Now, in her newest collection, she demonstrates once again her virtuosic abilities in precisely distilled, perfectly shaped studies of human connection and disconnection. From a group of friends whose luck in acquiring a luxurious Manhattan sublet turns to disaster as their balcony becomes a front-row seat to the catastrophe of 9/11, to the too painful love of a brother for his schizophrenic sister, Eisenberg brilliantly illustrates the lives of people rubbed raw by what the fates have sent them (Vanity Fair).

    When she wasn't stalking the streets of Greenwich Village wearing a brassiere made from tomato cans, she was enthusiastically declaiming her poems to sailors in beer halls or posing nude for Man Ray or Marcel Duchamp. In an era of brutal war, technological innovation, and cataclysmic change, the Baroness had resolved to create her own destiny -- taking the center of the Dadaist circle, breaking every bond of female propriety . . . and transforming herself into a living, breathing work of art.

    Virtuosic and exquisitely compressed, these stories show Salter at his best.The collection received the 1989 PEN/Faulkner Award.

    One cold November night, in Cheyenne, Wyoming, fifteen-year-old Richard Jahnke Jr., ROTC leader and former Boy Scout, waited for his parents to return from celebrating the twentieth anniversary of the night they met. When his father got out of the car, the boy blasted him through the heart with a twelve-gauge pump-action shotgun. Richard’s seventeen-year-old sister, Deborah, was sitting on the living room couch with a high-powered rifle—just in case her brother missed.   Hours later the Jahnke kids were behind bars. Days later they made headlines. So did the truth about the house of horrors on Cowpoke Road.   Was it cold-blooded murder? Or self-defense?   Richard Jahnke Sr., special agent for the IRS, gun collector, and avid reader of Soldier of Fortune, had been subjecting his wife, Maria, and both children to harrowing abuse—physical, psychological, and sexual—for years. Deborah and her brother conspired to finally put a stop to it themselves. But their fate was in the hands of a prejudiced and inept judicial system, and only public outcry could save them.   Written with the full and revealing cooperation of the Jahnkes, this finalist for the Edgar Award for Best Fact Crime is “the ultimate family nightmare, played out in the heartland of America. . . . From the night of the murder through both trials, convictions and both youngsters’ eventual release . . . it’s gripping reading” (Chicago Tribune).

    In the chaos of his first days and weeks of the war, as Mask and his company move from Schofield Barracks to the beaches of Oahu, then to a remote mountain pass, a struggle over the pistol dominates this novella's action, providing the pathos and savagery of the story.

    Having “caught hold of some loose line in her that would attach itself to stray wildness” and never let go, he’s loved her for some eighty years: through their marriages to other people, through the mysterious early death of Birdie’s womanizing husband, Earl, and through all the poisonous accusations against Birdie by Earl’s no-good relatives. All during Mercury’s evolution from a sleepy backwater to a small city, Finus (reporter, radio host, and obit writer) has aimed to have the last word on its inhabitants, from obsequious undertaker Parnell Grimes to Euple Scarbrough, local encyclopedia of useless knowledge, and Vish, a real oldtime medicine woman. But ever loyal to Birdie, Finus won’t rush to unravel the mystery of her husband’s untimely passing—not until Birdie herself has entered Mercury’s heaven.A gorgeous portrayal of lifelong friendship, restless passion, marital discord accommodation, aging and remembrance, death and afterlife, The Heaven of Mercury is inscribed in prose so eerily fine it is one of life’s true pleasures.

    But no matter what his subject, Mr. White always writes about it in a prose that is a joy to read."--New York Times

    Her apocalyptic vision of life is expressed through grotesque, often comic situations in which the principal character faces a problem of salvation: the grandmother, in the title story, confronting the murderous Misfit; a neglected four-year-old boy looking for the Kingdom of Christ in the fast-flowing waters of the river; General Sash, about to meet the final enemy. Stories include:"A Good Man Is Hard to Find""The River""The Life You Save May Be Your Own""A Stroke of Good Fortune""A Temple of the Holy Ghost""The Artificial Nigger""A Circle in the Fire""A Late Encounter with the Enemy""Good Country People""The Displaced Person"©1955 Flannery O'Connor; 1954, 1953, 1948 by Flannery O'Connor; renewed 1983, 1981 by Regina O'Connor; renewed 1976 by Mrs. Edward F. O'Connor; (P)2010 Blackstone Audio, Inc.

    The stories in Fresh Complaint explore equally rich­­—and intriguing—territory. Ranging from the bitingly reproductive antics of “Baster” to the dreamy, moving account of a young traveler’s search for enlightenment in “Air Mail” (selected by Annie Proulx for Best American Short Stories), this collection presents characters in the midst of personal and national emergencies. We meet a failed poet who, envious of other people’s wealth during the real-estate bubble, becomes an embezzler; a clavichordist whose dreams of art founder under the obligations of marriage and fatherhood; and, in “Fresh Complaint,” a high school student whose wish to escape the strictures of her immigrant family lead her to a drastic decision that upends the life of a middle-aged British physicist. Narratively compelling, beautifully written, and packed with a density of ideas despite their fluid grace, these stories chart the development and maturation of a major American writer.Complainers --Air mail --Baster --Early music --Timeshare --Find the bad guy --The oracular vulva --Capricious gardens --Great experiment --Fresh complaint

    Raved about by reviewers and embraced by the likes of Raymond Carver, Frank Conroy, Annie Dillard, and Nadine Gordimer, Black Tickets now stands as a classic.With an uncanny ability to depict the lives of men and women who rarely register in American literature, Phillips writes stories that lay bare their suffering and joy. Here are the abused and the abandoned, the violent and the passive, the impoverished and the disenfranchised who populate the small towns and rural byways of the country. A patron of the arts reserves his fondest feeling for the one man who wants it least. A stripper, the daughter of a witch, escapes from poverty into another kind of violence. A young girl during the Depression is caught between the love of her crazy father and the no less powerful love of her sorrowful mother. These are great American stories that have earned a privileged place in modern literature.Wedding picture --Home --Blind girls --Lechery --Mamasita --Black tickets --The powder of the angels, and I'm yours --Stripper --El Paso --Under the boardwalk --Sweethearts --1934 --Solo dance --The heavenly animal --Happy --Stars --The patron --Strangers in the night --Souvenir --What it takes to keep a young girl alive --Cheers --Snow --Satisfaction --Country --Slave --Accidents --Gemcrack

    Twelve years later, with a pair of silver barrettes her only tangible memory of Elvia, Serafina begins a harrowing journey back across the border to find her daughter. At the same time Elvia, now fifteen and pregnant, resolves to track her mother down. They travel a landscape populated by desperately poor migrants moving from harvest to harvest, truckers living hand-to-mouth in seedy motels, and lost children in foster homes. But the memory of love inspires hope, and out of these women’s losses–and their determination–Straight has crafted a deeply moving tale of the meaning of home and family.

    Beatrice Hempel, teacher of seventh grade, is new—new to teaching, new to the school, newly engaged, and newly bereft of her idiosyncratic father. Grappling awkwardly with her newness, she struggles to figure out what is expected of her in life and at work. Is it acceptable to introduce swear words into the English curriculum, enlist students to write their own report cards, or bring up personal experiences while teaching a sex-education class?Sarah Shun-lien Bynum finds characters at their most vulnerable, then explores those precarious moments in sharp, graceful prose. From this most innovative of young writers comes another journey down the rabbit hole to the wonderland of middle school, memory, daydreaming, and the extraordinary business of growing up.

    He runs away from home in Paterson, New Jersey, to New York City and learns the bare bones of life before he hits the road with a traveling carnival. Then one icy night in the Adirondacks, the young man sees a private train roar by. In its lit windows, he spies an industrial tycoon, a poet, a gangster, and a heartbreakingly beautiful girl. He follows them, as one follows a dream, to an isolated private estate on Loon Lake.Thus the stage is set for a spellbinding tale of mystery and menace, greed and ambition, harsh lust and tender love, that lays bare the darkest depths of the human heart and the nightmarish underside of the American dream. E. L. Doctorow has written a novel aglow with poetry and passion, lit by the burning fire of humanity and history, terror and truth.

    Icky" "Jemina"

    Randall, a bankruptcy lawyer, is the warlord of his world, a shark in a fishbowl, exercising power with mad, relentless, hilarious glee; Boone, an American innocent abroad, journeys to the African bush, protected by the twin charms of the passport and the almighty dollar. In seeking Michael, both men find much more than they bargain for.A satire, steeped in irony, chronicles the misadventures of Boone Westfall, who wanders through West Africa encountering witches, angry ancestors, and bad medicine in search of his missing friend Michael Killigan, whose high-powered banker father is conducting his own search.