The author explores the joys and sorrows of growing up in a fundamentalist Muslim household, wedding grand historical narratives of colonialism and migration to the small intimate heartbreaks of modern life. In revisiting the beliefs and ideals she was raised with, Chaudhry invites us to reimagine our ideas of self and family, state and citizenship, love and loss.

    Reflecting on his experiences as a smoker from a young age, Gregor Hens investigates the irreversible effects of nicotine on thought and patterns of behaviours. He extends the conversation with other smokers to meditations on Mark Twain and Italo Svevo, the nature of habit, the validity of hypnosis, and the most insignificant city in the United States, where he lived for far too long. With comic insight and meticulous precision, Hens deconstructs every facet of the dependency and offers a brilliant disquisition on the psychopathology of addiction.

    Richards, a woman of no history, who appears briefly in 1873 in the civic archives of Vancouver. It is also the story of Annie, a contemporary, who becomes obsessed with the possibilities of Mrs. Richards's life. Ana Historic was Daphne Marlatt's first novel, and was originally published by Coach House Press in Canada and The Women's Press in the U.K. The French translation was published by Les Éditions du remue-ménage.

    This is the story of the first 10 years of the Nation's Music Station. When MuchMusic launched in 1984, it was truly the Wild (Canadian) West of television--live, gloriously unpredictable, seat-of-the-pants TV, delivered fresh daily. Much was the dream child of TV visionary Moses Znaimer, and John Martin, the maverick creator of The New Music. An entire generation of Canadians lived and breathed TV's new kid in town and because it was live and largely improvised, viewers and VJs both shared the experience and grew up together, embracing the new music that became the video soundtrack of our lives. The careers of Canadian legends like Glass Tiger, Colin James, the Parachute Club, Honeymoon Suite, Blue Rodeo, Corey Hart, Jane Siberry and Platinum Blonde were launched when Much brought them closer to their fans. Much also brought us international acts, and events like the Bon Jovi BBQ and Iggfest, with Iggy Pop improvising songs in the midst of his fans on the sidewalk on Queen Street. This was also an era in which music found its conscience with events like Live Aid and the Amnesty International Human Rights Now! tour. And Much covered them all. With stories of the bands, the VJs, the music, the videos, the style and the improvisational approach to daily broadcast life at Much, and told by the people who were there--the colourful cast of on-air VJs, the artists who found their way into the living rooms of the nation as never before, and the people behind the camera--"Is This Live?" delivers a full-on dose of pop culture from the 1980s and '90s, when the music scene in Canada changed forever."

    Having survived a profoundly dysfunctional upbringing only to find herself hospitalized and facing a dual diagnosis of post traumatic stress disorder and bipolar II disorder; Terese Marie Mailhot is given a notebook and begins to write her way out of trauma. The triumphant result is Heart Berries, a memorial for Mailhot's mother, a social worker and activist who had a thing for prisoners; a story of reconciliation with her father―an abusive drunk and a brilliant artist―who was murdered under mysterious circumstances; and an elegy on how difficult it is to love someone while dragging the long shadows of shame.Mailhot trusts the reader to understand that memory isn't exact, but melded to imagination, pain, and what we can bring ourselves to accept. Her unique and at times unsettling voice graphically illustrates her mental state. As she writes, she discovers her own true voice, seizes control of her story, and, in so doing, reestablishes her connection to her family, to her people, and to her place in the world.

    Living in the port city of Halifax, Goyette’s days are bounded by the substantial fact of the North Atlantic, both by its physical presence and by its metaphoric connotations. And like many of life’s overwhelming facts, our awareness of the ocean’s importance and impact waxes and wanes as the ocean sometimes lurks in the background, sometimes imposes itself upon us, yet always, steadily, is. This collection is not your standard “Oh, Ocean!” versifying. Goyette plunges in and swims well outside the buoys to craft a sort of alternate, apocryphal account of our relationship with the ocean. In these linked poems, Goyette’s offbeat cast of archetypes (fog merchants, lifeguards, poets, carpenters, mothers, daughters) pronounce absurd explanations to both common and uncommon occurrences in a tone that is part cautionary tale, part creation myth and part urban legend: how fog was responsible for marriages, and for in-laws; why running, suburbs and chairs were invented; what happens when you smoke the exhaust from a pride of children pretending to be lions. All the while, the anthropomorphized ocean nibbles hungrily at the shoreline of our understanding,refusing to explain its moods and winning every staring contest. “I wrote these poems,” comments Goyette, “because I know very little about the ocean and yet rely on it like a mirror, a compass.” In Ocean, Goyette demonstrates how a spirited, playful and richly mythopoetic engagement with the world can actually strengthen our grasp on its bigger truths.

    So far, she's been in love once (total catastrophe) and on fire twice (also pretty bad). Both love and fire have left their scars.Looking a little more burnt chicken and a little less radiant phoenix, Allison takes up residence in Dylan Hall (a.k.a. Dyke Hall) at St. Joseph's College, where she discovers the true gift of freshman year: the opportunity to reinvent yourself. Miles away from the high school she's happy to leave behind, her all-female dorm is a strange new world, home to new social circles and challenges. Allison still feels like the odd girl out ... until Shar appears. Beautiful and blinding, Shar quickly becomes the sun at the centre of Allison's universe, drawing her in with dangerous allure.Will Allison get burned again? And, if she does, what kind of scars will she earn this time?

    Two years later, he brought a shipment of supplies to his all-male settlement: 70 goats, 10 heifers, 2 bulls, and 16 women. A Roll of the Bones tells the story of some of these nameless women by tracing the journeys of three young people--Ned Perry, Nancy Ellis, and Kathryn Gale--who leave Bristol, England, for a life in the struggling community. Ned dreams of altering his fate with the promise of a New World. Kathryn only wishes to follow her husband--little dreaming she might find romance outside her marriage. And Nancy, the servant girl, has no desire to leave Bristol, but her fealty will ultimately test her ability to survive. A vivid reimagining of settler life in the early seventeenth century, A Roll of the Bones is the first in a trilogy of novels wrestling with the realities of colonization. Here, Trudy J. Morgan-Cole presents an array of unforgettable characters inhabiting the space where two worlds will collide, where the limits of love and loyalty will be tried in a harsh and unforgiving landscape.

    Here is Mowat's memoirs of his service in World War II, his letters to and from his father, and his bizarre tale of steering German war materials back home to Canada. Photographs.

    I felt that this new music and vibe was really me. I remember going to bed and having dreams that I was performing this music and visualizing myself on stage, way before it actually happened… What always appealed to me about rock music is the feeling of freedom, that I could finally be who I wanted to be and sing the music that I felt in my heart. Some black people that I met in the music industry felt that we could be stronger and better empowered if we all stayed within in the same box, but I had always relished the fact that I never belonged to any cliques, or any scenes…”—Skin, Skunk Anansie“I wanted to find other black women like me: metal, hardcore, and punk fans and musicians that were rabid about the music and culture and adamant about asserting their rightful place as black women within those scenes. I wanted to find other women who put aside the cultural baggage that dictates that we must listen to certain musical styles, and simply enjoy the music that influenced us, not just as black women, but as individuals who grew up in an era when, thanks to technology, a large variety of music is accessible and available to everyone. I found many black women and have shared their stories, but I also realize there is still a lot of work to be done.”—Laina DawesCONTENTS:“Who Put That Shaven-Headed Black Woman on the Stage?” Foreword by SkinIntroduction, by Laina DawesI. Canadian SteelII. Metal Can Save Your Life (or at Least Your Sanity)III. I’m Here Because We Started It!IV. So You Think You’re White?V. “The Only One” SyndromeVI. Too Black, Too Metal, and All WomanVII. The Lingering Stench of Racism in MetalVIII. Remove the Barricades and Stagedive!EpilogueAppendix: “What Are You Doing Here?”—The Survey

    She's done things I dream of doing."—James CameronEdith Widder's childhood dream of becoming a marine biologist was almost derailed in college, when complications from a surgery gone wrong caused temporary blindness. A new reality of shifting shadows drew her fascination to the power of light—as well as the importance of optimism.As her vision cleared, Widder found the intersection of her two passions in oceanic bioluminescence, a little-explored scientific field within Earth's last great unknown frontier: the deep ocean. With little promise of funding or employment, she leaped at the first opportunity to train as a submersible pilot and dove into the darkness.Widder's first journey into the deep ocean, in a diving suit that resembled a suit of armor, took her to a depth of eight hundred feet. She turned off the lights and witnessed breathtaking underwater fireworks: explosions of bioluminescent activity. Concerns about her future career vanished. She only wanted to know one thing: Why was there so much light down there?Below the Edge of Darkness takes readers deep into our planet's oceans as Widder pursues her questions about one of the most important and widely used forms of communication in nature. In the process, she reveals hidden worlds and a dazzling menagerie of behaviors and animals, from microbes to leviathans, many never before seen or, like the legendary giant squid, never before filmed in their deep-sea lairs. Alongside Widder, we experience life-and-death equipment malfunctions and witness breakthroughs in technology and understanding, all set against a growing awareness of the deteriorating health of our largest and least understood ecosystem.A thrilling adventure story as well as a scientific revelation, Below the Edge of Darkness reckons with the complicated and sometimes dangerous realities of exploration. Widder shows us how when we push our boundaries and expand our worlds, discovery and wonder follow. These are the ultimate keys to the ocean's salvation—and thus to our future on this planet.

    Ranging from Prince to Def Leppard, Lucille Clifton to Frederick Seidel, Robbins’s mastery of poetry and popular music shines in Equipment for Living. He has a singular ability to illustrate points with seemingly disparate examples (Friedrich Kittler and Taylor Swift, to W.B. Yeats and Anna Kendrick’s “Cups”). Robbins weaves a discussion on poet Juliana Spahr with the different subsets of Scandinavian black metal, illuminating subjects in ways that few scholars can achieve. Equipment for Living is also a wonderful guide to essential poetry and popular music.

    Oh, he may win again but he won’t get a majority. Oh, his trick bag is emptying fast, the ads are backfiring, the people are onto him, and soon his own party will turn on him. And let me tell you, it couldn’t happen to a nicer guy . . .Despite a constant barrage of outrage and disbelief from his detractors, Stephen Harper is on his way to becoming one of Canada’s most significant prime ministers. He has already been in power longer than Lester B. Pearson and John Diefenbaker. By 2015, and the end of this majority term, he’ll have caught up to Brian Mulroney. No matter the ups and downs, the triumphs and the self-inflicted wounds, Harper has been moving to build the Canada he wants—the Canada a significant proportion of Canadian voters want or they wouldn’t have elected him three times. As Wells writes, “He could not win elections without widespread support in the land. . . . Which suggests that Harper has what every successful federal leader has needed to survive over a long stretch of time: a superior understanding of Canada.”In The Longer I’m Prime Minister, Paul Wells explores just what Harper’s understanding of Canada is, and who he speaks for in the national conversation. He explains Harper not only to Harper supporters but also to readers who can’t believe he is still Canada’s prime minister. In this authoritative, engaging and sometimes deeply critical account of the man, Paul Wells also brings us an illuminating portrait of Canadian democracy: “glorious, a little dented, and free.”

    on January 21st, 2017, Jordan opens the door to his mother’s bedroom. As his eyes adjust to the half-light, he finds her lying in bed, eyes closed and mouth agape. In that instant he cannot tell whether she is asleep or dead. The sight of his mother's body, caught between these two possibilities, causes Jordan to plunge headlong into the uncertain depths of consciousness itself.From androids to cannibals to sex clubs, an unforgettable personal odyssey emerges, populated by a cast of sublime outsiders in search for the ever-elusive nature of self. Part ontological thriller, part millennial saga, Liminal is a riotous and moving portrait of a young man in volatile times, a generation caught in suspended animation, and a son’s enduring love for his mother.

    It is rare that autistic people get to share their own experiences, show how creative and talented and passionate they are, how different they are from media stereotypes. This insightful and eye-opening collection of essays, fiction and visual art showcases the immense talents of some of the UK's most exciting writers and artists - who just happen to be on the spectrum. Here they reclaim the power to speak for themselves and redefine what it means to be autistic. Stim invites the reader into the lives, experiences, minds of the eighteen contributors, and asks them to recognise the hurdles of being autistic in a non-autistic world and to uncover the empathy and understanding necessary to continue to champion brilliant yet unheard voices.