Ruth declares that a bad thing will happen in the coming year - she's sure of it. But she cannot see the outline of that thing - she cannot know that it will change their lives utterly, that the shape of their future will be carved into two parts; the before and the after. Or that it will break her heart and break her family.This is Ruth's story. It is the story of before.

    All the titles are extracts from "Penguin Classics" titles.Sir Thomas Malory was a knight and estate owner in the mid 15th century, who spent many years in prison for political crimes as well as robbery. He wrote Le Morte d’Arthur, the first great English prose epic, while imprisoned in Nwgate. The epic was published in 1485 by William Caxton, the first English printer. Malory is believed to have died in 1471.

    They are drawn to the suspiciously inexpensive Cliff End, feared amongst locals as a place of disturbance and ill omen. Gradually, the Fitzgeralds learn of the mysterious deaths of Mary Meredith and another strange young woman. Together, they must unravel the mystery of Cliff End's uncanny past - and keep the troubled young Stella, who was raised in the house as a baby, from returning to the nursery where something waits to tuck her in at night... The second in Tramp's Recovered Voices series, this strange, bone-chilling story was first published in 1942, and was adapted for the screen as one of Hollywood's most successful ghost stories, The Uninvited, in 1944.

    At the center of the novel is the great mansion called Penmarric. It is to Penmarric that Mark Castallack, a proud, strange, and sensitive man, brings his bride Janna--the first act in a tempestuous drama that was to span three generations....

    Parson's Pleasure is a country tale, A Piece of Cake, a wartime reminiscence, Lamb to the Slaughter a story of vengeful murder, and the remaining two, The Bookseller and The Butler, are on favorite themes of greed and snobbery.

    He's the Man With No Name and the owner of No Alibis, a mystery bookshop in Belfast. But when a detective agency next door goes bust, the agency's clients start calling into his shop asking him to solve their cases. It's not as if there's any danger involved. It's an easy way to sell books to his gullible customers and Alison, the beautiful girl in the jewellery shop across the road, will surely be impressed. Except she's not - because she can see the bigger picture. And when they break into the shuttered shop next door on a dare, they have their answer. Suddenly they're catapulted along a murder trail which leads them from small-time publishing to Nazi concentration camps and serial killers...

    

    Ghosts - the startling portrayal of a family destroyed by disease and infidelity. The Wild Duck - A poignant drama of lost illusions. An Enemy Of The People - Ibsen's vigorous attack on public opinion. And A Doll's House - the play that scandalized the Victorian world with its unsparing views of love and marriage, featuring one of the most controversial heroines - and one of the most famous exits - in the literature of the stage.,p>Although Ibsen outraged many of his contemporaries, he persisted: he shocked the unthinking into thinking and blasted through the thick fog of convention to the restless human passions hidden underneath. Today his plays remain masterpieces of psychological insight and theatrical power.

    Switching points of view among many characters, she builds with accumulating effect the picture of life in a town forgotten by time yet affected dramatically by it. Historical time- represented by Druid ruins, the local eighteenth-century country manor, and the last aristocrats who occupied it in the 1920s- is juxtaposed against the banalities of life in today's world.

    Now, on the eve of his departure, he is not happy to be leaving Ballybeg.With this play Brian Friel made his reputation and it is now an acknowledged classic of modern drama.

    There's the pure and bounteous joy of the nail varnish museum. Not to mention the very best lies to tell if you find yourself on an Arctic cruise. She has words of advice for those fast approaching fifty. And she's here to tell you the secret secret truth about writers - well, this one anyway.You'll be wincing in recognition and scratching your head in incredulity, but like Marian herself you won't be able to stop laughing at the sheer delightful absurdity that is modern life - because each and every one of us is clearly making it up as we go along.

    A myriad lives brilliantly captured through the keen lens of one of Ireland's best-loved and best-selling storytellers.

    The Dragon is a collection of fifteen of his short stories (including a 67 page novella) published between 1918 and 1935. It also includes an introduction by the translator, Mirra Ginsburg, and the text of the letter Zamyatin wrote to Stalin in which he asked to be allowed to "go abroad ... with the right to return as soon as it becomes possible in our country to serve great ideas without cringing before little men". The stories are all tales of everyday life before, during and after the revolution, but are rather hard to classify further — "realist fairy tales", perhaps.

    The potatoes are black and rotten, and the people have nothing to eat. Eily, Michael and Peggy are alone in their cottage. Their parents went out in search of work and food, but never returned. Now the children must fend for themselves. Desperate to avoid being sent to the workhouse, they set out on a journey to find their great-aunts. On their journey, they encounter the devastation caused by famine people scrabbling for food, abandoned children, soup kitchens, beggars, disease, wild dogs, death. Led by twelve-year-old Eily, the children use all their strength and ingenuity to survive and find their way to Castletaggart.

    Laidlaw knew him in his laboratory, was one man; but Mark Ebor, as he sometimes saw him after work was over, with rapt eyes and ecstatic face, discussing the possibilities of "union with God" and the future of the human race, was quite another. "I have always held, as you know," he was saying one evening as he sat in the little study beyond the laboratory with his assistant and intimate, "that Vision should play a large part in the life of the awakened man-not to be regarded as infallible, of course, but to be observed and made use of as a guide-post to possibilities-" "I am aware of your peculiar views, sir," the young doctor put in deferentially, yet with a certain impatience.