According to Vogel--founder of Cinema 16, North America's legendary film society--the book details the "accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored." So ahead of his time was Vogel that the ideas that he penned some 30 years ago are still relevant today, and readily accessible in this classic volume. Accompanied by over 300 rare film stills, "Film as a Subversive Art" analyzes how aesthetic, sexual and ideological subversives use one of the most powerful art forms of our day to exchange or manipulate our conscious and unconscious, demystify visual taboos, destroy dated cinematic forms, and undermine existing value systems and institutions. This subversion of form, as well as of content, is placed within the context of the contemporary world view of science, philosophy, and modern art, and is illuminated by a detailed examination of over 500 films, including many banned, rarely seen, or never released works.

    Fungus is a bogeyman-a particularly foul and fetid specimen. As he goes about his bogey business, the full horrors of bogeydom are revealed. Over 80,000 copies of this fun book have been sold worldwide.

    Taking a critical perspective on the economics and politics of "presenting" the news, this topical supplement argues that the media systematically distorts news coverage.

    Pollack challenges conventional expectations about manhood and masculinity that encourage parents to treat boys as little men, raising them through a toughening process that drives their true emotions underground. Only when we understand what boys are really like, says Pollack, can we help them develop more self-confidence and the emotional savvy they need to deal with issues such as depression, love and sexuality, drugs and alcohol, divorce, and violence.

    Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.

    From Ayers's early days teaching kindergarten, readers follow this renowned educational theorist on his "voyage of discovery and surprise." We meet fellow travelers from schools across the country and watch students grow across a year and a lifetime.To Teach is a vivid, honest portrayal of the everyday magic of teaching, and what it means to be a "good" teacher--debunking myths perpetuated on film and other starry-eyed hero/teacher fictions. Illuminated by the evocative and wry drawings of Ryan Alexander-Tanner, this literary comics memoir is both engaging and insightful. These illustrated stories remind us how curiosity, a sense of adventure, and a healthy dose of reflection can guide us all to learn the most from this world. This dynamic book will speak to comic fans, memoir readers, and educators of all stripes.

    Its the most detailed documentation or one of television's most popular shows, as told from the inside. Forget about the rumors and find out the real stories of inter-Brady dating, behind-the scenes battles, and the real people behind the Bunch.

    He has walked with queens, run from a shattering city, watched a great shadow swallow the sun. He has met a god and fallen in love with him — and now he is going to die. "I never pictured myself ever writing an autobiography, though that may be due in large part to the fact that I never really considered I might have a life worthy of one. But here at the end of all things, alone in my prison cell, while the very world crumbles around the city, I understand the urgency of giving this dreadful sundering a narrative and context." Silas is a Godspeaker, a single mortal chosen among thousands to be the mouth and the hands and the will of a god — in his case, the Night Father, Umbrion. It’s a tremendous position for awkward, anxious, stuttering Silas, but no sooner had he taken up the mantle had his patron god killed the queen and broke the city in twain. Now he is an unwilling footsoldier in a war between the gods, as great demons rise up from the sea, and as all of Andelan fights to survive.

    McChesney explain how US elections are becoming controlled, predictable enterprises that are managed by a new class of consultants who wield millions of dollars and define our politics as never before. As the money gets bigger—especially after the Citizens United ruling—and journalism, a core check and balance on the government, declines, American citizens are in danger of becoming less informed and more open to manipulation. With groundbreaking behind-the-scenes reporting and staggering new research on “the money power,” Dollarocracy shows that this new power does not just endanger electoral politics; it is a challenge to the DNA of American democracy itself.

    In the south the Star Towers fell, swallowed by the sea, while the black glaciers descended upon the northern holdfasts, entombing the cities of Min-Ceruth in ice and sorcery. Then from the ancient empire of Menekar the paladins of Ama came, putting every surviving sorcerer to the sword and cleansing their taint from the land for the radiant glory of their lord. The pulse of magic slowed, fading like the heartbeat of a dying man. But after a thousand years it has begun to quicken again. In a small fishing village a boy with strange powers comes of age... A young queen rises in the west, fanning the long-smoldering embers of magic into a blaze once more... Something of great importance is stolen – or freed – from the mysterious Empire of Swords and Flowers... And the immortals who survived the ancient cataclysms bestir themselves, casting about for why the world is suddenly changing... The complete, award-winning epic series in one volume

    At stake, Watkins argues, is the impact hip hop has on the lives of the young people who live and breathe the culture. He presents incisive analysis of the corporate takeover of hip hop and the rampant misogyny that undermines the movement's progressive claims. Ultimately, we see how hip hop struggles reverberate in the larger world: global media consolidation; racial and demographic flux; generational cleavages; the reinvention of the pop music industry; and the ongoing struggle to enrich the lives of ordinary youth.

    Meet forty-four of America’s most impressive heroes in this collective biography of African American figures authored by the team at ESPN’s TheUndefeated.com.  From visionaries to entrepreneurs, athletes to activists, the Fierce 44 are beacons of brilliance, perseverance, and excellence. Each short biography is accompanied by a compelling portrait by Robert Ball, whose bright, graphic art pops off the page. Bringing household names like Serena Williams and Harriet Tubman together with lesser-known but highly deserving figures such as Robert Abbott and Dr. Charles Drew, this collection is a celebration of all that African Americans have achieved, despite everything they have had to overcome.

    Rather, “the end is reconciliation, the end is redemption, the end is the creation of the beloved community.” King’s words reflect the strong religious impetus behind the civil rights movement in the South in its early days. Consciously emphasizing the Judeo-Christian roots of their convictions, civil rights leaders at the time saw their ultimate purpose as building a “beloved community” on earth. In their quest for social justice, the radical idea of Christian love, specifically through the practice of nonviolence, would transform the social and political realities of twentieth-century America. By the end of the 1960s, that exuberant vision of the beloved community had come apart, lost to disillusionment and secular radicalism. But as noted theologian Charles Marsh shows, the same spiritual vision that animated the civil rights movement remains a vital-and growing-source of moral energy today. In moving prose, Marsh traces the history of this vision over the past four decades, from the racial reconciliation movement in American cities to the intentional communities that church groups have founded. His portraits of faith-based social justice initiatives-including Eugene Rivers’ Azusa Christian Community in Boston and Koinonia Farm in Georgia-offer a stark contrast to the usual media portrayal of Christian activism. Despite the odds against it, the pursuit of the beloved community continues to foster racial unity and civic responsibility in a divided American culture. With The Beloved Community, Marsh lays out a exuberant new vision for Christian progressivism, and simultaneously reclaims the centrality of faith in the quest for social justice.

    Yet by the age of fifteen, McCall was packing a gun and embarking on a criminal career that five years later would land him in prison for armed robbery.In these pages, McCall chronicles his passage from the street to the prison yard--and, later, to the newsrooms of The Washington Post and ultimately to the faculty of Emory University. His story is at once devastating and inspiring, at once an indictment and an elegy. Makes Me Wanna Holler became an instant classic when it was first published in 1994 and it continues to bear witness to the great troubles--and the great hopes--of our nation. With a new afterword by the author

    G. Waldron examines the legacy of environmental racism and its health impacts in Indigenous and Black communities in Canada, using Nova Scotia as a case study, and the grassroots resistance activities by Indigenous and Black communities against the pollution and poisoning of their communities.Using settler colonialism as the overarching theory, Waldron unpacks how environmental racism operates as a mechanism of erasure enabled by the intersecting dynamics of white supremacy, power, state-sanctioned racial violence, neoliberalism and racial capitalism in white settler societies. By and large, the environmental justice narrative in Nova Scotia fails to make race explicit, obscuring it within discussions on class, and this type of strategic inadvertence mutes the specificity of Mi'kmaq and African Nova Scotian experiences with racism and environmental hazards in Nova Scotia. By redefining the parameters of critique around the environmental justice narrative and movement in Nova Scotia and Canada, Waldron opens a space for a more critical dialogue on how environmental racism manifests itself within this intersectional context.Waldron also illustrates the ways in which the effects of environmental racism are compounded by other forms of oppression to further dehumanize and harm communities already dealing with pre-existing vulnerabilities, such as long-standing social and economic inequality. Finally, Waldron documents the long history of struggle, resistance, and mobilizing in Indigenous and Black communities to address environmental racism.