Along the way a new aesthetic for the ‘Iraqi fantastical’ begins to emerge: thus we meet time-travelling angels, technophobic dictators, talking statues, macabre museum-worlds, even hovering tiger-droids, and all the time buoyed by a dark, inventive humour that, in itself, offers hope.

    Omon is chosen to be trained in the Soviet space program the fulfillment of his lifelong dream. However, he enrolls only to encounter the terrifying absurdity of Soviet protocol and its backward technology: a bicycle-powered moonwalker; the outrageous Colonel Urgachin; and a one-way assignment to the moon.

    Gunrunner. Fugitive.Quick, sarcastic, and lethal, Hailimi Bristol doesn't suffer fools gladly. She has made a name for herself in the galaxy for everything except what she was born to do: rule the Indranan Empire. That is, until two Trackers drag her back to her home planet to take her rightful place as the only remaining heir.But trading her ship for a palace has more dangers than Hail could have anticipated. Caught in a web of plots and assassination attempts, Hail can't do the one thing she did twenty years ago: run away. She'll have to figure out who murdered her sisters if she wants to survive.A gun smuggler inherits the throne in this Star Wars-style science fiction adventure from debut author K. B. Wagers. Full of action-packed space opera exploits and courtly conspiracy - not to mention an all-out galactic war - Behind the Throne will please fans of James S. A Corey, Becky Chambers and Lois McMaster Bujold, or anyone who wonders what would happen if a rogue like Han Solo were handed the keys to an empire . . .

    A cold, snowy morning.Andrei Danilovich Komiaga is fast asleep. A scream, a moan, and a death rattle slowly pull him out of his drunken stupor—but wait, that’s just his ring tone. And so begins another day in the life of an oprichnik, one of the czar’s most trusted courtiers—and one of the country’s most feared men.Welcome to the new New Russia, where futuristic technology and the draconian codes of Ivan the Terrible are in perfect synergy. Corporal punishment is back, as is a divine monarch, but these days everyone gets information from high-tech news bubbles, and the elite get high on hallucinogenic, genetically modified fish.Over the course of one day, Andrei Komiaga will bear witness to—and participate in—brutal executions; extravagant parties; meetings with ballerinas, soothsayers, and even the czarina. He will rape and pillage, and he will be moved to tears by the sweetly sung songs of his homeland. He will consume an arsenal of drugs and denounce threats to his great nation’s morals. And he will fall in love—perhaps even with a number of his colleagues.Vladimir Sorokin, the man described by Keith Gessen (in The New York Review of Books) as “[the] only real prose writer, and resident genius” of late-Soviet fiction, has imagined a near future both too disturbing to contemplate and too realistic to dismiss. But like all of his best work, Sorokin’s new novel explodes with invention and dark humor. A startling, relentless portrait of a troubled and troubling empire, Day of the Oprichnik is at once a richly imagined vision of the future and a razor-sharp diagnosis of a country in crisis.

    Jimson Alleca can live another 20 years with drugs and a peaceful lifestyle -- if he stays in space-normal. But he's willing to risk it all to make the jump into the Hype, the shimmering "not space" for one year among the stars.

    First published in 1984, the novel's central issues--technology, globalization, gender, sexuality, and multiculturalism--have only become more pressing with the passage of time.The novel's topic is information itself: What are the repercussions, once it has been made public, that two individuals have been found to be each other's perfect erotic object out to "point nine-nine-nine and several nines percent more"? What will it do to the individuals involved, to the city they inhabit, to their geosector, to their entire world society, especially when one is an illiterate worker, the sole survivor of a world destroyed by "cultural fugue," and the other is--you!

    Decades of travel through the stars are condensed into mere months for her, though the years continue to march steadily onward for everyone she has ever known. Her friends and lovers have aged past her; all she has left is work. Alone and adrift, she lives only for the next paycheck, until the day she meets a mysterious boy, fallen from the sky.A boy, broken by his past.The scarred child does not speak, his only form of communication the beautiful and haunting music he plays on an old wooden flute. Captured by his songs and their strange, immediate connection, Nia decides to take the boy in. And over years of starlit travel, these two outsiders discover in each other the things they lack. For him, a home, a place of love and safety. For her, an anchor to the world outside of herself.For both of them, a family.But Nia is not the only one who wants the boy. The past hungers for him, and when it catches up, it threatens to tear this makeshift family apart.

    Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she's stepped square into a conspiracy for control of Artemis itself—and that now, her only chance at survival lies in a gambit even riskier than the first.

    Brilliantly imagined and beautifully told, it is the work of a writer at the height of his powers. Our voyage from Earth began generations ago.Now, we approach our new home.AURORA.

    Haimey and her small crew run afoul of pirates at the outer limits of the Milky Way, and find themselves on the run and in possession of universe-changing information.When authorities prove corrupt, Haimey realizes that she is the only one who can protect her galaxy-spanning civilization from the implications of this ancient technology—and the revolutionaries who want to use it for terror and war. Her quest will take her careening from the event horizon of the supermassive black hole at the galaxy’s core to the infinite, empty spaces at its edge.To save everything that matters, she will need to uncover the secrets of ancient intelligences lost to time—and her own lost secrets, which she will wish had remained hidden from her forever.

    Most days, she's got other things on her mind. Like hiding her identity among the hundreds of alien species roaming the corridors of Watertower Station. Or making sure her adoptive mother doesn't casually eviscerate one of their neighbors. Again.And most days, she can almost accept that she'll never know the truth--that she'll never know why humanity was deemed too dangerous to exist. Or whether she really is--impossibly--the lone survivor of a species destroyed a millennium ago. That is, until an encounter with a bounty hunter and a miles-long kinetic projectile leaves her life and her perspective shattered.Thrown into the universe at the helm of a stolen ship--with the dubious assistance of a rebellious spacesuit, an android death enthusiast on his sixtieth lifetime, and a ball of fluff with an IQ in the thousands--Sarya begins to uncover an impossible truth. What if humanity's death and her own existence are simply two moves in a demented cosmic game, one played out by vast alien intellects? Stranger still, what if these mad gods are offering Sarya a seat at their table--and a second chance for humanity?The Last Human is a sneakily brilliant, gleefully oddball space-opera debut--a masterful play on perspective, intelligence, and free will, wrapped in a rollicking journey through a strange and crowded galaxy.

    Ariadne is one such explorer. As an astronaut on an extrasolar research vessel, she and her fellow crewmates sleep between worlds and wake up each time with different features. Her experience is one of fluid body and stable mind and of a unique perspective on the passage of time. Back on Earth, society changes dramatically from decade to decade, as it always does.Ariadne may awaken to find that support for space exploration back home has waned, or that her country of birth no longer exists, or that a cult has arisen around their cosmic findings, only to dissolve once more by the next waking. But the moods of Earth have little bearing on their mission: to explore, to study, and to send their learnings home. Carrying all the trademarks of her other beloved works, including brilliant writing, fantastic world-building and exceptional, diverse characters, Becky's first audiobook outside of the Wayfarers series is sure to capture the imagination of listeners all over the world.

    Unfortunately, she's a total disaster. After landing herself in prison following an attempted heist gone very wrong, she strikes a bargain with the prison warden: He'll expunge her record if she brings back a long-lost treasure rumored to grant immortality. Cora is skeptical, but with no other way out of prison (and back in her family's good graces), she has no choice but to assemble a crew from her collection of misfit cellmates—a disgraced warrior from an alien planet; a cocky pirate who claims to have the largest ship in the galaxy; and a glitch-prone robot with a penchant for baking—and take off after the fabled prize. But the ragtag group soon discovers that not only is the too-good-to-be-true treasure very real, but they're also not the only crew on the hunt for it. And it's definitely a prize worth killing for.

    Clarke award-winning author of Children of Time brings us an extraordinary space opera about humanity on the brink of extinction, and how one man's discovery will save or destroy us all.The war is over. Its heroes forgotten. Until one chance discovery . . .Idris has neither aged nor slept since they remade him in the war. And one of humanity's heroes now scrapes by on a freelance salvage vessel, to avoid the attention of greater powers.After earth was destroyed, mankind created a fighting elite to save their species, enhanced humans such as Idris. In the silence of space they could communicate, mind-to-mind, with the enemy. Then their alien aggressors, the Architects, simply disappeared—and Idris and his kind became obsolete.Now, fifty years later, Idris and his crew have discovered something strange abandoned in space. It's clearly the work of the Architects—but are they returning? And if so, why? Hunted by gangsters, cults and governments, Idris and his crew race across the galaxy hunting for answers. For they now possess something of incalculable value, that many would kill to obtain.

    His parents died when he was young. They were on the losing side of a civil war.He does what he can to survive, taking the jobs that come and not asking too many questions. He has a ship, and a crew of droids to help get him by.Kelso Station, one of the few remaining independent space stations left in what used to be the Independent Systems Alliance, now it’s called the Grand Human Empire, is home.The job sounds straightforward. More importantly, it pays well. The only problem is that it’s bigger than he can do on his own. He’s going to need help.There’s nothing worse than doing the job and finding out that you were played.Now they have to make things right while avoiding ever-present imperial patrols.No pressure.