Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile.

    How Billy faces up to himself-and his friends-as he discovers the complexities of life, the exuberance of sex, and what it means to be an adult in our imperfect world, makes for a touching, wise, and very moving novel.

    Neil McCormick is fully aware of the events from that summer of 1981. Wise beyond his years, curious about his developing sexuality, Neil found what he perceived to be love and guidance from his baseball coach. Now, ten years later, he is a teenage hustler, a terrorist of sorts, unaware of the dangerous path his life is taking. His recklessness is governed by idealized memories of his coach, memories that unexpectedly change when Brian comes to Neil for help and, ultimately, the truth.

    The place is a blue-collar town in upstate New York, where five high school girls are joined in a gang dedicated to pride, power, and vengeance on a world they never made - a world that seems made to denigrate and destroy them. Foxfire is Joyce Carol Oates' strongest and most unsparing novel yet...an often engrossing, often shocking evocation of female rage, gallantry, and grit. Here, then, are the Foxfire chronicles - the secret history of a sisterhood of blood, a haven from a world of lechers and oppressors, marked by a liberating fury that burns too hot to last. It is the story of Maddy Monkey, who writes it...of Goldie, whose womanly body masks a fierce, explosive temper...of Lana, with her Marilyn Monroe hair and packs of Chesterfields...of timid Rita, whose humiliation leads to the first act of Foxfire revenge. Above all, it is the story of Legs Sadovsky, with her lean, on-the-edge, icy beauty, whose nerve, muscle, hate, and hurt make her the spark of Foxfire, its guiding spirit, its burning core. At once brutal and lyrical, this is a careening joyride of a novel - charged with outlaw energy and lit by intense emotion.The story moves over the years from the first eruption of adolescent anger at sexual abuse to a shared life financed by luring predatory men into traps baited with sex. But then the gang's very success leads to disaster - as Foxfire makes a last tragic stand against a society intent on swallowing it up. Yet amid scenes of violence, sexual abuse, exploitation, and vengeance lies this novel's greatest power: the exquisite, astonishing rendering of the bonds that link the girls of Foxfire together - especially that between Maddy, the teller ofthe tale, and Legs, whose quintessential strength and bedrock bravery make her one of the most vivid and vital heroines in modern fiction.

    Dorothy Strachey’s classic Olivia captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress, Mlle. Julie, and through this screen of love observes the tense romance between Mlle. Julie and the other head of the school, Mlle. Cara, in its final months. “Although not strictly autobiographical, Olivia draws on the author’s experiences at finishing schools run by the charismatic Mlle. Marie Souvestre, whose influence lived on through former students like Natalie Barney and Eleanor Roosevelt. Olivia was dedicated to the memory of Strachey’s friend Virginia Woolf and published to acclaim in 1949. Colette wrote the screenplay for the 1951 film adaptation of the novel. In 1999, Olivia was included on the Publishing Triangle’s widely publicized list of the 100 Best Gay and Lesbian Novels of the 20th Century. “Dorothy Strachey (1865-1960) was the sister of the novelist Lytton Strachey and a prominent member of the Bloomsbury Group…….Olivia, originally published under a pseudonym, is her only novel.” -- Amazon.com

    An emotionally wrenching work of fiction about a health-care worker who tenders compassion and love to victims of AIDS, by an author who "strips her language of convention to lay bare the ferocious rituals of love and need."--New York Times Book Review

    Taking the advice (and financial support) of a wealthy aunt, he decides to "toss the tiara and get a life." Unfortunately, Daniel's only degrees are in "extensive show tune knowledge, advanced lip-synch, and how to cover up a five o'clock shadow." With his best friend beginning to die from AIDS, his ex-boyfriend prowling around, and his ex-boyfriend's new boyfriend making a pass at Daniel, what's a boy to do but throw himself into intensive weeding and planting of his new apartment garden? And if a handsome stranger should smile down at him from a nearby window, so much the better. Timothy James Beck's debut novel is detailed, realistic, and continually interesting. His main character spends so much energy exhaustively "processing" what happens to him, however, that this might as well have been a lesbian novel. With a little editing, It Had to Be You would have been a much stronger book, but patient readers will agree that Beck shows great promise along the lines of Felice Picano and Neal Drinnan. --Regina Marler

    Law school, girlfriends, and career choices were all part of Raymond Tyler's life, but there were other, more terrifying issues for him to confront. Being black was tough enough, but Raymond was becoming more and more conscious of sexual feelings that he knew weren't "right." He was completely committed to Sela, his longtime girlfriend, but his attraction to Kelvin, whom he had met during his last year in law school, had become more than just a friendship. No matter how much he tried to suppress them, his feelings were deeply sexual.Fleeing to New York to escape both Sela and Kelvin, Raymond finds himself more confused than ever before. New relationships -- both male and female -- give him enormous pleasure but keep him from finding the inner peace and lasting love he so desperately desires. The horrible illness and death of a friend force Raymond, at last, to face the truth.

    Uniting fact and fiction into an original romantic vision, The Danish Girl eloquently portrays the unique intimacy that defines every marriage and the remarkable story of Lili Elbe, a pioneer in transgender history, and the woman torn between loyalty to her marriage and her own ambitions and desires.The Danish Girl is an evocative and deeply moving novel about one of the most passionate and unusual love stories of the 20th century.

    Fee and his friends are forced to bear grief, shame, and pain that endure long after the director is imprisoned. Fee survives even as his friends do not, but a deep-seated horror and dread accompany him through his self-destructive college days and after, until the day he meets a beautiful young student named Warden and is forced to confront the demons of his brutal past.

    How does someone, excluded entirely from the only community they have ever known, live the rest of their life? After extensive interviews with Beulah—a young woman banished—Jeremy is no closer to understanding her choice than he is to his own peculiar exile.Camp Ironwood, set in the Vermont woods, is more than a summer distraction for restless adolescent boys—it is a place to belong. And not unlike the Amish community, it is a place where the whole is greater than the sum of its parts. For Jeremy, first as a camper and later as the co-director, the usual camp activities become their own kind of ritual that binds the community. But when he is blindsided by the seductive charm of Max, a fourteen-year-old boy from Manhattan, all arms and legs and attitude, Jeremy must confront his desires, and worse yet, uncover the dark secrets of his beloved Camp Ironwood.In the powerful and daring novel Avoidance, Lowenthal elegantly draws unexpected parallels between the Amish and Camp Ironwood. By doing so, he ingeniously explores an age-old dilemma: individual desires versus the good of a community.

    Kenney is usually the one who comes up with things to do -- her flair for the dramatic can make even boring old Greensboro seem interesting. And if she is a little controlling, Aurin and Fred just look the other way.Aurin has no intention of throwing off their established equilibrium. But when Neila joins their circle, Aurin realizes that she and Neila are becoming more than friends. Aurin and Neila are happy in their developing relationship, but Kenney feels left out. Can Aurin manage to mend things with an increasingly possessive Kenney, without letting her control this aspect of her life?In this stunning debut novel, Tea Benduhn looks at a teen making decisions about her future while trying not to lose her past.

    I dreamed he came into my room and sat on my bed.” “And!” Tony’s eyes got wider. Wider than usual.“He talked about lawnmowers.”“And!”“That’s it, he just talked.”Actually, it hadn’t been a dream, not totally. It was one of those half-awake ones where I knew what was going on so I let it run just to see what would happen. We’re all curious…“You ever dreamed about a bloke?” I asked him.“No!” Tony’s eyebrows went dead flat. “Never!”With a denial like that, maybe he had, but he sure as hell wasn’t talking about it.

    Voth throws himself into his work, obsessively researching the life of Jack Sheppard, a legendary eighteenth century thief. No one knows Jack’s true story—his confessions have never been found. That is, until Dr. Voth discovers a mysterious stack of papers titled Confessions of the Fox. Dated 1724, the manuscript tells the story of an orphan named P. Sold into servitude at twelve, P struggles for years with her desire to live as “Jack.” When P falls dizzyingly in love with Bess, a sex worker looking for freedom of her own, P begins to imagine a different life. Bess brings P into the London underworld where scamps and rogues clash with London’s newly established police force, queer subcultures thrive, and ominous threats of an oncoming plague abound. At last, P becomes Jack Sheppard, one of the most notorious—and most wanted—thieves in history. Back in the present, Dr. Voth works feverishly day and night to authenticate the manuscript. But he’s not the only one who wants Jack’s story—and some people will do whatever it takes to get it. As both Jack and Voth are drawn into corruption and conspiracy, it becomes clear that their fates are intertwined—and only a miracle will save them both. An imaginative retelling of Brecht’s Threepenny Opera, Confessions of the Fox blends high-spirited adventure, subversive history, and provocative wit to animate forgotten histories and the extraordinary characters hidden within.

    The Christodora is home to Milly and Jared, a privileged young couple with artistic ambitions. Their neighbor, Hector, a Puerto Rican gay man who was once a celebrated AIDS activist but is now a lonely addict, becomes connected to Milly and Jared’s lives in ways none of them can anticipate. Meanwhile, Milly and Jared’s adopted son Mateo grows to see the opportunity for both self-realization and oblivion that New York offers. As the junkies and protesters of the 1980's give way to the hipsters of the 2000's and they, in turn, to the wealthy residents of the crowded, glass-towered city of the 2020's, enormous changes rock the personal lives of Milly and Jared and the constellation of people around them. Moving kaleidoscopically from the Tompkins Square Riots and attempts by activists to galvanize a true response to the AIDS epidemic, to the New York City of the future, Christodora recounts the heartbreak wrought by AIDS, illustrates the allure and destructive power of hard drugs, and brings to life the ever-changing city itself.