At its center: Toby O’Dare—a contract killer of underground fame on assignment to kill once again. A soulless soul, a dead man walking, he lives under a series of aliases—just now: Lucky the Fox—and takes his orders from “The Right Man.”Into O’Dare’s nightmarish world of lone and lethal missions comes a mysterious stranger, a seraph, who offers him a chance to save rather than destroy lives. O’Dare, who long ago dreamt of being a priest but instead came to embody danger and violence, seizes his chance. Now he is carried back through the ages to thirteenth-century England, to dark realms where accusations of ritual murder have been made against Jews, where children suddenly die or disappear . . . In this primitive setting, O’Dare begins his perilous quest for salvation, a journey of danger and flight, loyalty and betrayal, selflessness and love.

    . .1681: When Sir Isaac Newton turns his restless mind to the ancient art of alchemy, he unleashes Philosopher's Mercury, a primal source of matter and a key to manipulating the four elements of Earth, Air, Fire, and Water. Now, as France and England battle for its control, Louis XIV calls for a new weapon--a mysterious device known only as Newton's Cannon.Half a world away, a young apprentice named Benjamin Franklin stumbles across a dangerous secret. Pursued by a deadly enemy--half scientist, half sorcerer--Ben makes his fugitive way to England. Only Newton himself can help him now. But who will help Sir Isaac? For he was not the first to unleash the Philosopher's Mercury. Others were there before him. Creatures as scornful of science as they are of mankind. And burning to be rid of both . . .

    As she travels the land recruiting black market traders, smugglers, and extremists for her first attempt at an attack on the capital, she stumbles upon a connection that may prove to be the key to the entire operation—Mare Barrow.

    Morgan arrived on the scene. He unleashed Takeshi Kovacs–private eye, soldier of fortune, and all-purpose antihero–into the body-swapping, hard-boiled, urban jungle of tomorrow in Altered Carbon, Broken Angels, and Woken Furies, winning the Philip K. Dick Award in the process. In Market Forces, he launched corporate gladiator Chris Faulkner into the brave new business of war-for-profit. Now, in Thirteen, Morgan radically reshapes and recharges science fiction yet again, with a new and unforgettable hero in Carl Marsalis: hybrid, hired gun, and a man without a country . . . or a planet.Marsalis is one of a new breed. Literally. Genetically engineered by the U.S. government to embody the naked aggression and primal survival skills that centuries of civilization have erased from humankind, Thirteens were intended to be the ultimate military fighting force. The project was scuttled, however, when a fearful public branded the supersoldiers dangerous mutants, dooming the Thirteens to forced exile on Earth’s distant, desolate Mars colony. But Marsalis found a way to slip back–and into a lucrative living as a bounty hunter and hit man before a police sting landed him in prison–a fate worse than Mars, and much more dangerous.Luckily, his “enhanced” life also seems to be a charmed one. A new chance at freedom beckons, courtesy of the government. All Marsalis has to do is use his superior skills to bring in another fugitive. But this one is no common criminal. He’s another Thirteen–one who’s already shanghaied a space shuttle, butchered its crew, and left a trail of bodies in his wake on a bloody cross-country spree. And like his pursuer, he was bred to fight to the death. Still, there’s no question Marsalis will take the job. Though it will draw him deep into violence, treachery, corruption, and painful confrontation with himself, anything is better than remaining a prisoner. The real question is: can he remain sane–and alive–long enough to succeed?2007 1st Ed Del Rey 9 8 7 6 5 4 3 2 1

    But the laws of our charter prevent me and I am bound by oath to obey those laws; laws made, not by our own Guild-mothers, but by men who fear what we might have to say to their women!

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    Harry August is on his deathbed. Again. No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before. Nothing ever changes. Until now. As Harry nears the end of his eleventh life, a little girl appears at his bedside. "I nearly missed you, Doctor August," she says. "I need to send a message." This is the story of what Harry does next, and what he did before, and how he tries to save a past he cannot change and a future he cannot allow.

    Winner of the Hugo, Nebula, World Fantasy and Edgar awards, his acclaimed first book The Dying Earth and its sequels helped shape the face of modern heroic fantasy for generations of readers—and writers! In more than sixty novels, he has done more than any other author to define science fantasy and its preeminent form: the planetary adventure.Born in San Francisco in 1916, Vance wrote much of what you'll find between these covers both abroad and at home in the hills above Oakland, either while serving in the merchant marine or traveling the world with his wife Norma, all the while pursuing his great love of fine cuisine and traditional jazz.Now, at last, the very best of Vance's mid-length and shorter work has been collected in a single landmark volume. With a Preface by Vance himself and a foreword by long-time Vance reader George R.R. Martin, it stands as the capstone to a splendid career and makes the perfect introduction to a very special writer.Table of ContentsPreface, Jack VanceJack Vance: An Appreciation, George R.R. MartinIntroduction: Fruit from the Tree of LifeThe Dragon MastersLiane the WayfarerSail 25The Gift of GabThe Miracle WorkersGuyal of SfereNoiseThe Kokod WarriorsThe OverworldThe Men ReturnThe Sorcerer PharesmThe New PrimeThe SecretThe Moon MothThe Bagful of DreamsThe MitrMorreionThe Last CastleBiographical Sketch & Other Facts, Jack Vance

    CLARKE'S FAVORITE STORIESTHE NINE BILLION NAMES OF GOD -- A short-term course for computer the way to God.TROUBLE WITH TIME -- Martian time proves that crimes doesn't pay!NO MORNING AFTER -- Drink, drink and be merry, for tomorrow there will be no morning after...THE POSSESSED -- Or, why the lemmings drowned.ENCOUNTER AT DAWN -- The day the gods came to Earth.THE SENTINEL -- The story which inspired 2001: A SPACE ODYSSEY; when man sets off the galactic burglar alarm, who will answer the call?

    Where tinkerers and dreamers craft and re-craft a world of automatons, clockworks, calculating machines, and other marvels that never were. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, utopian revolutionaries, and intrepid orphans solve crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships.

    From the eerie incantations of “The Raven” to the persistent fright of “The Tell-Tale Heart,” his stories and poems are unforgettable explorations of the darker side of life that still offer lessons and insight into human behavior today, making them an integral component of just about any library.   This Canterbury Classics edition of Edgar Allan Poe collects some of his best-known work--from “Annabel Lee” to “The Fall of the House of Usher,” “Lenore” to “The Pit and the Pendulum,” and many, many more. With an impressive leather cover, specially designed endpapers, and other all-new enhancements, as well as an essay by a Poe scholar, Edgar Allan Poe is the perfect introduction for new readers and the perfect resource for devoted fans.   Poe's writings were truly original--and this unique book is the perfect look at his uncommon genius.

    With this in mind, noted anthologist Jonathan Strahan (who is also the reviews editor of Locus magazine) asked sixteen of today's most inventive, compelling writers to look past the horizon of the present day. Neil Gaiman (Anansi Boys), Kelly Link (Magic for Beginners), Garth Nix (the Abhorsen Trilogy), Scott Westerfeld (Uglies; Pretties; Specials) and their colleagues have crafted a dazzling range of stories. Whether on spaceships, in suburbia, or in simulated gaming worlds, whether about cloning, battle tactics, or corporate politics, the stories of The Starry Rift will give every reader something to consider. This original anthology is crucial reading for those who want to see where the future (and the future of science fiction) is headed.CONTENT"Ass-Hat Magic Spider" by by Scott Westerfeld"Cheats" by Ann Halam"Orange" by Neil Gaiman"The Surfer" by Kelly Link"Repair Kit" by Stephen Baxter"The Dismantled Invention of Fate" by Jeffrey Ford"Anda's Game" By Corey Doctorow"Sundiver Day" by Kathleen Ann Goonan"The Dust Assassin" by Ian McDonald"The Star Surgeon's Apprentice" by Alastair Reynolds"An Honest Day's Work" By Margo Lanigan"Lost Continent" by Greg Egan"Incomers" by Paul McAuley"Post--Ironic Stress Syndrome" by Tricia Sullivan"Infestation" by Garth Nix"Pinocchio" by Walter Jon Williams