Stark juxtaposition of images evokes the New York School, verbal collages suggest the associative method of the postmodernists, and his playful attention to sound recalls elements of Language School poetry. While these elements surface in Lemon’s work, his poetry remains profoundly original, his voice remarkably distinct. Lemon is also, like Frank O’Hara, an autobiographical poet, using the materials of life for inspiration. At 29, he is already a survivor of brain surgery. Still coping with the surgery’s effects, including a gradual loss of vision, he invokes, proclaims, decries, and serenades the world that results after the violation of identity. When the membranes that divide mind and body rupture, the result is not a void, but a strange sensory landscape where all stimuli exist on the same level. Avoiding the easy temptations of both despair and consolation, Hallelujah Blackout embraces the full range of the human experience.

    . . Despite her desire for control, Ara Hopkins has always felt like a pawn—constantly being maneuvered by those surrounding her. Carrying a riddled past of abandonment by her mother, a jealous step-sister and exploitation by men she was supposed to be able to trust, Ara craves a social media certified life. So, when she meets her husband, a New York congressman’s son, she believes she’s finally won her game. Secure in a life her mother would approve of—and having firmly shut the door on her chaotic and miscalculated past—Ara feels she’s thriving. Until the night her husband is murdered. Thrust into a game of deceit and lies, Ara realizes that nothing is as it seems and that the past can quickly return to the present. The facade crumbles as relationships are tested and family boundaries crossed. Faced with losing it all, she discovers what a person is really capable of. Because in this game of life, it's either rook or be rooked. An intricately braided plot with unforeseeable twists and a sucker-punch ending, Rooked is a captivating thriller that shatters all perceptions.

    With blue-collar idealism and onerous student loans, first-year associate Sophia Christopoulos covets the firm’s money and power. But her new friendships, love, and success come with the devastating price of disillusionment, murder, and betrayal. When Sophia is hurled into a murder investigation, she is torn between ethics and firm politics, as well as love and truth. Fighting to save her career and life, she becomes the star witness—and then a target. [No courtroom trial]☆ THE GUN TRIAL & THE RUSSIAN Second & Third in Series ☆ REVIEWS: “Warning – don’t start reading until you have time!” “Where John Grisham offers one-dimensional cardboard replicas, Author Dale E. Manolakas delivers with fully-realized characters who explode off the page. Visceral. Sensual. Alive.” “Keeps the reader guessing until the end.” “Wow! Powerful look into the law business!” ❦ Go to Amazon Author's Page for more books [Kindle Unlimited]. ❦ Visit Author's Official Website for more books, free book offers, portals to sale channels, and a sign up [No Spam]. ❦Author's YouTube Channel with book trailers and other offers.

    Wright pushed the bounds of imagination as she explored desire, loss and physical sensation. Her posthumously published book, ShallCross features seven poem sequences that show her tremendous range in style and approach. As she considers, among other topics, some dark intuitions about human nature, she also nudges readers to question who is telling the story and where one’s thought can lead."—The Washington Post"Wright gets better with each book, expanding the reach of her art; it seems it could take in anything."—Publishers Weekly"Wright belongs to a school of exactly one."—New York Times Book Review"C.D. Wright is entirely her own poet, a true original."—The Gettysburg ReviewIn a turbulent world, C.D. Wright evokes a rebellious and dissonant ethos with characteristic genre-bending and expanding long-form poems. Accessing journalistic writing alongside filmic narratives, Wright ranges across seven poetic sequences, including a collaborative suite responding to photographic documentation of murder sites in New Orleans. ShallCross shows plain as day that C.D. Wright is our most thrilling and innovative poet.From "Obscurity and Elegance":Whether or not the park was safeshe was going in. A study concluded, for a parkto be successful there had to be women.The man next to the monument must have brokenaway from her. Perhaps yearsbefore. That the bond had been carnal is obvious.He said he was just out clearing his head…C.D. Wright (1949-2016) taught at Brown University for decades and published over a dozen works of poetry and prose, including One With Others, which won the National Book Critics Circle Award and was nominated for a National Book Award; One Big Self: An Investigation; and Rising Falling Hovering. Among her many honors are the Griffin International Poetry Prize and a MacArthur Fellowship.

    Rose Hemmings has just finished her general surgery residency when a haunted stranger is shot in front of her in a New York City bar, and their lives become forever intertwined. And when, having been given the blessing of her adoptive father on his deathbed, Rose travels to prerevolutionary Iran to discover the past her American family kept secret from her, she finds a true Pandora's box. It is a world both foreign and familiar, in which her primary place is as the heiress to a great tribe. In Iran, Rose will find family she never dreamed of, her own people, and a man who loves her as passionately as he does the rare black roses of his garden. She will return to the United States carrying a new secret and torn between two men: the one she loves helplessly, and the one who loves her unconditionally. Woven throughout with Persian poetry ancient and modern, On Loving is the story of one woman's lifetime of love and loss, of societal change in a nomadic people, and of overcoming personal challenges, including mental and physical health, to find true contentment. Above all, it is a story of love: its physiology, psychology and philosophy; the many forms it takes; its myths and truths; its challenges, its joys and its gifts.

    Simply one of the most admired and imitated poets of her generation, Lisa Jarnot's third volume of poetry does what only Jarnot can do. Decidedly lyrical, always reliant on repetition and rhythm, what emergies in this book is a catalog of loves and laments: "Just the eldergrass and him, the fog, unpoliced and safe inside the train, the thoughts of rain, Apollo, and the sun..." As Stan Brackage has said of Jarnot, " H]er words are never severed from the means that engendered them; and the consequent meanings are never detached from the meditative drama of each whole poem."

    tank, The Korean Word For Butterfly is told from three alternating points-of-view:Billie, the young wanna-be poet looking for adventure with her boyfriend who soon finds herself questioning her decision to travel so far from the comforts of American life;Moon, the ex K-pop band manager who now works at the English school struggling to maintain his sobriety in hopes of getting his family back;And Yun-ji , a secretary at the school whose new feelings of resentment toward Americans may lead her to do something she never would have imagined possible. The Korean Word For Butterfly is a story about the choices we make and why we make them. It is a story, ultimately, about the power of love and redemption.*The author would like to note that this book deals, in part, with abortion. It tries, as best it can, to explore the issue with compassion rather than judgement.*"5 stars...full of fresh and original writing." -Kindle Book Review

    In this first volume of the extraordinarily unique suspense series (for ages 16+), unexpected, sweet narrators tell how a young educated Chicago woman, Kelly Donovan, must escape from her luxurious home to get away from her sociopath boyfriend, Mark Flannery, before he takes her to a woodsy cabin for a little “anniversary get-way.” She must plot, lie, and pretend to be happy before she can flee her relationship and her own home, alive. Unforeseen obstacles frustrate Kelly's efforts to escape, and her family and friends, strangers to one other, must perfectly work together to help her live a life free from threat. The diverse group includes an insecure drama teacher, a brilliant pharmaceutical engineer, and an international businesswoman with a secret that comes in very handy at one critical point. This story is uniquely narrated by inanimate household teddy bears, which, notwithstanding their immobility, have interesting thoughts and perspectives on the shocking events and intriguing relationships which form before their plastic eyes. These plush bears also get a healthy dose of an entertaining blooming romance when Kelly’s plight takes everyone overseas to Paris. While in France, more scheming, racing to stay steps ahead of Mark, and even physical violence ensue – violence which does not always involve a damsel in distress. To complicate matters further, some of the characters are not necessarily what, or who, they seem. Once the plot’s feverish pace decelerates, the group starts to feel some hope, but is the race really over? The genre-mixing mind-bending narration style makes this novel a sensational ride. Enjoy!

    SmithThe poems in Scriptorium are primarily concerned with questions of religious authority. The medieval scriptorium, the central image of the collection, stands for that authority but also for its subversion; it is both a place where religious ideas are codified in writing and a place where an individual scribe might, with a sly movement of the pen, express unorthodox religious thoughts and experiences. In addition to exploring the ways language is used, or abused, to claim religious authority, Scriptorium also addresses the authority of the vernacular in various time periods and places, particularly in the Appalachian slang of the author's East Tennessee upbringing. Throughout Scriptorium, the historical mingles with the personal: poems about medieval art, theology, and verse share space with poems that chronicle personal struggles with faith and doubt.

    After discovering they were born at the same clinic two decades earlier, she investigates further and uncovers a startling list. With the realization that more gender-fluid people are targeted for elimination, Taylor kicks her investigation into high gear. But the researchers who conducted the experiment aren’t about to let anything interfere with their plans. Soon Taylor is in deep trouble and needs the help of FBI Special Agent Bailey. As Bailey scrambles to track down leads, events spin out of control and she finds herself blocked at every step by powerful military forces. With the clock ticking on Phase 2 of the experiment, can Bailey and Taylor uncover the truth in time to save the other subjects?

    Michael Palmer has been hailed by John Ashbery as "exemplarily radical" and by The Village Voice as "the most influential avant-gardist working, and perhaps the greatest poet of his generation." His new book, Company of Mothsa collection in four parts, "Stone," "Scale," "Company of Moths," and "Dream"is beautiful, and fierce: "bright archive, sad merriment," "question pursuing question." Palmer, in this new volume for our darkest times, asks, "How will you now read in the dark?"

    Besides George Meredith and his wife Mary Ellen, Swinburne and his companion Theodore Watts-Dunton are among those who also find a place in the three poem-sequences that comprise the book: "Arisbe," "The Leisure of the Theory Class," and "Rückenfigur." Howe's historical linkings, resonant with the sorrows of love and loss and the tragedies of war, create a compelling canvas of associations. "It's the blanks and gaps," she says, "that to me actually represent what poetry is-the connections between seemingly unconnected things-as if there is a place and might be a map to thought, when we know there is not."

    But when an interiors magazine sends a good-looking photographer to take pictures of Claire's perfect home, he makes her wonder if the house means more to William than she does. This is the beautifully observed and poignant love story of a woman who has to find out if home really is where the heart is.

    Though she agrees to meet him on location in Atlantic City, New Jersey, and review the situation, the last thing she expects is to believe his claims. After all, a poisoned pizza? What kind of lame attempt at murder is that? But after getting caught in the center of attempt on Shepard’s life Lorraine is forced to admit he’s right about the danger – and determined to find a way to protect him while finding out who’s behind the threat.With her meddling friend Barb along for the ride and her boss anxiously tracking her every move, Lorraine must juggle the chaos of a film set, the lure of the casinos, the attraction of a hunky co-star, and a mine-filed of Shepard’s ex-girlfriends all while keeping Shepard safe and discovering the identity of a killer…before she becomes the next target.

    But Ulysses (or his half brother) is but one of the beguiling guises Komunyakaa dons over the course of this densely lyrical book. Here his speaker observes a doomed court jester; here he is with Napoleon, as the emperor "tells the doctor to cut out his heart / & send it to the empress, Marie-Louise"; here he is at the circus, observing as "The strong man presses six hundred pounds, / his muscles flexed for the woman / whose T-shirt says, these guns are loaded"; and here is just a man, placing "a few red anemones / & a sheaf of wheat" on Mahmoud Darwish's grave, reflecting on why "I'd rather die a poet / than a warrior." Through these mutations and migrations and permutations and peregrinations there are constants: Komunyakaa's jazz-inflected rhythms; his effortlessly surreal images; his celebration of natural beauty and of love. There is also his insistent inquiry into the structures and struggles of power: not only of, say, king against jester but of man against his own desire and of the present against the pernicious influence of the past. Another brilliant collection from the man David Wojahn has called one of our "most significant and individual voices," The Emperor of Water Clocks delights, challenges, and satisfies.