And though her family has turned her into a despised servant, Maia must always pretend to be happy, or else they'll all be struck dead by the curse.Anax, heir to the Duke of Sardis, doesn't believe in love either—not since he discovered that his childhood sweetheart was only using him for his noble title. What's the point of pretending to fall in love with a girl just so she'll pretend to fall in love with him back? But when his father invites all the suitable girls in the kingdom to a masked ball, Anax must finally give in and select a wife.As fate would have it, the preparations for the masquerade bring him Maia, who was asked by her eldest stepsister to deliver letters to Anax. Despite a prickly first encounter, he is charmed and intrigued by this mysterious girl who doesn't believe in love. Anax can't help wishing to see her again—and when he does, he can't help falling in love with her. Against her will, Maia starts to fall in love with him too. But how can she be with him when every moment his life is in danger from her mother's deadly bargain?

    The years pass but no one looks any older. One night a doctor tells the story of a young woman who gives birth to a baby in the most horrible way! Evil psychic powers, obsession and the supernatural in the most ordinary, everyday places. A spine-chiller from the master of horror.

    Jenna had promised her mother that if the worst happened during her dad’s weekend, they would meet at Red Hill Ranch. When she finds seven words spray-painted on her dad’s wall the morning after a deadly outbreak, she makes a promise to herself: to get to the ranch with her seven-year-old sister, Halle, and to get them both there alive. Among Monsters is the companion novella to Red Hill, both exploring from different perspectives what many broken families experience every other weekend: What if your children aren't with you when the world ends? What would you do to get to them? What would they go through to get to you? For Jenna, seeing her mother again is worth everything. Determined to keep her promise, she is faced with experiences and decisions that force her to leave her childhood behind.

    It’s told from Detec­tive Bria Coolidge’s point of view and shows her search for her long-lost sis­ter Genevieve Snow. What Bria doesn’t know is what she’s going to do about the fact that Genevieve also hap­pens to be the assas­sin the Spi­der.

    As twelve-year-olds struggling to survive in two very different worlds within the Republic’s stronghold, June was starting her first day of school at Drake University as the youngest cadet ever admitted, and Day was fighting for food on the streets of the Lake sector. LIFE BEFORE LEGEND contains two original stories written by Marie Lu that give readers a sneak peek into the lives of their favorite characters in a thrilling new context.

    But they don’t die, and we do. Equilibrium.The unnamed and morally questionable narrator is an exorcist with great follow-through and few doubts. His methods aren’t delicate but they’re undeniably effective: he’ll get the demon out — he just doesn’t particularly care what happens to the person.Prosper of Schanz is a man of science, determined to raise the world’s first philosopher-king, reared according to the purest principles. Too bad he’s demonically possessed.

    Demonic possession. Elise Kavanagh stabbing things and...baking cookies? It's just another bloody Valentine's Day in the life of a demon hunter and her witchy partner.This is a short story about the length of two chapters in my other books (9000 words), which takes place before the events of Death's Hand. It's a gift to my existing readers, who believe deep in their hearts that James's butt needs to be slapped once in a while. I agree completely, readers. Trust me.

    But the more Dagiel tries to fix the situation, the weirder it gets. How many do-overs will it take to make Engall’s life right?

    But there's something even more interesting than the remarkable movies: the woman working behind the counter.

    Pulsing with romance and danger, Brooke will leave readers desperate for the conclusion to this epic and unforgettable saga.The only fight she can't win is the one for Perry's heart. Following the stunning climax in Through the Ever Night, the Tides have been forced to seek shelter from the Aether storms in a dismal, secluded cave. But Brooke's memories of the cave go back much further, to when she and Perry used to come here together. That was before Perry fell in love with Aria and before Vale's dealings with the Dwellers altered the course of the Tides forever.Now, with her sister back from a haunting year in captivity and Aria lying unconscious in the sick bay, Brooke struggles to put the pieces of her life back together. Without Perry, who is she? And what is her role in this frightening new world? As these questions swirl about her, an old threat to the Tides resurfaces, and Brooke is forced to put the lives of her people before her own. But in taking this step outside of herself, Brooke may finally discover what she truly wants.

    The vampire turned shepherd-with-a-shotgun Coburn is back and keen to settle some bad blood.But just out in the Bay in the abandoned fortress prison of Alcatraz, a ketamine-snorting cult of New age weirdoes who eat the flesh of the zombie as some kind of grotesque communion bring a new threat to Coburn’s continuing existence – super zombies!After his rip-roaring debut novel, Double Dead, the inimitable Wendig has returned to his world turned upside by the zombie apocalypse, in which a lone vampire finds himself protecting a terrified remnant of mankind. Or ‘lunch’, as he prefers to think of them.

    Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.

    A short follow-up to 'The Last Question' by Asimov.

    Imprisoned and tortured by the guards, his mind forces him to relive a past he would rather forget. But in the dark he grows stronger. Both hopeful and terrified, he fights to find his way back to her and the love he still clings to.In this digital story that will appeal to fans of Delirium and welcome new admirers to its world, readers will learn of Alex's time after the events of Delirium, as well as the dark past that he has tried to forget.

    At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.