In turn, Ahasverus was cursed to roam the earth until the Second Coming. Stefan Heym's novel re-creates and expands this myth to propose that the right synthesis of love and rebellion can bring humankind to the Kingdom of Heaven.Heym introduces both Ahasverus and Lucifer as angels cast out of heaven for their opinions on God's order. Their respective oppositions continue throughout the rest of time: Ahasverus remains defiant through protest rooted in love and a faith in progress, while Lucifer is rebellious by means of his old, familiar methods. In a funny eternity of run-ins, debates, and meddling with characters such as Christ, a disciple of Luther, and a Marxist professor in East Germany, Ahasverus and Lucifer struggle on, awaiting the Second Coming.

    Circling the Jewish calendar from Rosh Hashanah to Tisha B'Av, this lively, accessible guide includes rituals, recipes, songs, prayers, and suggestions for new approaches to holiday observance.

    A translation of the Kabbalah for the layperson includes a compact presentation of each primary text and features a practical analysis and vital historical information that offer insight into the various aspects of Jewish mysticism.

    Dubner wrote a cover story for The New York Times Magazine called Choosing My Religion. It became one of the most widely discussed articles in the magazine's history. Turbulent Souls, the book that grew out of that article, is an intimate memoir of a man in search of a Jewish heritage he never knew he had. It is also a loving portrait of his parents.Stephen Dubner's family was as Catholic as they come. His devout parents attended mass at every opportunity and named their eight children after saints. Stephen, the youngest child, became an altar boy, studied the catechism, and learned the traditional rituals of the Church -- never suspecting that the religion he embraced was not his by blood.Turbulent Souls is Dubner's personal account of his family; tumultuous journey from Judaism to Catholicism -- and in his own case, back to Judaism -- and the effects, some tragic, some comic, of those spiritual transformations. His parents were Jews, born in Brooklyn to immigrant parents, but -- independent of each other and, indeed, before they met -- each converted to Christianity, only to be shunned by their families. After their marriage, they closed the door on Judaism so firmly that their children had no inkling that their background was far different from what it seemed: They didn't know, for instance, that their mother had a first cousin named Ethel Rosenberg, who was executed for treason in one of the most controversial cases of the cold war era.Stephen Dubner's is a story about discovery: of relatives he never knew existed, of family history he'd never learned, and of a faith he'd never thought of as his own and, in fact, knew nothing about. It's a fascinating, thoughtful, and thought-provoking exploration of a subject of intense interest to spiritually minded men and women everywhere.

    In Genesis, John B. Judis argues that, while Israelis and Palestinians must shoulder much of the blame, the United States has been the principal power outside the region since the end of World War II and as such must account for its repeated failed diplomacy efforts to resolve this enduring strife.The fatal flaw in American policy, Judis shows, can be traced back to the Truman years. What happened between 1945 and 1949 sealed the fate of the Middle East for the remainder of the century. As a result, understanding that period holds the key to explaining almost everything that follows—right down to George W. Bush's unsuccessful and ill-conceived effort to win peace through holding elections among the Palestinians, and Barack Obama's failed attempt to bring both parties to the negotiating table. A provocative narrative history animated by a strong analytical and moral perspective, and peopled by colorful and outsized personalities and politics, Genesis offers a fresh look at these critical postwar years, arguing that if we can understand how this stalemate originated, we will be better positioned to help end it.

    But we’d be surprised to learn how much these beloved characters were shaped by the cultural and religious traditions of their makers. Superman Is Jewish? follows the “people of the book” as they become the people of the comic book. Harry Brod reveals the links between Jews and superheroes in a penetrating investigation of iconic comic book figures. With great wit and compelling arguments, Brod situates superheroes within the course of Jewish- American history: they are aliens in a foreign land, like Superman; figures plagued by guilt for not having saved their families, like Spider-Man; outsiders persecuted for being different, like the X-Men; nice, smart people afraid that nobody will like them when they’re angry, like the Hulk. Brod blends humor with sharp observation as he considers the overt and discreet Jewish characteristics of these well-known figures and explores how their creators—including Jerry Siegel, Joe Shuster, Stan Lee, and Jack Kirby— integrated their Jewish identities and their creativity. Brod makes a strong case that these pioneering Jews created New World superheroes using models from Old World traditions. He demonstrates how contemporary characters were inspired by the golem, the mystically created artificial superhuman of Jewish lore. And before Superman was first drawn by Joe Shuster, there were those Jews flying through the air drawn by Marc Chagall. As poignant as it is fascinating, this lively guided tour travels from the Passover Haggadah’s exciting action scenes of Moses’s superpowers through the Yiddish humor of Mad to two Pulitzer Prizes awarded in one decade to Jewish comic book guys Art Spiegelman and Michael Chabon. Superman Is Jewish? explores the deeper story of how an immigrant group can use popular entertainment media to influence the larger culture and in the process see itself in new, more empowering ways. Not just for Jewish readers or comic book fans, Superman Is Jewish? is a story of America, and is as poignant as it is fascinating. *** A surprising question, one that takes a certain amount of chutzpah to even raise. To add even a bit more chutzpah, this book considers questions about the Jewishness of more superheroes than just Superman, and offers answers that will surprise many. You mean Spider-Man is Jewish too? Well, actually, yes, but in a very different way than Superman is. And, as we’ll see, the shift between them reflects the evolution of Jewish life in America itself in the generation between the two, the generation that gets us from World War II and the “Golden Age” of comics to the 1960s and the “Silver Age” of comics. The historical turning points of those tumultuous years and others, like the powerful 1950s crusade against comics for supposedly causing juvenile delinquency, turn out to be central to our story because these events, and their great impact on American Jews, appear on comic book pages themselves, and behind the scenes in their production. For it turns out that the history of Jews and comic book superheroes, that very American invention, is the history of Jews and America, particularly the history of Jewish assimilation into the mainstream of American culture.

    In this shocking and compelling study, historian Jan Gross pieces together eyewitness accounts as well as physical evidence into a comprehensive reconstruction of the horrific July day remembered well by locals but hidden to history. Revealing wider truths about Jewish-Polish relations, the Holocaust, and human responses to occupation and totalitarianism, Gross's investigation sheds light on how Jedwabne's Jews came to be murdered-not by faceless Nazis, but by people who knew them well.

    But this book is not about the success stories. It's a paean to the bunglers, the blockheads, and the just plain weird-Jews who were flung from small, impoverished eastern European towns into the urban shtetls of New York and Warsaw, where, as they say in Yiddish, their bread landed butter side down in the dirt. These marginal Jews may have found their way into the history books far less frequently than their more socially upstanding neighbors, but there's one place you can find them in force: in the Yiddish newspapers that had their heyday from the 1880s to the 1930s. Disaster, misery, and misfortune: you will find no better chronicle of the daily ignominies of urban Jewish life than in the pages of the Yiddish press.An underground history of downwardly mobile Jews, Bad Rabbi exposes the seamy underbelly of pre-WWII New York and Warsaw, the two major centers of Yiddish culture in the late nineteenth and early twentieth centuries. With true stories plucked from the pages of the Yiddish papers, Eddy Portnoy introduces us to the drunks, thieves, murderers, wrestlers, poets, and beauty queens whose misadventures were immortalized in print. There's the Polish rabbi blackmailed by an American widow, mass brawls at weddings and funerals, a psychic who specialized in locating missing husbands, and violent gangs of Jewish mothers on the prowl-in short, not quite the Jews you'd expect. One part Isaac Bashevis Singer, one part Jerry Springer, this irreverent, unvarnished, and frequently hilarious compendium of stories provides a window into an unknown Yiddish world that was.

    Through the workaday world of a rural dairyman, his grit, wit, and heart, his daughters' courtships and marriages, and the eventual menace of the pogroms, Sholem Aleichem reveals the fabric of a now-vanished world.Motl is the clear-eyed, spirited, mischievous boy who narrates Motl the Cantor's Son, a comic novel about his emigration with his family from Russia to America. It is a journey that mirrors a larger exodus, telling the story of the disintegration of traditional Jewish life and the beginning of a new chapter of Jewish history in America.

    Beginning in the 1880s, it offers a rich portrayal of the East European Jewish experience in New York, and shows how the immigrant generation tried to maintain their Yiddish culture while becoming American. It is essential reading for those interested in understanding why these forebears to many of today's American Jews made the decision to leave their homelands, the challenges these new Jewish Americans faced, and how they experienced every aspect of immigrant life in the early part of the twentieth century.This invaluable contribution to Jewish literature and culture is now back in print in a new paperback edition, which includes a new foreword by noted author and literary critic Morris Dickstein.

      In 1935, Dottie Krasinsky is the epitome of the modern girl. A bookkeeper in Midtown Manhattan, Dottie steals kisses from her steady beau, meets her girlfriends for drinks, and eyes the latest fashions. Yet at heart, she is a dutiful daughter, living with her Yiddish-speaking parents on the Lower East Side. So when, after a single careless night, she finds herself in a family way by a charismatic but unsuitable man, she is desperate: unwed, unsure, and running out of options.   After the birth of five children—and twenty years as a housewife—Dottie’s immigrant mother, Rose, is itching to return to the social activism she embraced as a young woman. With strikes and breadlines at home and National Socialism rising in Europe, there is much more important work to do than cooking and cleaning. So when she realizes that she, too, is pregnant, she struggles to reconcile her longings with her faith.   As mother and daughter wrestle with unthinkable choices, they are forced to confront their beliefs, the changing world, and the fact that their lives will never again be the same….

    Their tribe has moved and escaped for thousands of years - across oceans, deserts, and mountains - but now, it seems, there is nowhere else to go. Danger is imminent in every direction, yet the territory of imagination and belief is limitless. At the suggestion of an eleven-year-old girl and a mysterious stranger who has washed up on the riverbank, the villagers decide to reinvent the world: deny any relationship with the known and start over from scratch. Destiny is unwritten. Time and history are forgotten. Jobs, husbands, a child, are reassigned. And for years, there is boundless hope. But the real world continues to unfold alongside the imagined one, eventually overtaking it, and soon our narrator - the girl, grown into a young mother - must flee her village, move from one world to the next, to find her husband and save her children, and propel them toward a real and hopeful future. A beguiling, imaginative, inspiring story about the bigness of being alive as an individual, as a member of a tribe, and as a participant in history, No One Is Here Except All Of Us explores how we use storytelling to survive and shape our own truths. It marks the arrival of a major new literary talent.

    It is powerful, shocking, and primitive, with the kind of appeal primary sources often attain without effort.... it is a strong addition to the literature of women's experience on the frontier." --Lillian Schlissel [asking for approval to use quote]In 1894, eighteen-year-old Rachel Bella Kahn travelled from Russia to the United States for an arranged marriage to Abraham Calof, an immigrant homesteader in North Dakota. Rachel Calof's Story combines her memoir of a hard pioneering life on the prairie with scholarly essays that provide historical and cultural background and show her narrative to be both unique and a representative western tale. Her narrative is riveting and candid, laced with humor and irony.The memoir, written by Rachel Bella Calof in 1936, recounts aspects of her childhood and teenage years in a Jewish community, (shtetl) in Russia, but focuses largely on her life between 1894 and 1904, when she and her husband carved out a life as homesteaders. She recalls her horror at the hardships of pioneer life--especially the crowding of many family members into the 12 x 14' dirt-floored shanties that were their first dewllings. "Of all the privations I knew as a homesteader," says Calof, "the lack of privacy was the hardest to bear." Money, food, and fuel were scarce, and during bitter winters, three Calof households--Abraham and Rachel with their growing children, along with his parents and a brother's family--would pool resources and live together (with livestock) in one shanty.Under harsh and primitive conditions, Rachel Bella Calof bore and raised nine children. The family withstood many dangers, including hailstorms that hammered wheat to the ground and flooded their home; droughts that reduced crops to dust; blinding snowstorms of plains winters. Through it all, however, Calof drew on a humor and resolve that is everywhere apparent in her narrative. Always striving to improve her living conditions, she made lamps from dried mud, scraps of rag, and butter; plastered the cracked wood walls of her home with clay; supplemented meagre supplies with prairie forage--wild mushrooms and garlic for a special supper, dry grass for a hot fire to bake bread. Never sentimental, Caolf's memoir is a vital historical and personal record.J. Sanford Rikoon elaborates on the history of Jewish settlement in the rural heartland and the great tide of immigration from the Russian Pale of Settlement and Eastern Europe from 1880-1910. Elizabeth Jameson examines how Calof "writes from the interior spaces of private life, and from that vantage point, reconfigures more familiar versions of the American West." Jameson also discusses how the Calofs adapted Jewish practices to the new contingencies of North Dakota, maintaining customs that represented the core of their Jewish identity, reconstructing their "Jewishness" in new circumstances.

    When he mentioned that he is Jewish, some made anti-Semitic jokes or talked about the superiority of the Aryan race. Others, sincerely hoping to atone for the country's past, fawned over him with a forced friendliness he found just as alienating. Vivid and fascinating, Stranger in My Own Country traces the contours of Jewish life in a country still struggling with the legacy of the Third Reich and portrays those who, inevitably, continue to live in its shadow. Marshaling an extraordinary range of material into a lively narrative, Mounk surveys his countrymen's responses to "the Jewish question." Examining history, the story of his family, and his own childhood, he shows that anti-Semitism and far-right extremism have long coexisted with self-conscious philo-Semitism in postwar Germany. But of late a new kind of resentment against Jews has come out in the open. Unnoticed by much of the outside world, the desire for a "finish line" that would spell a definitive end to the country's obsession with the past is feeding an emphasis on German victimhood. Mounk shows how, from the government's pursuit of a less "apologetic" foreign policy to the way the country's idea of the Volk makes life difficult for its immigrant communities, a troubled nationalism is shaping Germany's future.

    Many of them are well known—Marx, Freud, Proust, Einstein, Kafka. Others have vanished from collective memory despite their enduring importance in our daily lives. Without Karl Landsteiner, for instance, there would be no blood transfusions or major surgery. Without Paul Ehrlich, no chemotherapy. Without Siegfried Marcus, no motor car. Without Rosalind Franklin, genetic science would look very different. Without Fritz Haber, there would not be enough food to sustain life on earth.What do these visionaries have in common? They all had Jewish origins. They all had a gift for thinking in wholly original, even earth-shattering ways. In 1847 the Jewish people made up less than 0.25% of the world’s population, and yet they saw what others could not. How? Why?Norman Lebrecht has devoted half of his life to pondering and researching the mindset of the Jewish intellectuals, writers, scientists, and thinkers who turned the tides of history and shaped the world today as we know it. In Genius & Anxiety, Lebrecht begins with the Communist Manifesto in 1847 and ends in 1947, when Israel was founded. This robust, magnificent volume, beautifully designed, is an urgent and necessary celebration of Jewish genius and contribution.