For those who died, it was a quick death, so fast that their brains didn't have time to process the pain signals from their nerves. For those who survived, the true horror is about to begin as they struggle to not only stay alive, but find out what happened to bring such a quick end to the world as they knew it.Final Dawn is a thrilling new post-apocalyptic series that follows the journey of four people who survived the end of days.Leonard McComb - A grizzled veteran of the New York City sanitation department, trapped underground in the city's vast sewer system when the world ended. Nancy Sims - An accountant, traveling across the plains of the Midwest towards a new job, caught in the middle of nowhere, destruction all around her.Marcus Warden - A self-made millionaire from New York, vacationing in a national forest of West Virginia when the bombs fell.Rachel Walsh - A wife and mother whose family is swept away in the blink of an eye, struggling with her loss and the dawning realization of what may have truly transpired to bring about the end of the world.

    He’s lost:His home…His girlfriend of nine years…His love of travel…His hair, and much of his confidenceBut then, during an argument with his deeply irritating friend Nick, he checks his spam folder and finds a mysterious invitation to the trip of a lifetime. If he takes it, maybe he can turn everything around?Except Nick decides he’s coming too.What could go wrong?Well, just about everything when Adam: Fights a mandrill in South Africa armed with only a sock Tests black magic with a witch doctor’s love spell Develops an erotic attraction to a purple Cadillac in Havana Hikes into a volcano to meet people with perhaps the worst job in the world Visits a bizarre, bloody funeral hosted by the strangest tribe in Indonesia Learns why it’s a bad idea to become a gold digger in Papua New GuineaCan he change himself and his life? And if so, will the price be worth paying?Both about the people who go, and the places they visit, Don’t Come Back is a hilarious travelogue-meets-memoir full of weird characters, awkward situations, and delightfully British humour.It can be read on its own or as a follow-up to Don't Go There.Come on an unforgettable journey today!

    Lyric Novella is her story of a young man’s obsession with a Berlin variété actress. Despite having his future career mapped out for him in the diplomatic service, the young man begins to question all his family values under Sibylle’s spell. His family, future, and social standing become irrelevant when set against his overriding compulsion to pick her up every night from the theater so they can go for a drive. Schwarzenbach’s clear, psychologically acute prose makes this novella an evocative narrative, with many intriguing parallels to her own life. In fact, she admitted after publication that her hero was in fact a young woman, not a man, leaving little doubt that Lyric Novella is a literary tale of lesbian love during socially and politically turbulent times. Praise for the German Edition “The subject of Annemarie Schwarzenbach’s story is not failed love— Sibylle’s apparent emotional coldness—but the failure of love—the protagonist’s helpless inability, in the crucial moment, to accept his human responsibility toward the beloved.”— Neue Zürcher Zeitung “The work bears the face of its time, but it is so gentle, silent and veiled that one can barely exclude the person behind the mask. A mask is in fact this face, because the hero is a heroine who does not want to be seen.”—Frankfurter Allgemeine Zeitung

    Michael Hopf bring you: HOPE: A GOING HOME NOVELNeal managed to survive the initial weeks after an EMP decimated the grid and all critical infrastructures. Using his cunning, skills and mindset, he navigated the harsh new landscape. Life became harder when the weeks turned to months but still he survived. As he settled into his new normal complacency set in with it. At first everything was fine but then the deadly realities came to his doorstep. When tragedy struck all he wanted to do was give up, but a promise he had made kept him going, barely. He was a man without a home, a purpose and more importantly hope. That changed one day along a desolate highway in the desert. There he’d discover a new reason for living.

    A little ghost who always wanted to see the town by daylight creates chaos when he does, and finds himself unable to be a night ghost again.

    Massively erudite, the essays are also brave, unflinching, and wholly personal. In this fiercely original and audacious work, George Steiner tells of seven books which he did not write. Because intimacies and indiscretions were too threatening. Because the topic brought too much pain. Because its emotional or intellectual challenge proved beyond his capacities. The actual themes range widely and defy conventional taboos: the torment of the gifted when they live among--when they confront--the very great; the experience of sex in different languages; a love for animals greater than for human beings; the costly privilege of exile; a theology of emptiness. Yet a unifying perception underlies this diversity. The best we have or can produce is only the tip of the iceberg. Behind every good book, as in a lit shadow, lies the book which remained unwritten, the one that would have failed better.

    Three days ago, his parents went out for supplies, leaving him and his older brother, Archie, behind. They haven't returned. A gang of looters has ransacked their house and set it on fire. The last thing their dad told them was to get to their nan's if there was any trouble. The boys decide their current situation looks like trouble. Setting out onto the streets of London, the boys quickly learn what a world looks like when capitalism has failed. It isn't pretty.

    Four weeks as a lab rat and his military career will be back on course.Unfortunately, by the end of day one, he finds himself on the run from the police, the CIA, and a mysterious criminal mastermind named Oberwand.With no memory of his past, and with little hope for a meaningful future, Brennan must utilize every weapon in his binary arsenal just to stay alive.

    More than 95 percent of the population died within 6 months of the initial infection. Those who survived holed up wherever they could find safety. My parents found their safety in the Cube, a building that was originally built as a prison for violent criminals. Mom and Dad have always told me the sacrifices we made to live in the Cube were worth it because we were safe. Its been 13 days, 12 hours and 42 minutes since my parents disappeared without a trace from our apartment inside the Cube. I'm going to leave the Cube for the first time today. Maybe I'll find my parents. Maybe, I'll be eaten by the zombies.

    He assumes that, as usual, he’ll sleep it off, then return to the routine of golf games, broker meetings, symphony dates and nightcaps that make up his life. Then his lawyer delivers the news: Robert is responsible for an accident that has killed a young mother and orphaned her young son, John. Robert is quickly yanked from his life of privilege and sent to prison to atone for his crimes. Defiant at first, Robert believes he’s better than his fellow inmates and that unlike them, he has no room for improvement. But, as the months wear on, Robert’s fellow inmates push him to confront his actions and the choices that brought him to prison. Meanwhile, as John grows up under the care of his maternal grandmother, he must come to terms with losing his mother and decide whether he can forgive the man who destroyed his childhood. Spanning three generations, Raising John tells the story of John’s bittersweet childhood, the history of the mother he never knew, and of Robert’s collapse and redemption.

    He first found his true voice in the epigrams and odes he wrote when transfigured by his love for the wife of a rich banker. He later embarked on an extraordinarily ambitious sequence of hymns exploring cosmology and history, from mythological times to the discovery of America and his own era. The ’Canticles of Night’, by contrast, include enigmatic fragments in an unprecedented style, which anticipates the Symbolists and Surrealists. Together the works collected here show Hölderlin’s use of Classical and Christian imagery and his exploration of cosmology and history in an attempt to find meaning in an uncertain world.

    Inspired by the trial of a bureaucrat who helped cause the Holocaust, this radical work on the banality of evil stunned the world with its exploration of a regime's moral blindness and one man's insistence that he be absolved all guilt because he was 'only following orders'.

    Selfishly, he drags his family with him.Trying to connect with his melancholy son and grieving wife is difficult, but Blake tries his best to hold the strands of his life together while kidding himself that everything is okay. One day, while out looking for treasure in the field outside their new home, Blake and his 10-year old son, Ricky, find something buried in the dirt—an antique picture frame. It changes everything.What Blake first considers a lucky find, soon reveals itself to be something far more sinister. An ancient evil has been released, and it will stop at nothing to complete its mission.

    Arnold seeks to find out what culture really is, what good it can do, and if it is really necessary. He contrasts culture, which he calls the study of perfection, with anarchy, the mood of unrest and uncertainty that pervaded mid-Victorian England. This edition reproduces the original book version, revealing the immediate historical context and controversy of the piece. The introduction and notes broaden out the interpretative approach to Arnold's text, elaborating on the complexities of the religious context. The book also reinforces the continued importance of Arnold's ideas its influences in the face of the challenges of multi-culturalism and post-modernism.

    (counts as exercise)Move out of home TO LONDON (career??)Make more friends Be better   New Year’s Day is the ultimate cliché for Scarlett:   hangover, check feeling weepy, check broken sense of self, check check check   She is in her twenties, stuck living at home in small-town Topsham with an academic mother who has no time for pep-talks or consolation. The one saving grace is that her friend, Billie, still works at the pub down the road, but even the pub is losing its appeal.   Feeling desperate to do something with her life and with no real plan (but the mother of all hangovers), Scarlett picks up her stuff and moves to London. But moving isn’t a miracle cure and she ends up facing exactly the same problems she was desperate to escape.   In the search for ‘her path’, Scarlett is offered an internship at a fashion agency. This might not be her dream job but her mother is disgusted. So she takes it. This is her first step to becoming something but it is also her first step to becoming someone else. Each terrible decision she makes leads to another and her life begins to spiral.   But people are starting to know her; she is starting to become someone. And surely it’s better to be someone – even if it’s someone you hate?  With a vein of dark humour at its core, The High Moments gives an astute, often stark, look at the fashion industry. This is a filthier, more sordid Devil Wears Prada which asks real questions about what it means to be a woman today. Fans of Fleabag and Girls will love this.