But as a penniless and partnerless house-painter with an expired lease on her flat and a twelve-year-old daughter, she could hardly turn down her parents' offer to take them on a once-in-a-lifetime trip to the Caribbean. She'd just have to put up with her sister Theresa (making no secret of preferring Tuscany as a holiday destination) and brother Simon (worrying that there might be some sinister agenda behind their parents' wish to take them all away) with their various spouses, teenagers, young children and au pair. In a luxury hotel, with bright sunshine, swimming, diving, glorious food and friendly locals, any family tensions should have melted away in the fabulous heat. The children should have been angelic, the teenagers cheerful, the adults relaxed and happy. But...some problems just refuse to be left at home.

    Ann is unable to have children, so Viv decides to give her the best present she can think of - a baby - but does not consider the repercussions of her generosity.

    Penty is spirited off to the kingdom of Peradore in Arthurian England and falls in love with Princess Melicent, but he must fight the infamous Red Knight to win her hand in marriage.

    Severely injured, he does not know if he will survive the night. Reflecting on the evening's dreadful events, wondering if he could have done anything to alter them, his thoughts begin to drift. He begins to contemplate his remarkable life, his dysfunctional family, and the unfortunate prospect that he may have to soon answer for his life to God. While vividly recalling the most amusing, distressing, bizarre, and disturbing events of his life, he soon comes to realize "the monster you know is far easier to deal with than the monster you don't!" Will he get the miracle he needs to make it through the night? If so, will he finally find peace? Author's Note: This book deals with sensitive topics, and is intended for mature audiences only.

    It might instead spell her doom. To stay alive, she’ll need to tap into mysterious powers she doesn’t understand, lay ruin to dragons hungry for humanity’s extinction, and vanquish a godly order capable of unfathomable devastation.Death may be at her heels, but Valeria has a secret. And it will change the world forever.

    

    The Great Khan, Attila, overlord of the Scythian and Germani hordes is no more.The lands of Rome lie in ruin, razed by the Scourge of God.From the ashes of civilization a new power is destined to emerge. Warriors whose fearsome reputation would remain for more than a thousand years.On the plains of Pannonia a boy is born. A boy destined to shape history.Meet Ragnaris, the son of no man.

    

    They are travelling round the north of England by bicycle. But stranger thingsbegin to happen in the small hotel where they are staying.First, Brad seems to think that he has been there before. and then a girlcalled Ellen appears . . .The first of these three original plays is set in the seventeenth century, and the other two take place inmodern times. In each play, a ghost comes back fromthe dead to change the lives of living people.

    Structured as the text of seven statements parents might say to their children either in response to the events or attempting to explain them, they express regret, anger, intelligence, blind hatred, fear, and compassion.

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    All worth can be quantified. Artistic worth. Human worth. Material worth. Everything. Some food is simply better than other food. Isn't it? Some clothes are better than other clothes. Aren't they?The last week of a massive international tour and rock star Paul is at the height of his fame. Everybody knows his name. Whatever he wants he can have. He can screw anybody he wants to. He can buy anything he desires. He can eat anything. Drink anything. Smoke anything. Go anywhere. As the inevitability of the end of the road looms closer and a return home becomes a reality, for Paul the music is starting to jar.Birdland received its world premiere at the Royal Court Theatre Downstairs on 3 April 2014.

    Scenery: A bare stageThe six teenage characters communicate only via the internet. Conversations range in subject from Britney Spears to Willy Wonka to - suicide: Jim is depressed and talks of ending his life and Eva and William decide to do their utmost to persuade him to carry out his threat. From this chilling premise is forged a funny, compelling and uplifting play that tackles the issues of teenage life head-on and with great understanding.

    Directed by Sidney Lumet, the film tells the story of a jury made up of 12 men as they deliberate the guilt or innocence of a defendant on the basis of reasonable doubt. The film is notable for its almost exclusive use of one set: with the exception of two short scenes at the beginning and the end of the film set on the steps of the court building and two short scenes in an adjoining washroom, the entire movie takes place in the jury room. The total time spent outside of the jury room is eight minutes out of the full 96 minutes of the movie.

    One act play, Drama. Two wanna-be rock stars await their takeout delivery--or is it their rock-n-roll messiah? An early work by "True West" playwright and actor Sam Shepard. Librarian's Note: No separate publication found at this time. Generally published in collections of Shepard works.