to a dozen female victims who were attacked during the years of Jack the Ripper’s murder spree. Their terrible stories—a few survived to bear witness, but most died of their wounds—illuminate key aspects of the Ripper case and the period: the gangs of London’s Whitechapel district, Victorian prostitutes, the public panic inspired by the crimes and fueled by journalists, medical practices of the day, police procedures and competency, and the probable existence of other serial killers. The book also considers crimes initially attributed to Jack the Ripper in other parts of Britain and the world, notably New York, Jamaica, and Nicaragua. In a final chapter, the drive to find the identity of the Ripper is examined, looking at contemporary and later suspects as well as several important theories, revealing the lengths to which some have gone to claim success in identifying Jack the Ripper.

    Wescott does not promote a suspect but instead comprehensively investigates the murders of Polly Nichols and Elizabeth Stride, bringing to light new medical evidence, crucial new material on important witnesses, and – revealed for the first time – the name of a woman who may have met Jack the Ripper and survived to tell the tale. Also discussed in this book: Charles Lechmere, recently name as a suspect in the Jack the Ripper documentary, Conspiracy: The Missing Evidence, is restored to his proper place in history as an innocent witness. Walter Sickert, the subject of Patricia Cornwell’s Jack the Ripper books, was not the Ripper, but is revealed here to have been only one of several artists and poets who may have been acquainted with victim Mary Kelly. Bruce Robinson’s Jack the Ripper book, They All Love Jack, controversially endorsed the myth that fruiterer Matthew Packer sold grapes to Liz Stride which were later found on her hand. Around this was constructed an intricate police conspiracy. In Ripper Confidential the truth is exposed and these events are proved beyond doubt to have never taken place. Was Elizabeth Stride a Ripper victim? For the first time, all the myths are cleared away and the facts are looked at in great detail. The contemporary investigators speak out from the past and tell us what they thought of one of the Ripper’s most enigmatic and controversial clues – the chalk-written message on the wall in Goulston Street. Did the Ripper write it and what might it actually have said? A comprehensive look is taken at Berner Street witness, Israel Schwartz. Why did he disappear within weeks from the written record? Was or was he not a legitimate witness? This and much more is discussed, and for the first time it’s revealed why he did not give evidence at the inquest, why the two best known versions of his story are inconsistent, and – most crucially – that he was not the last person to see Liz Stride with a man who was probably her killer. From the author of the award-winning The Bank Holiday Murders: The True Story of the First Whitechapel Murders.

    Spurred by the startling discovery of a letter written by a Scotland Yard inspector, two veteran police investigators have traced the shadowy movements of a self-styled "doctor" from St. Louis who had a criminal record spanning both sides of the Atlantic. Two decades after the Ripper's murderous spree, Inspector John George Littlechild, then retired, laments in his fateful letter: "to my mind a very likely [suspect] . . . was an American quack named Francis Tumblety. . . his feelings toward women were remarkable and bitter in the extreme." Littlechild expresses dismay that Tumblety, who was in custody only briefly, was ever granted bail, enabling him to flee London-just as the murders ended. The Littlechild letter, printed in this book, provides crucial details either overlooked by police officials at the time of the investigation or later suppressed because they would reveal the same officials had allowed their prime suspect to slip through their fingers.Sifting through the entire historical record and their own surprising discoveries, Stewart Evans and Paul Gainey have created a true-life detective story that will fascinate all readers of Arthur Conan Doyle, Wilkie Collins, and Charles Dickens. Vividly evoking the mean streets of Victorian London and the wave of terror that swept the city with the Ripper's grisly crimes, they convincingly paint a portrait of history's most infamous serial killer.

    H. Holmes as America's first serial killer. He truly was a diabolical and evil individual. The intention of writing this book is not to declare anyone as America's first serial killer, but rather to reveal that serial killers existed very early in America's growth. America's Early Serial Killers contains in vivid detail the murderous activities of five serial killers starting back in the 1790s and continuing through to the 1890s. In one case, the killer has never been identified. Given that these cases occurred so long ago, there will certainly be differing accounts as to what happened and who did what. The research was as thorough as possible though the conclusions may differ from other resources. The serial killers included in this book used different tactics and methods than current day serial killers though the atrocities were as bad if not worse. Included are the cases of: -The Harpe Brothers who slaughtered up to forty people, including some of their own children -Felipe Espinosa who murdered many settlers in the Colorado territory -The Murderous Bender Family who killed travellers for their money -The still unsolved Servant Girl Murders of Austin, Texas, and finally -The story of H. H. Holmes himself. If you enjoy reading about true crime thats a bit unusual, this book will certainly satisfy and at the same time also reveal some facets of early American life. BUY right now to get your copy of America's Early Serial Killers: Five Cases of Frontier Madness.

    Giving fresh and unbiased accounts of all the many theories as to the Ripper's identity, it includes: The latest on Dr. Tumblety, the subject of the 'Littlechild letter,' which discosed the astonishing information that the head of Special Branch's preferred suspect was arrested but escaped to the United States The theory of Joseph Barnett, the lover of the last victim, who closely matches the FBI's psychological profile of the Ripper The sensational ongoing story of the alleged diary confession of James Maybrick

    This book names him. Mad doctors, Russian lunatics, bungling midwives, railway policemen, failed barristers, weird artists, royal princes and white-eyed men. All of these and more have been put in the frame for the Whitechapel murders. Where ingenious invention and conspiracy theories have failed, common sense has floated out of the window.M.J. Trow, in this gripping historical reinvestigation, cuts through the fog of speculation, fantasy and obsession that has concealed the identity of the most famous serial murderer of all time.

    One by one the murder victims are revealed, the circumstances of their killings investigated, and the suspects analyzed. What amateur sleuths will find most fascinating here are the many facsimiles of contemporary documents, including letters allegedly sent by Jack the Ripper to police and elsewhere, police reports, press articles, and personal correspondence. These facsimiles provide readers with access to all the available information so they, too, can try to unravel this century-old mystery.

    Not only does he build a powerful case against his suspect, Joseph Barnett, but Paley probably did more research than anyone else, with the result that his depiction of the East End of London c. 1888 is second to none, and has been singled out for its unrivalled richness and vividness. Paley has also been praised for his studious, unsensational account of the crimes, and his compassionate portraits of the Ripper’s victims. This is what some of the critics had to say. Writing in The Daily Mail (25/11/95), Val Hennessy wrote: "Bruce Paley's excellent book convinces me, for one, that Jack the Ripper has at last been nailed…Apart from convincingly identifying the Ripper, Paley's book paints an extraordinarily vivid picture of late 19th century London. It opens your eyes to the hopeless, harsh lives endured by single and deserted women, especially those with children, in the days before job opportunities and full time education." As such, Hennessey echoes the words of the esteemed writer Colin Wilson, who wrote in the foreword to Paley's book: "If I had to recommend a single book on Jack the Ripper to someone who knew nothing about the subject, I would unhesitatingly choose this one. Bruce Paley has captured the atmosphere of Whitechapel at the time of the murders - and indeed, London in the late 19th century - with a sense of living reality that no other writer on the case has achieved…[It is] the most evocative book on the period that I have ever read." Writing in the Guardian (22/11/06), Nancy Banks-Smith wrote: "[Jack the Ripper] was almost certainly Joseph Barnett, the live-in lover of the last victim, Mary Kelly, a theory convincingly argued by Bruce Paley in his book Jack the Ripper: The Simple Truth." Some years later, Adrian Morris, the editor of The Journal of the Whitechapel Society, declared Paley's book to be the best Jack the Ripper book of them all. "The immense strength of Paley's book," Morris wrote in February, 2010, "is that his suspect Barnett is perfectly placed to act as an almost unknowing device to explore the milieu of the East End with its poverty, exploitation and vice, whilst also drawing the reader into the soulless world of the victim...This Paley does brilliantly. His prose is powerful and, dare I say it beautiful. In Paley's words the Nietzschian hordes that are measured and understood as a value of history become material to act within a story that explores the full tragedy of the East End. Paley really does understand the East End A.D.1888, his words map out its DNA, his sentences tap out the arithmetic of existence. For one to understand the Whitechapel murders, one must understand the times. Nowhere can one do this better than in the chapters Paley devotes to this historical sociology. For Paley understands that while the Ripper was killing its womenfolk (albeit destitutes), the East End itself was eating its children in the jaws of poverty. Paley's excellent and wide ranging research underpins his descriptions. This is history with a poetical syncopation that adds to the subject matter in the mind of the reader. Paley describes the environs of Dorset Street and Miller's Court that takes some beating and is redolent of an informed approach that makes you feel he must have known the old place…I can only amplify [Colin Wilson's] endorsement uttered on the book's 1995 release by adding, without wishing to seem overly unctuous, that when compiling a booklist of authors that one would like to proffer to the uninitiated, soon-to-be initiated or just plain curious on the subject of the Whitechapel murders, I would advise that the list starts wit

    But most killers are not shadowy figures stalking the streets with a lust for blood. Many are ordinary citizens driven to the ultimate crime by circumstance, a fit of anger or a desire for revenge. Their crimes, overshadowed by the few, sensational cases, are ignored, forgotten or written off.This book examines all the known murders in London in 1888 to build a picture of society. Who were the victims? How did they live, and how did they die? Why did a husband batter his wife to death after she failed to get him a cup of tea? How many died under the wheels of a horse-driven cab? Just how dangerous was London in 1888?

    16 pages of photographs.

    The discovery of the murders is described by the men who were there, and evidence reveals that the hitherto unsolved Ripper murders were in fact a culmination of a full-scale cover-up organized at the highest level of government.

    Casting aside the rumors, fantasies, and urban legends which have haunted this case for so long, Trevor Marriott produces some startling results—while it has long been accepted that Jack the Ripper killed only five women, Marriott believes there were up to nine victims. Most astonishingly of all, a previously unconsidered suspect who also committed murders in America and Germany has been firmly put in the frame. All previous theories are refuted in what may possibly be the final word on the Ripper murders.

    When a crime has been committed, it is essential for the perpetrator to be punished. In that way, although the family of the victims won’t always be able to make sense of what happened, they will still understand that nobody is above the law. Publicizing the criminal’s modus operandi is sometimes good - the citizens will be well aware of their tactics and they can take better care of themselves. On the other hand, it can also be bad, because “would be” criminals and serial killers are also watching and they might like the idea. Such was the case of Eddie Seda. Other than him, 4 others wreaked havoc in different places, at various times: There was the man who killed prostitutes in his own home (with his family in it), a man who claimed to have killed 600 hundred women when only 3 victims were verified, a father who brought his son to “hunt” some humans, and a husband who killed his wife when she learned of his lies. How did they do it? And how did the law authorities catch them? Here Is A Preview Of What You'll Learn... True Crime – What Drives a Killer to the Edge? True Crime – A Day of Hunting in Leonia True Crime – Kendall and His House of Horrors True Crime – Try Harder: 2nd Zodiac True Crime – The Prankster Killer True Crime – Lori's Husband Much, much more!

    Thompson and Errol Morris, Bruce Robinson offers a radical reinterpretation of Jack the Ripper, contending that he was not the madman of common legend, but the vile manifestation of the Victorian Age's moral bankruptcy.In exploring the case of Jack the Ripper, Robison goes beyond the who that has obsessed countless others and focuses on the why. He asserts that any "gentlemen" that walked above the fetid gutters of London, the nineteenth century's most depraved city, often harbored proclivities both violent and taboo—yearnings that went entirely unpunished, especially if he also bore royal connections. The story of Jack the Ripper hinges on accounts that were printed and distributed throughout history by the same murderous miscreants who frequented the East End of her Majesty's London, wiping the fetid muck from their boots when they once again reached the marble floors of society's finest homes.Supported by primary sources and illustrated with 75 to 100 black and white photographs, this breathtaking work of cultural history dismisses the theories of previous "Ripperologists." A Robinson persuasively makes clear with his unique brilliance, The Ripper was far from a poor resident of Whitechapel . . . he was a way of life.

     The Victorian era is often thought of as an age of propriety, inventions and the British stiff upper lip. However, in a world of extremes between the rich and poor, for most people it was often hellish, violent and filled with death. In The Good Old Days she reveals exactly what it was like for those on the streets that history has forgotten. Meet: The madame whose mysterious East End chambers were visited nightly by the aristocracy. The psychic who ‘solved’ the Jack the Ripper murders. The conwoman, bigamist and murderer who left twenty-one bodies in her wake. The Lambeth Poisoner, sewer-hunters, oyster sellers and many other colourful characters. O’Neill leads us through fog-bound streets into rat-infested slums, boozers, penny gaffs and brothels to expose the teeming underbelly of London in the reign of Queen Victoria. Praise for The Good Old Days ‘A world of hunger, squalor, disease and pain’ – Daily Telegraph ‘Terrific. A delightful foray through nineteenth century murder and mayhem’ – Spectator ‘Packed with shocking and tragic tales’ – Big Issue Praise for Gilda O’Neill ‘[Gives a] voice to memories of a changing East End’ – The Guardian 'A shocking book which, for once, should dispel the myth that life in the East End was one long knees-up' – Daily Express 'O'Neill chronicles the filth and poverty with leery aplomb, then sobers things up with sharp social commentary' – The Scotsman Gilda O’Neill (1951-2010) took three university degrees and was awarded an honorary doctorate for her work on the East End. In 1990 O’Neill began writing full-time. She published thirteen novels and six works of non-fiction, including East End Tales. She also broadcasted, gave talks and wrote articles about east London history. She tragically died in 2010 from a sudden illness.