A highly readable and beautifully illustrated re-telling of the most famous stories from Greek mythology.

    This compendium of early Japanese life provides a panorama of Japan during its formation.

    George and the Dragon commemorates the 25th Anniversary of the Caldecott Award-winning picture book. Hodges retells an exciting segment from Spenser's The Faerie Queene, in which the Red Cross Knight slays a dreadful dragon that has been terrorizing the countryside for years, bringing peace and joy back to the land. Featuring a fresh new cover design - with artwork that highlights the dragon adventure within - and distinctive embossed gold Caldecott Award sticker, this is the perfect way to introduce the classic tale to a whole new generation of readers.

    Little is known of her but she was probably the Abbess of the abbey at Shaftesbury in the late 12th century, illegitimate daughter of Geoffrey Plantagenet and hence the half-sister of Henry II of England. It was to a king, and probably Henry II, that she dedicated these poems of adventure and love which were retellings of stories which she had heard from Breton minstrels. She is regarded as the most talented French poet of the medieval period.

    E. Talbot Donaldson's translation of the text has been selected for this Norton Critical Edition because of its skillful emulation of the original poem's distinct alliterative verse. Selections of the authoritative Middle English text are also included for comparative analysis. Sources and Backgrounds includes a large collection of contemporary religious and historical documents pertaining to the poem, including selections from the Douai Bible, accounts of the plague, and legal statutes. Criticism includes twenty interpretive essays by leading medievalists, among them E. Talbot Donaldson, George Kane, Jill Mann, Derek Pearsall, C. David Benson, and Elizabeth D. Kirk. A Glossary and Selected Bibliography are also included.

    There may be nothing in the poem that can quite touch the first two books of Paradise Lost for magnificence; but there are several things that may fairly be set beside almost anything in the last ten. The splendid "stand at bay" of the discovered tempter -- "'Tis true I am that spirit unfortunate" -- in the first book; his rebuke of Belial in the second, and the picture of the magic banquet (it must be remembered that, though it is customary to extol Milton's asceticism, the story of his remark to his third wife, and the Lawrence and Skinner sonnets, go the other way); above all, the panoramas from the mountaintop in the third and fourth; the terrors of the night of storm; the crisis on the pinnacle of the temple -- are quite of the best Milton, which is equivalent to saying that they are of the best of one kind of poetry.-- The Cambridge History of English and American Literature

    Gudrid lives at the remote edge of the known world, in a starkly beautiful landscape where the sea is the only connection to the shores beyond. It is a world where the old Norse gods are still invoked even as Christianity gains favor, where the spirits of the dead roam the vast northern ice-fields, tormenting the living, and Viking explorers plunder foreign shores. Taking the accidental discovery of North America as its focal point, Gudrid's narrative describes a multilayered voyage into the unknown, all recounted with astonishing immediacy and rich atmospheric detail.

    In the east these Northmen thrust down the great rivers of Russia to the Caspian & the Black Sea. In the west they sailed along the Atlantic coasts, past Arab Spain, thru the Straits of Gibraltar & over the Mediterranean. They reached out across the unknown Atlantic, to Iceland, Greenland & America. How did it happen? Why did Europe permit Danes & Norwegians to rule parts of England, Ireland & France, & Swedes to form a ruling class in Western Russia? Why was Scandinavia strong, the rest of Europe weak? What inner forces led to the Viking raids? Professor Brondsted's classic study examines the motives of their voyages & investigates the origin of the people, their industries & equipment, ships, armies, social organization, daily life & religious beliefs as they are reflected in runic inscriptions, burial customs & Icelandic medieval literature.Acknowledgements & NoteMap of ScandinaviaMap of the DanevirkeBefore the VikingsThe Viking RaidsThe 9th CenturyThe 10th CenturyThe 11th CenturyWeapons & ToolsDress & JewelleryTransportTowns, Earthworks & CampsCoins & Weights & MeasuresRunic InscriptionsArtThe Viking Way of LifeReligious Belief & Burial CustomsPoetry & the Viking SpiritThe Vikings' Place in European HistorySelect BibliographyIndex

    Cherished throughout India and much of Asia for centuries, it has been faithfully preserved and passed on through poems, folk tales, music, dance, drama, sculpture, painting, even film and graphic novels. This story and its characters have captured the hearts and minds of countless generations. Revered through the ages for its moral and spiritual wisdom, it is an uplifting tale of romance and high adventure, recounting the odyssey of Rama, a great King of ancient India.

    A ruba'i is a two-line stanza with two parts (or hemistichs) per line, hence the word rubáiyát (derived from the Arabic language root for "four"), meaning "quatrains". (Courtesy: Wikipedia)(less)

    First introduced into the West in 1704, the stories of The Thousand and One Nights are most familiar to American readers in sanitized children's versions. This modern edition, based on Richard F. Burton's unexpurgated translation, restores the lushness of the original Arabic. Here are the famous adventures of Sinbad, "Ali Baba and the Forty Thieves," and "Aladdin and the Magic Lamp." Here too are less familiar stories, such as "Prince Behram and the Princess Al-Datma," a delightful early version of The Taming of the Shrew, and "The Wily Dalilah and her Daughter Zaynab," a hilarious tale about two crafty women who put an entire city of men in their place. Intricate and imaginative, these stories-within-stories told over a thousand and one nights continue to captivate readers as they have for centuries. "Arabian Nights: The Marvels and Wonders of The Thousand and One Nights, Volume 2 of 2, Adapted By Jack Zipes"

    A comprehensive study of Celtic mythology, legend, and poetry provides background information on the Celts, Ancient Britons, and Druids, and includes the tales of such noted figures as Cuchulain, Blodeuweek, Branwen, and Fenn.

    The newcomers are a proud and bloody-minded people whose kings once changed themselves into wolves. The Norse have advanced as implacably as a glacier from Iceland to the wastes of Greenland and from there to the place they call Vinland the Good. The natives are a bronze-skinned race who have not yet discovered iron and still see themselves as part of nature. As William T. Vollmann tells the converging stories of these two peoples and of the Norsewomen Freydis and Gudrid, whose venomous rivalry brings frost into paradise he creates a tour-de-force of speculative history, a vivid amalgam of Icelandic saga, Inuit creation myth, and contemporary travel writing that yields a new an utterly original vision of our continent and its past.--back cover

    Icelandic poems of the 11th and 13th century

    "Gilgamesh is monumental!" - Rainer Maria Rilke The EPIC OF GILGAMESH is the oldest story that has come down to us through the ages of history. It predates the BIBLE, the ILIAD and the ODYSSEY. GILGAMESH relates the tale of the fifth king of the first dynasty of Uruk (in what is modern day Iraq) who reigned for one hundred and twenty-six years, according to the ancient Sumerian King List. The EPIC OF GILGAMESH was first inscribed in cuneiform writing on clay tablets by an unknown author during the Sumerian era and has been described as one of the greatest works of literature in the recounting of mankind's unending quest for immortality.