It is rather Kenya Haras attempt to explore the essence of White, which he sees as being closely related to the origin of Japanese aesthetics – symbolising simplicity and subtlety. The central concepts discussed by Kenya Hara in this publication are emptiness and the absolute void. Kenya Hara also sees his work as a designer as a form of communication. Good communication has the distinction of being able to listen to each other, rather than to press one's opinion onto the opponent. Kenya Hara compares this form of communication with an “empty container”. In visual communication, there are equally signals whose signification is limited, as well as signals or symbols such as the cross or the red circle on the Japanese flag, which – like an “empty container” – permit every signification and do not limit imagination. Not alone the fact that the Japanese character for white forms a radical of the character for emptiness has prompted him the closely associate the color white with emptiness.

    Work with an arsenal of creative tools, from markers, pencils and pens to stamps, stencils, inks and paints, to find unique, intuitive ways to make your mark.Inside Doodles Unleashed, you'll learn how to:Doodle spontaneous marks, repetitive patterns, stylistic scrawls and moreCreate textured and doodled backgrounds for your mixed-media artUse photographs, vintage fabric and typography as inspirations for doodlingWork with unusual tools--skewers, toothpicks, sequin waste and more--to create surprising and unique marksDevelop a doodling style that's all your ownAnd if that isn't enough, you'll find links for additional downloads and video tutorials sprinkled throughout the pages, for even more doodle insight.With over 60 doodling techniques and exercises, you'll find plenty of ways to unleash your creative spirit and make your mark!

    I had no idea that nearly 40 years later, I would not only still be using it as the most reliable route to the thing I've come to call my work, but I'd also be showing others how to use it too, as a place to practice a physical activity — in this case writing and drawing by hand — with a certain state of mind.This practice can result in what I've come to consider a wonderful side effect: a visual or written image we can call 'a work of art,' although a work of art is not what I'm after when I'm practicing this activity.What am I after? I'm after what Marilyn Frasca called "being present and seeing what's there."This book is a collection of bits and pieces from the many notebooks I kept during my first three years of trying to figure out how to teach this practice to my students at the University of Wisconsin-Madison."