When things look bleak, a mysterious benefactor steps in with an offer that could be a win-win situation... or a catch-22. This started - and finished - as a serial on the auhtor's blog. If you read it there, there is NOTHING new here.

    She is one of a handful of western women who have joined the international recruits to the Kurdish forces in Syria and is the first woman fighter to tell her story.Joanna was born to Iranian-Kurdish parents in a refugee camp in Iraq, before her family were accepted in to Denmark. During the Arab Spring, Joanna realized she needed to do something to protect the values she believes in, and the culture she loves. Leaving behind her life as a student, Joanna underwent considerable military training and travelled to the Middle East, where she spent time over several years fighting on the front line, including at the devastating battle for Kobani.

    The poems weave between personal narrative and pop-cultural criticism, examining and confronting modern media, consumption, feminism, and Blackness. This collection explores femininity and race in the contemporary American political climate, folding in references from jazz standards, visual art, personal family history, and Hip Hop. The voice of this book is a multifarious one: writing and rewriting bodies, stories, and histories of the past, as well as uttering and bearing witness to the truth of the present, and actively probing toward a new self, an actualized self. This is a book at the intersections of mythology and sorrow, of vulnerability and posturing, of desire and disgust, of tragedy and excellence.

    Goodbye, Vitamin is the wry, beautifully observed story of a woman at a crossroads, as Ruth and her friends attempt to shore up her father's career; she and her mother obsess over the ambiguous health benefits - in the absence of a cure - of dried jellyfish supplements and vitamin pills; and they all try to forge a new relationship with the brilliant, childlike, irascible man her father has become.

    The Book of Echoes is filled with beauty, devastation and the power of ancestral connections that ripple through the ages' IRENOSEN OKOJIE'So bewitching I almost felt like I time-travelled back into Brixton 1981. A gorgeous book – totally recommended.' ALEX WHEATLE A sweeping, uplifting story of how a boy from Brixton and a girl from Lagos escape their dark past to find themselves a bright future. 1981: England looks forward to a new decade. But on the streets of Brixton, it’s hard to hold onto your dreams, especially if you are a young black man. Racial tensions rumble, and now Michael Watson might land in jail for a crime he did not commit.Thousands of miles away, village girl Ngozi abandons her orange stall for the chance to work as a maid. Alone in a big city, Ngozi’s fortunes turn dark and soon both her heart and hopes are shattered.From dusty roads to gritty pavements, Ngozi and Michael’s journey towards a better life is strewn with heartache and injustice. When they finally collide, their lives will be transformed for ever.With irresistible joy and grace, Rosanna Amaka writes of people moving between worlds, and asks how we can heal and help each other. Humming with beauty and horror, tragedy and triumph, THE BOOK OF ECHOES is a powerful debut from an authentic new voice in British fiction.

    Described as a narrative collection in three parts, My Darling from the Lions “threads experiences of the learning and unlearning of shame, the body, sex, faith, blackness, lineage, prophecy and healing”

    With the compassion and wit that have made her a social media sensation among mothers around the world, Bunmi Laditan puts into evocative and relatable words what so many of us feel but can’t quite express. For mothers who love their children with a fiery fierceness but know what it is to feel crushed at the end of those long days, Dear Mother is like a warm hug that says, “I get it.”

    Being undocumented, however, has significantly curtailed the family’s opportunities: Ana is indebted to a loan shark who calls herself Mama, and is stretched thin by unceasing shifts at her factory job. To make matters worse, Ana must also battle both criticism from Lucho’s cousin—who has made it obvious the family is not welcome to stay in her spare room for much longer—and escalating and unwanted attention from Mama’s husband. As the pressure builds, Ana becomes increasingly desperate. While Lucho dreams of returning to Peru, Ana is deeply haunted by the demons she left behind and determined to persevere in this new country. But how many sacrifices is she willing to make before admitting defeat and returning to Peru? And what lines is she willing to cross in order to protect her family? The Affairs of the Falcóns is a beautiful, deeply urgent novel about the lengths one woman is willing to go to build a new life, and a vivid rendering of the American immigrant experience.

    Women came and went. Each one who left his apartment had a satisfied smile on her lips. London Keith was a player--bad news. Spying on him became her favorite pastime. It earned him a nickname...Mr. Hotness. Alana swore she'd never give in to a guy like him. He would do nothing but break her heart. But curiosity got the best of her. What was so alluring about London?Then she saw him with his shirt off. Heard his sexy accent, and she completely forgot she'd vowed to steer clear.Alana had been celibate too long, but London could fix her problem. She might as well let him try.It would only be one night. It was quite obvious the man had skills. Still, she didn't expect her neighbor to be quite so...addicting. Please note: Mr. Hotness was previously featured in the Tangled Sheets anthology. This is the extended version of the story. It is a steamy BWWM romance as only Peyton Banks can write.

    Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of "the way memory gets up after someone has died and starts walking." These poems reinvent the form of newspaper obituary to both name what has died ("civility," "language," "the future," "Mother's blue dress") and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living.

    Lee's fascinating play . . . goes far beyond cheap satire, ultimately becoming a compassionate and stimulating exploration of one man's existential crisis . . . She proves unexpectedly adept at strict naturalism . . . [A] mournful and inquisitive play."—New York Times"She sacrifices nothing; bodies, voices, jokes, food, tragedy, cities are all artistic fodder, as are her various selves and the mirthful, bloody life of her imagination."—New YorkerProvocative playwright Young Jean Lee lends her shrewd perspective to this atypical take on the family drama. A father and his three sons unite and unravel, both aware of and undone by privilege and its pressure. When inherent social expectation conflicts with a desire to remain stagnant, the resulting identity confusion is new territory for the tightknit family. Strikingly observant and curiously drawn, Lee departs from her experimental style to create a naturalistic observation of the most socially unobstructed of our species, the straight white male.Young Jean Lee has been hailed as "one of the best experimental playwrights in America" by Time Out New York. She has written and directed nine shows in New York with Young Jean Lee's Theater Company and toured her work to over twenty cities around the world. Her other plays include We're Gonna Die, Untitled Feminist Show, The Shipment, Lear and Songs of the Dragons Flying to Heaven. Awards include two Obies, the Festival Prize of the Zuercher Theater Spektakel, a Prize in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship and a Doris Duke Artist Award.

    To prove his loyalty to the Party, Ah Liam reports his grandmother to the authorities. But his belief in doing the right thing sets in motion a terrible chain of events.Now they must flee their home on Drum Wave Islet, which sits just a few hundred meters across the channel from mainland China. But when their mother goes to procure visas for safe passage to Hong Kong, the government will only issue them on the condition that she leave behind one of her children as proof of the family’s intention to return.Against the backdrop of early Maoist China, this captivating and emotional tale follows a brother, a sister, a father, and a mother as they grapple with their agonizing decision, its far-reaching consequences, and their hope for redemption.

    After attending school in Calcutta, Benny settles in Rangoon, then part of the British Empire, and falls in love with Khin, a woman who is part of a long-persecuted ethnic minority group, the Karen. World War II comes to Southeast Asia, and Benny and Khin must go into hiding in the eastern part of the country during the Japanese Occupation, beginning a journey that will lead them to change the country’s history. After the war, the British authorities make a deal with the Burman nationalists, led by Aung San, whose party gains control of the country. When Aung San is assassinated, his successor ignores the pleas for self-government of the Karen people and other ethnic groups, and in doing so sets off what will become the longest-running civil war in recorded history. Benny and Khin’s eldest child, Louisa, has a danger-filled, tempestuous childhood and reaches prominence as Burma’s first beauty queen, soon before the country falls to dictatorship. As Louisa navigates her new-found fame, she is forced to reckon with her family’s past, the West’s ongoing covert dealings in her country, and her own loyalty to the cause of the Karen people.Based on the story of the author’s mother and grandparents, Miss Burma is a captivating portrait of how modern Burma came to be, and of the ordinary people swept up in the struggle for self-determination and freedom.

    Maya's been able to get by in New York on her wits and a dead-end bookstore job for years, but when her husband leaves her and her favorite professor ends their affair, her barely-calibrated life descends into chaos, and she has to make some choices. Maya's struggle to be alone, to be a woman, and to be thoughtful and imperfect and alive in a world that doesn't really care what happens to her is rendered with dead-eyed clarity and unnerving charm. This book takes every tired trope about addiction and recovery, "likeable" characters, and redemption narratives, and blows them to pieces.Emily Books is a publishing project and ebook subscription service whose focus is on transgressive writers of the past, present and future, with an emphasis on the writing of women, trans and queer people, writing that blurs genre distinctions and is funny, challenging, and provocative.Jade Sharma is a writer living in New York. She has an MFA from the New School.

    East Asia Studies. Women's Studies. Translated from the Korean by Don Mee Choi. "Her poems are not ironic. They are direct, deliberately grotesque, theatrical, unsettling, excessive, visceral and somatic. This is feminist surrealism loaded with shifting, playful linguistics that both defile and defy traditional roles for women"--Pam Brown