Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge. Full-color illustrations throughout.

    Though she spends many years of happiness with her two vampire fathers, she gradually grows discontent with their insistence upon treating her like a little girl, even though she has lived as long as any mortal man...and her lust to kill is certainly no less than theirs...

    Join princess Aurora and her friends as they journey to civilization's heart of darkness in a bleak allegory about surviving the human experience.  The sweet faces and bright leaves of Kerascoët’s delicate watercolors serve to highlight the evil that dwells beneath Vehlmann's story as pettiness, greed, and jealousy take over. Beautiful Darkness is a harrowing look behind the routine politeness and meaningless kindness of civilized society.

    These outrageous comic book images, censored by Congress in an infamous televised U.S. Senate subcommittee investigating juvenile delinquency in 1954, have rarely been seen since they were first published—and are revealed once again in all of their eye-popping glory. Jim Trombetta, in his commentary and informative text, provides a detailed history and context for these stories and their creators, spinning a tale of horror and government censorship as scary as the stories themselves.Bonus DVD--Confidential File, a rare 25-minute TV show that first aired on October 9, 1955, about the "evils" of comic books and their effect on juvenile delinquency is included with the book.  Please note that the enclosed DVD begins with a 58-second test pattern, followed by the tv show.  Praise for The Horror! The Horror!:"In addition to offering a generous helping of controversial comics . . . Trombetta's book provides insightful history." -New York Times Book Review

    The R. R. Donnelley and Eisner Award–winning book posed, explored, and answered the question: "Do you wish you could write?" Now with Picture This, Barry asks: "Do you wish you could draw?" It features the return of Barry's most beloved character, Marlys, and introduces a new one, the Near-Sighted Monkey. LikeWhat It Is, Picture This is an inspirational, take-home extension of Barry's traveling, continually sold-out, and sought-after workshop, "Writing the Unthinkable."

    Features commentary, color stills, sketches, storyboards, and illustrations used to envision the rich fantasy world of the film. Also includes a complete English-language script.

    A giggling crowd of masked watchers. A reassembling corpse. What could be behind you, just waiting for you to turn around? Behind You is an illustration series, a comic with no panels, where each piece is essentially a separate story. Each tale is one image and one piece of text; an unsuspecting victim with someone, or something, behind them. Entries range from the amusingly weird to the genuinely unsettling. Inspired by spooky films, books, myths, and internet tall tales, Behind You is full of scary set-ups but leaves lots of blanks for the reader to fill in with their own narrative. Includes an Introduction by New York Times Best-Seller Joe Hill.

    Yet when villainous forces behind the mysterious keywork reveal hard hitting truth's behind the couple's real nature, a battle begins that crosses all worlds!

    Special guest appearance by Evil Ernie.

    Follow Lyra's story once again in a way you've never experienced it before, as the arrival of her fearsome uncle, Lord Asriel, draws her to the heart of a terrible struggle — a struggle born of Gobblers and stolen children, witch clans and armoured bears.Lyra hurtles toward danger in the cold far North, never suspecting the shocking truth, that she alone is destined to win, or to lose, this more-than-mortal battle.

    He has been a basement- dweller, gallery troll, and a purveyor of forbidden notions. Originally distributed into the world as Xeroxed pamphlets, these “underground comix” reflect the true nature of its nomenclature: Here are the archeological findings of the subterranean ruins of the psyche. Finally, these scattered elements have been compiled into a compact, lushly illustrated bedside reader. Give your cerebellum a tug and become a spelunker of the subconscious as we trespassamong the scorched archaic wastelands of the offspring of apes and fools. Here we find the profane, beautiful progeny of prurient ideals. Immerse yourself in the nocturnal meanderings of unnamed protagonists. Ponder the uncomfortable sexuality of the twins, Cochlea Eustachia. Recoil at the doings of a dwarfish malefactor in Hail Jeffrey, or simply stare at the pretty pictures. Suffice to say that readers of The Squirrel Machine will not be disappointed.The author instructs you not misuse this tome. Poke it gently with a long stick, if you must. Careful, it might ruin the carpet. Placate it with a belly-rub or sweet pastry before it attacks the children. Don’t worry, your tongue won’t stick. If it fits, don’t shove it in too quickly. Keep it as your own cherished object; a shameful, guarded secret. The filter for reality’s blinding glare. Detritus of the Under-Brain. The Unspeakable Thing You Always Knew.FOLLY: The Consequences Of Indiscretion. By one of the most inscrutable and discomforting cartoonists alive.

    For the wise—or pixilated—Grandpa, the song reminds him that, in the time he has left, he must pause to respect, appreciate, and fear nature. The song hints at something that Zoey, the daughter, is too young to fully grasp. And the song lures the sexually frustrated mother, and eventually, her husband, into danger…Carré experimented with nib pens and brushes while drawing this black-and-white graphic novel, giving the art a different feel from her previous, Eisner-and-Harvey-Award-nominated story, Tales of Woodsman Pete. The Lagoon was influenced by the films Creature from the Black Lagoon and Night of the Hunter, but reads more like the gothic, family narratives of Flannery O’Connor or Carson McCullers. Rhythms—Grandpa’s taps, the ticking of a metronome—are punctuated by silences that pace this “sound”-driven story. Older teen and adult readers are invited to imagine the enigmatic creature’s haunting, ever-shifting tune as it reverberates through weedy waters, eventually escaping the lagoon to creep into windows at night.

    His work has the ability to transcend its singular nature and tap into universal themes like mortality, nature, isolation, parenthood, and, naturally, the mutant apocalypse.In his first and only book to date, written and drawn entirely on post-it notes, he uses deceptively simple, charming characters to bring to life a post-apocalyptic earth. This picaresque traipse through the end times is a visually striking work that includes a chase by mutants, a macabre human display in a modern art museum, and a hoped-for visit from the Easter Eel.This is the perfect book for anyone who knows the apocalypse is imminent, and wants to laugh at it.

    The narrative also explores the experiences of the loved ones he leaves behind, on his ship and at home on land, as well as of the mermaids who jadedly witness his destruction. At the heart of the story lie the dubious value of maintaining dignity to the detriment of intimacy, and the erotic potential of the worst-case scenario. Julie Gfrörer’s delicate drawing style perfectly complements the period era of Black Is the Color, bringing the lyricism and romanticism of Gfrörer’s prose to the fore. Black Is the Color is a book as seductive as the sirens it depicts.

    Following in the bloody footsteps of super-fiends such as Fantomas, Fu Manchu, or Professor Moriarty, Super-Enigmatix is ruthless, cunning, and thoroughly evil. His only goal is to spread fear and cause chaos — but does he want to destroy civilization, or save it? Not even his loyal army of female commandos can guess his real motives, or his true identity. The fast-moving "picture story" is told with sly humor and all the mayhem is depicted in Sala's trademark colorful watercolor washes and sharp, detailed line-work. Also included in this collection are three shorter stories, appearing in print for the first time, from Richard Sala's archive of strange and offbeat tales!