In the second part, Petal's grandson, Solomon, describes how he surveyed the best route down the mountain in preparation for building the region's first road. In the third part, Solomon's son David, tells of building the first turnpike through the wilderness.

    Short as it lasted and long ago, I've never laid it all out yet, not start to finish. But if I try and half succeed, you may wind up understanding things, choosing a better road for yourself and maybe not blaming the dead past but living for the here and now, each day a clean page." April 28, 1956, was the day Blue Calhoun met a sixteen-year-old girl named Luna. And for the next three decades, their love has borne consequences of the most shattering -- and ultimately, perhaps healing -- kind for everyone they know. As Blue recounts the years and their events for us -- fervently, tenderly, knowing full well his own deep responsibility -- we are made witnesses to a story of classic dimensions, a story of love and suffering, family and friendship, death and redemption.

    Noel, who prefers The Exorcist to Ecclesiastes, must navigate a world of Bible-thumpers, born-again Christians, and a stepfather who bears an uncanny resemblance to Billy Graham. Darkly comic and lyrically moving, Rides of the Midway introduces a formidable talent in contemporary fiction.

    Because of an unhealthy relationship with the bottle, he’s ruined his reputation as one of the South’s preeminent commissioned metal sculptors. And his desperate turn to ice sculpting might’ve led to a posse of angry politicians on his trail. With the help of his sane and practical potter wife, Raylou, Harp understands that it’s time to return to the mig welder. Yes, it’s time to prove that he can complete a series of twelve-foot-high metal angels—welded completely out of hex nuts—for the city of Birmingham. Is it pure chance that the Elbow Boys, their arms voluntarily fused so they can’t drink, show up in order to help Harp out in a variety of ways? And why did his neighbor smuggle anteaters into desolate Ember Glow? Is it true that there’s no free will?

    There, at The End of the Road of the South, the family malt shop freezer holds unspeakable things, society maven Mrs. Dot hosts Junior Debutante meetings and shares inspired thoughts for the week (such as “sincerity is as valuable as radium”), and Daisy Fay’s Daddy hatches a quick-cash scheme that involves resurrecting his daughter from the dead in a carefully orchestrated miracle. Along the way, Daisy Fay does a lot of growing up, emerging as one of the most hilarious, appealing, and prized characters in modern fiction.

    Now the stories alone are available for the first time in trade paperback.

    Into this world comes Boubacar, a fifteen-year-old African boy joining friends from Mauritania already living in the area. They are new African blacks not especially noteworthy in a town filled with Chinese emigrants, African Americans within memory of slavery, and straggling members of the original white families of the area. Presiding over Madagascar is Angus, the second-generation Delta Chinese proprietor of the Celestial Grocery, and his vintage jukebox with its treasure of Slim Harpo, Sam Cooke, and Wanda Jackson songs.The ties that bind the lives in this community together are American roots music and the desire to make a home in the rural South. The purity and beauty of Cynthia Shearer's writing--like the purity of music that exists within this story, an imagined soundtrack of more than thirty songs--marks The Celestial Jukebox as that most rare book, a novel as historically expansive as it is intimate, filled with music, wisdom, and spontaneous joy.

    Desperation - both material and psychological - motivates his characters. A husband cruelly avenges the killing of his wife's pet; an injured rapist is cared for by a young girl, until she reaches her breaking point; a disturbed veteran of Iraq is murdered for his erratic behavior; an outsider's house is set on fire by an angry neighbor. There is also the tenderness and loyalty of the vulnerable in these stories - between spouses, parents and children, siblings, and comrades in arms - which brings the troubled, sorely tested cast of characters to vivid, relatable life.

    Then of course, there’re Louise and Julia, the boldly eccentric Hunsenmeir sisters. Wheezie and Juts spend their whole lives in Runnymede, cheerfully quibbling about everything from men to child-rearing to how to drive a car. But they never let small-town life keep them from chasing their biggest dreams—or from being true to who they really are. Sparkling with a perfect combination of sisterhood and sass, Six of One is a richly textured Southern canvas—Rita Mae Brown “at her winning, fondest best”(Kirkus Reviews).

    But it’s here that Eve, her three siblings, and their parents will settle in July, 1875. Within a few years, Eve’s father, Hap, has made good on his assurances. They have a large, weathered clapboard house and a comfortable life, thanks to Hap’s job on a steamboat. Eve and her twin sister, Ivy, are blossoming into young women. Yet as Ivy grows more involved in medicine making under the tutelage of a neighboring black woman, her path leads away from the family.Eve, an aspiring writer, loves her home though she longs to see the wider world beyond its swamps and shores. But when she discovers a secret Ivy’s been keeping, Eve must decide between protecting the family name or saving her sister. With the help of a half-Creek Indian tracker, Max Harjo, Eve sets out to find Ivy, beginning a journey that will dare her to follow her ambitions and her passion wherever they lead.

    On the eve of his fortieth birthday, Gabe takes his own history in hand in an attempt to reconcile a family shattered by his betrayal of his older brother, Michael. As Gabe contends with a host of personal demons, he recounts his lifelong love for his brother's wife, Myra--whose own demons threaten to overwhelm all three of them.

    On a late autumn day, near a little town called Franklin, 10,000 men will soon lie dead or dying in a battle that will change many lives for ever. None will be more changed than Carrie McGavock, who finds her home taken over by the Confederate army and turned into a field hospital. Taking charge, she finds the courage to face up to the horrors around her and, in doing so, finds a cause.Out on the battlefield, a tired young Southern soldier drops his guns and charges forward into Yankee territory, holding only the flag of his company's colours. He survives and is brought to the hospital. Carrie recognizes something in him - a willingness to die - and decides on that day, in her house, she will not let him.In the pain-filled days and weeks that follow, both find a form of mutual healing that neither thinks possible.In this extraordinary debut novel based on a true story, Robert Hicks has written an epic novel of love and heroism set against the madness of the American Civil War.

    It is 1946, and city-bred Laura McAllan is trying to raise her children on her husband's Mississippi Delta farm - a place she finds foreign and frightening. In the midst of the family's struggles, two young men return from the war to work the land. Jamie McAllan, Laura's brother-in-law, is everything her husband is not - charming, handsome, and haunted by his memories of combat. Ronsel Jackson, eldest son of the black sharecroppers who live on the McAllan farm, has come home with the shine of a war hero. But no matter his bravery in defense of his country, he is still considered less than a man in the Jim Crow South. It is the unlikely friendship of these brothers-in-arms that drives this powerful novel to its inexorable conclusion. The men and women of each family relate their versions of events and we are drawn into their lives as they become players in a tragedy on the grandest scale. As Kingsolver says of Hillary Jordan, "Her characters walked straight out of 1940s Mississippi and into the part of my brain where sympathy and anger and love reside, leaving my heart racing. They are with me still."

    They are bonded by their loyalty to each other-and by their urgent desire to reconcile their own versions of the past. In what she means to be a rebellious act, Lily steals a car with her boyfriend and heads southwest to confront her mother. Mabel stays behind, hoping to commune somehow with her father's ghost...in a textured, eccentric, and redemptive tale as spare and compelling as the Nebraska landscape.

    An upright, unmarried spinster, Louisa has spent her life looking after others. In the aftermath of a hurricane that turns her life upside down, she finds a battered diary kept by one of her ancestors. The journal recounts the story of Diana, a 19th-century slave who worked for the Hilliards, but sought to improve her life and her means, and was severely punished. Diana's fate is gradually revealed, even as Louisa discovers objects in her house missing, moved, dented, and seemingly handled by an unappeasable presence. In some small way trying to set right age-old wrongs, Louisa discovers how her own life is entangled in her family's haunted history. So Far Back is a nuanced and resonant portrait of two families sharing an enduring past and an uneasy present.