It talks about various topics about fear, God, and Christian Living.

    Never before has the story been told with more vitality and immediacy. Fehrenbach re-creates the Texas saga from prehistory to the Spanish and French invasions to the heyday of the cotton and cattle empires. He dramatically describes the emergence of Texas as a republic, the vote for secession before the Civil War, and the state's readmission to the Union after the War. In the twentieth century oil would emerge as an important economic resource and social change would come. But Texas would remain unmistakably Texas, because Texans "have been made different by the crucible of history; they think and act in different ways, according to the history that shaped their hearts and minds."

    Offering a comprehensive account of one of the world's richest literatures, A History of English Literature traces its developments from the Old English period until the present day. A narrative which is also a discussion of major authors, the history reads as a clear and coherent whole.

    David Bowie is holed up in his Bel-Air mansion, drifting into drug-induced paranoia and confusion. Obsessed with black magic and the Holy Grail, he's built an altar in the living room and keeps his fingernail clippings in the fridge. There are occasional trips out to visit his friend Iggy Pop in a mental institution. His latest album is the cocaine-fuelled Station To Station (Bowie: "I know it was recorded in LA because I read it was"), which welds R&B rhythms to lyrics that mix the occult with a yearning for Europe, after three mad years in the New World. Bowie has long been haunted by the angst-ridden, emotional work of the Die Brucke movement and the Expressionists. Berlin is their spiritual home, and after a chaotic world tour, Bowie adopts this city as his new sanctuary. Immediately he sets to work on Low, his own expressionist mood-piece.

    Stiglitz explains the current financial crisis—and the coming global economic order. The current global financial crisis carries a “made-in-America” label. In this forthright and incisive book, Nobel Laureate Joseph E. Stiglitz explains how America exported bad economics, bad policies, and bad behavior to the rest of the world, only to cobble together a haphazard and ineffective response when the markets finally seized up. Drawing on his academic expertise, his years spent shaping policy in the Clinton administration and at the World Bank, and his more recent role as head of a UN commission charged with reforming the global financial system, Stiglitz outlines a way forward building on ideas that he has championed his entire career: restoring the balance between markets and government, addressing the inequalities of the global financial system, and demanding more good ideas (and less ideology) from economists. Freefall is an instant classic, combining an enthralling whodunit account of the current crisis with a bracing discussion of the broader economic issues at stake.

    A growing number of pioneering researchers embrace a new view of healing—one expounded by Dr. Richard Gerber in his groundbreaking bestseller, Vibrational Medicine.Now he shows how to put this new way of thinking into practical use, describing the role of consciousness and "thought forms," as well as the benefits of homeopathy, acupuncture, color and light healing, magneto biology, and other therapies. A traditionally trained physician, Dr. Gerber combines scientific evidence with traditional methods from the East and West to unlock our potential for healing ourselves.

    [Vigor's] practical wisdom gives you the know-how and confidence to prepare your boat for the sea.--Cruising World. Here is the book that answer the sailor's fundamental question--Can my boat take me offshore safely?--then shows how to make it happen.

    Hailed by Robert Creeley as "both a deeply useful work book and an unequivocal delight," and by the Los Angeles Times Book Review as one of the hundred most recommended American books of the last thirty-five years, it appears here in a revised and expanded version several years in the making. Rothenberg's revision follows the structure and themes of the original version while reworking the contents to include a European section and a large number of newly gathered and translated poems that reflect the work set in motion since 1968.

    The variety, the complexity, the sheer humanity of the middle ages live most meaningfully in their own authentic voices." The Portable Medieval Reader assembles an entire chorus of those voices—of kings, warriors, prelates, merchants, artisans, chroniclers, and scholars—that together convey a lively, intimate impression of a world that might otherwise seem immeasurably alien. All the aspects and strata of medieval society are represented here: the life of monasteries and colleges, the codes of knigthood, the labor of peasants and the privileges of kings. There are contemporary accounts of the persecution of Jews and heretics, of the Crusades in the Holy Land, of courtly pageants, popular uprisings, and the first trade missions to Cathay. We find Chaucer, Petrarch, Boccaccio, Saint Francis of Assisi, Thomas Aquinas and Abelard alongside a host of lesser-known writers, discoursing on all the arts, knowledge and speculation of their time. The result, according to the Columbia Record, is a broad and eminetly readable "cross section of source history and literature...as rich and varied as a stained glass window."

    In 1750, the anatomist John Hunter described it as “a humiliating spectacle of the futility of science”; yet, over the next 150 years the feared, practical men of medicine benefited from a revolution in scientific progress and the increased availability of instructional textbooks. Anesthesia and antisepsis were introduced. Newly established medical schools improved surgeons’ understanding of the human body. For the first time, surgical techniques were refined, illustrated in color, and disseminated on the printed page.Crucial Interventions follows this evolution, drawing from magnificent examples of rare surgical textbooks from the mid-nineteenth century. Graphic and sometimes unnerving yet beautifully rendered, these fascinating illustrations, acquired from the Wellcome Collection’s extensive archives, include step-by-step surgical techniques paired with depictions of medical instruments and depictions of operations in progress.Arranged for the layman (from head to toe) Crucial Interventions is a captivating look at the early history of one of the world’s most mysterious and macabre professions.

     At the same time THE JEWEL GARDEN is the story of a creative partnership that has weathered the greatest storm, and a testament to the healing powers of the soil. In his weekly column for the Observer, Monty Don has always been candid about the garden's role in helping him to pull back from the abyss of depression; THE JEWEL GARDEN elaborates on this much further. Written in an optimistic, autobiographical vein, Monty and Sarah's story is truly an exploration of what it means to be a gardener.

     When workaholic Eleanor receives an anonymous message that her estranged brother Dennis is dead, at first she doesn’t believe it. But when attempts to contact him fail, she puts her upcoming work project on hold and rushes to Finnick, Louisiana — the small, backward town where her brother lived. There, the locals tell her that Dennis committed suicide, although she isn’t so sure about that. Eleanor temporarily settles into Dennis’s creepy, turn-of-the-century house, intending to only stay long enough to pack his few belongings. But that night, Eleanor spots a young boy in the cemetery behind Dennis’s house, speaking to the gravestones. When she approaches him, Eleanor’s interruption of the boy’s ritual sets off a chain reaction of horror she could have never prepared for. The footsteps downstairs, the voices, and the shadowy apparitions are only the beginning. Dennis wasn’t alone in that house, and neither is she. Eleanor soon learns that the boy is being oppressed by a demonic entity. What’s worse, her brother Dennis had also interfered with the boy’s nightly ritual and incurred the wrath of the evil spirit. Now Eleanor must finish what her brother started — to rescue the boy from the clutches of hell before he loses his soul forever. But why is the demon so interested in the boy? What does it want? Eleanor discovers there are others in Finnick who know of the boy’s nightly visits to the graveyard and want them to continue. And they will do whatever it takes to stop Eleanor from ruining their carefully laid plans. The Gravewatcher is the debut novel from supernatural horror author Rockwell Scott.

    The solved exercises cover all of the techniques discussed in the text, and include step-by-step instruction on working through the algorithms.

    Attaining feminine perfection meant conforming to a mythical standard, one that would come wrapped in an adorable pink package, if those cunning marketers were to be believed. With wise humor and a savvy eye for curious, absurd, and at times wildly funny period artifacts, Lynn Peril gathers here the memorabilia of the era — from kitschy board games and lunch boxes to outdated advice books and health pamphlets — and reminds us how media messages have long endeavored to shape women's behavior and self-image, with varying degrees of success.Vividly illustrated with photographs of vintage paraphernalia, this entertaining social history revisits the nostalgic past, but only to offer a refreshing message to women who lived through those years as well as those who are coming of age now.

    It is lit with notable characters. The reforming heroes are the Whig aristocrats led by Lord Grey, members of the richest and most landed cabinet in history yet determined to bring liberty, which would whittle away their own power, to the country. The all-too-conservative opposition was headed by the Duke of Wellington, supported by the intransigent Queen Adelaide, with hereditary memories of the French Revolution. Finally, there were revolutionaries, like William Cobbett, the author of Rural Rides, the radical tailor Francis Place, and Thomas Attwood of Birmingham, the charismatic orator. The contest often grew violent. There were urban riots put down by soldiers and agricultural riots led by the mythical Captain Swing. The underlying grievance was the fate of the many disfranchised people. They were ignored by a medieval system of electoral representation that gave, for example, no votes to those who lived in the new industrial cities of Manchester, Leeds, Sheffield, and Birmingham, while allocating two parliamentary representatives to a village long since fallen into the sea and, most notoriously, Old Sarum, a green mound in a field. Lord John Russell, a Whig minister, said long afterwards that it was the only period when he genuinely felt popular revolution threatened the country. The Duke of Wellington declared intractably in November 1830 that “The beginning of reform is the beginning of revolution.” So it seemed that disaster must fall on the British Parliament, or the monarchy, or both.The question was: Could a rotten system reform itself in time? On June 7, 1832, the date of the extremely reluctant royal assent by William IV to the Great Reform Bill, it did. These events led to a total change in the way Britain was governed, and set the stage for its growth as the world's most successful industrial power; admired, among other things, for its traditions of good governance—a two-year revolution that Antonia Fraser brings to vivid dramatic life.