Here, collected for the first time, are his famous lectures, which include Mansfield Park, Bleak House, and Ulysses. Edited and with a Foreword by Fredson Bowers; Introduction by John Updike; illustrations.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    L. Mencken's book about the English language as spoken in the United States. Mencken was inspired by "the argot of the colored waiters" in Washington, as well as one of his favorite authors, Mark Twain, and his experiences on the streets of Baltimore. In 1902, Mencken remarked on the "queer words which go into the making of 'United States.'" The book was preceded by several columns in The Evening Sun. Mencken eventually asked "Why doesn't some painstaking pundit attempt a grammar of the American language... English, that is, as spoken by the great masses of the plain people of this fair land?" It would appear that he answered his own question. In the tradition of Noah Webster, who wrote the first American dictionary, Mencken wanted to defend "Americanisms" against a steady stream of English critics, who usually isolated Americanisms as borderline barbarous perversions of the mother tongue. Mencken assaulted the prescriptive grammar of these critics and American "schoolmarms", arguing, like Samuel Johnson in the preface to his dictionary, that language evolves independently of textbooks. The book discusses the beginnings of "American" variations from "English", the spread of these variations, American names and slang over the course of its 374 pages. According to Mencken, American English was more colorful, vivid, and creative than its British counterpart. The book sold exceptionally well by Mencken's standards-1400 copies in the first two months. Reviews of the book praised it lavishly, with the exception of one by Mencken's old nemesis, Stuart Sherman. source: Wikipedia

    Tolkien's On Fairy-stories is his most-studied and most-quoted essay, an exemplary personal statement of his own views on the role of imagination in literature, and an intellectual tour de force vital for understanding Tolkien's achievement in writing The Lord of the Rings .Contained within is an introduction to Tolkien's original 1939 lecture and the history of the writing of On Fairy-stories, with previously unseen material. Here, at last, Flieger and Anderson reveal the extraordinary genesis of this seminal work and discuss how the conclusions that Tolkien reached during the composition of the essay would shape his writing for the rest of his life.

    Arguing that their characters are as strong and their plots as complex as any dreamt up by the great novelists, Tom McCarthy asks a simple question: is Tintin literature?"

    His unique, melodic compositions were released on the Prestige jazz label. In the late 1960s the Viking-garbed Moondog was a pop music sensation on Columbia Records. Moondog is the noted inspiration for the contemporary freak folk movement led by Devendra Banhart.Moondog's compositional style influenced his former roommate, Philip Glass, whose Preface and performances of Moondog works appear in the book. Moondog's work transcends labels and redefines the distinction between popular and high culture. A CD compilation with a variety of Moondog's compositions is bound into the book.The CD tracklisting is as follows:1: Caribea (1:32)Performer/Composer: Moondog2: To a Sea Horse (1:43)Performer/Composer: Moondog3: Trees Against the Sky (.51)Performer/Composer: Moondog4: Oo Debut (1:09)Performer/Composer: Moondog5: Autumn (2:07)Performer/Composer: Moondog6: Moondog Monologue (8:24)Performer/Composer: Moondog7: Moondog’s Theme (1:53)Performer/Composer: Moondog8: Trimbas in Quarters (1:47)Performer/Composer: Moondog9: I Came Into This World Alone (1:19)Performers: Moondog, Steve Reich, Philip Glass, Jon GibsonComposer: Moondog10: Be a Hobo (1:22)Performers: Moondog, Steve Reich, Philip Glass, Jon GibsonComposer: Moondog11: Why Spend the Dark Night With You (1:40)Performers: Moondog, Steve Reich, Philip Glass, Jon GibsonComposer: Moondog12: All is Loneliness (1:38)Performers: Moondog, Steve Reich, Philip Glass, Jon GibsonComposer: Moondog13: Organ Rounds (2:04)Performer/Composer: Moondog14: Canon in F Major, Book I (.43)Performer: Paul JordanComposer: Moondog15: Canon in B Flat Major, Book III (1:36)Performer: Paul JordanComposer: Moondog16: Canon in B Flat Major, Book I (.43)Performer: Paul JordanComposer: Moondog17: Canon in B Flat Major, Book II (.28)Performer: Paul JordanComposer: Moondog18: Canon in G Sharp Minor, Book I (.44)Performer: Paul JordanComposer: Moondog19: Canon in C Sharp Minor, Book II (1:32)Performer: Paul JordanComposer: Moondog20: 5/4 Snakebite Rattle (3:41)Performer: Stefan LakatosComposer: Moondog21: Trimbas and Woodblock in 5/2 (1:26)Performer: Stefan LakatosComposer: Moondog22: When I Am Deep in Sleep (2:17)Performer: Stefan LakatosComposer: Moondog23: Rabbit Hop (2:25)Performer/Composer: Moondog24: Dog Trot (2:25)Performer/Composer: Moondog25: Bird’s Lament (2:00)Performer/Composer: Moondog26: Viking 1 (2:55)Performer/Composer: Moondog27: Heimdall Fanfare (3:06)Performer/Composer: Moondog28: Intro and Overtone Continuum (2:22)Performer/Composer: Moondog

    Both evoke a similar sensation in us — we find them beautiful and magical, but also spooky, sometimes horrifying.In this fascinating book, Maitland argues that the two forms are intimately connected: the mysterious secrets and silences, gifts and perils of the forests were both the background and the source of fairytales. Yet both forests and fairy stories are at risk and their loss deprives us of our cultural lifeblood. Maitland visits forests through the seasons, from the exquisite green of a beechwood in spring, to the muffled stillness of a snowy pine wood in winter. She camps with her son Adam, whose beautiful photographs are included in the book; she takes a barefoot walk through Epping Forest with Robert Macfarlane; she walks with a mushroom expert through an oak wood, and with a miner through the Forest of Dean. Maitland ends each chapter with a unique, imaginitive re-telling of a fairystory.Written with Sara's wonderful clarity and conversational grace, Gossip from the Forest is a magical and unique blend of nature writing, history and imaginative fiction.

    One Country. And a lot of whisky.As stars of "Outlander", Sam and Graham eat, sleep and breathe the Highlands on this epic road trip around their homeland. They discover that the real thing is even greater than fiction."Clanlands" is the story of their journey. Armed with their trusty campervan and a sturdy friendship, these two Scotsmen are on the adventure of a lifetime to explore the majesty of Scotland. A wild ride by boat, kayak, bicycle and motorbike, they travel from coast to loch and peak to valley and delve into Scotland's history and culture, from timeless poetry to bloody warfare.With near-death experiences, many weeks in a confined space together, and a cast of unforgettable characters, Graham and Sam's friendship matures like a fine Scotch. They reflect on their acting careers in film and theatre, find a new awestruck respect for their native country and, as with any good road trip, they even find themselves.Hold onto your kilts ... this is Scotland as you've never seen it before.

    This infinity of lists is no coincidence: a culture prefers enclosed, stable forms when it is sure of its own identity, while when faced with a jumbled series of ill-defined phenomena, it starts making lists. The poetics of lists runs throughout the history of art and literature. We do not only see it at work in ancient bestiaries, the celestial hosts of angels or the naturalist collections of the 16th century. We also find it more obliquely from Homer to Joyce, from the treasures of Gothic cathedrals to the fantastic landscapes of Bosch and cabinets of curiosities, until we get to Andy Warhol and Arman in the 20th century. In this 5-colour illustrated edition, Umberto Eco reflects on how the idea of catalogues has changed over the centuries and how, from one period to another, it has expressed the spirit of the times. His essay is accompanied by a literary anthology and a wide selection of works of art illustrating and analysing the texts presented. This new illustrated essay is a companion volume to On Beauty and On Ugliness.

    A poignant and comic literary coming-of-age memoir. "This is a jewel of a book." --Ian McEwanIn 1971 Jay Parini was an aspiring poet and graduate student of literature at University of St Andrews in Scotland; he was also in flight from being drafted into service in the Vietnam War. One day his friend and mentor, Alastair Reid, asked Jay if he could play host for a "visiting Latin American writer" while he attended to business in London. He agreed--and that "writer" turned out to be the blind and aged and eccentric master of literary compression and metaphysics, Jorge Luis Borges. About whom Jay Parini knew precisely nothing. What ensued was a seriocomic romp across the Scottish landscape that Borges insisted he must "see," all the while declaiming and reciting from the literary encyclopedia that was his head, and Jay Parini's eventual reckoning with his vocation and personal fate.

    The interactions between Jake, Joni, Angie, and Vic reveal a hellish cocktail of adolescent ad mid-life crises, the savagery of sibling rivalry, the waking nightmare of a marriage gone cold, and, naturally, the unbridgeable, infernal chasm between the generations. It's a story of everyday life.

    Employing examples of world literature from ancient times to the present, he provides a conceptual framework for the examination of literature. In four brilliant essays on historical, ethical, archetypical, and rhetorical criticism, he applies "scientific" method in an effort to change the character of criticism from the casual to the causal, from the random and intuitive to the systematic.Harold Bloom contributes a fascinating and highly personal preface that examines Frye's mode of criticism and thought (as opposed to Frye's criticism itself) as being indispensable in the modern literary world.

    Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural significance. Explore the secret world between the panels, through the lines, and within the hidden symbols of a powerful but misunderstood art form.

    DickIn late January 2006, a young robotocist on the way to Google headquarters lost an overnight bag on a flight somewhere between Dallas and Las Vegas. In it was a fully functional head of the android replica of Philip K. Dick, cult science-fiction writer and counterculture guru. It has never been recovered.In a story that echoes some of the most paranoid fantasies of a Dick novel, readers get a fascinating inside look at the scientists and technology that made this amazing android possible. The author, who was a fellow researcher at the University of Memphis Institute of Intelligent Systems while the android was being built, introduces readers to the cutting-edge technology in robotics, artificial intelligence, and sculpture that came together in this remarkable machine and captured the imagination of scientists, artists, and science-fiction fans alike. And there are great stories about Dick himself his inspired yet deeply pessimistic worldview, his bizarre lifestyle, and his enduring creative legacy. In the tradition of popular science classics like "Packing for Mars" and "The Disappearing Spoon," "How to Build an Android" is entertaining and informative popular science at its best."

    Dan Jackson sets out to recover this lost history, exploring the deep roots of Northumbrian culture-hard work and heavy drinking, sociability and sentimentality, militarism and masculinity-through centuries of border warfare and dangerous industry. He explains what we can learn about Northumbria's people from its landscape and architecture, and revisits the Northumbrian Enlightenment that gave the world the locomotive and the lightbulb. This story reaches right to the present day, as this extraordinary region finds itself caught between an indifferent south and an increasingly confident Scotland.From the Venerable Bede and the prince-bishops of Durham to Viz and Geordie Shore, this vital new history reveals a part of England with an uncertain future, but whose people remain as remarkable as ever.