The master of Gothic suspense, H.P. Lovecraft, wrote about a mystical and dreaded grimoire, known as the Necronomicon––an ancient text written by an Arab that, if it were to fall into the wrong hands, could have disastrous consequences. But no one thought the Necronomicon had any basis in the world outside of Lovecraft's fiction. Until...Simon was a young man drawn to the mysterious world of the occult through his association with several Eastern Orthodox religions and his friendship with the owner of an occult bookstore in Brooklyn. In 1972 he stumbled upon a stolen text in a friend's apartment, unaware that what he held in his hands was the real Necronomicon––something long thought to be a creation of Lovecraft's brilliant mind and deft pen. After an arduous translation, done in the utmost secrecy (since the tome was in fact stolen), Simon and his close circle of friends unveiled the now–infamous grimoire to a clamoring public.In Dead Names, Simon tells the amazing true story that surrounds the Necronomicon. From the main players' humble beginnings in the pageantry–filled and secret world of Eastern Orthodox religion, to the accidental discovery of the Necronomicon, to the Son of Sam murders, the JFK assassination , the brilliant William S. Burroughs, and the eventual suspicious deaths of almost everyone involved with the grimoire, this book is an enthralling account of a book steeped in legend, lies, and murder.

    The series constitutes the most complete historical study ever made of the figure that has been called the second most famous personage in Christianity.In his first three volumes Jeffrey Burton Russell brought the history of Christian diabology to the end of the Middle Ages, showing the development of a degree of consensus, even in detail, on the concept of the Devil. Mephistopheles continues the story from the Reformation to the present, tracing the fragmentation of the tradition. Using examples from theology, philosophy, art, literature, and popular culture, he describes the great changes effected in our idea of the Devil by the intellectual and cultural developments of modem times.Emphasizing key figures and movements, Russell covers the apogee of the witch craze in the Renaissance and Reformation, the effects of the Enlightenment's rationalist philosophy, the Romantic image of Satan, and the cynical or satirical literary treatments of the Devil in the late nineteenth century. He concludes that although today the Devil may seem an outworn metaphor, the very real horrors of the twentieth century suggest the continuing need for some vital symbol of radical evil.A work of great insight and learning, Mephistopheles deepens our understanding of the ways in which people in Western societies have dealt with the problem of evil.

    Folktales about and exploration of the mystical meanings of the Hebrew Alphabet. Open the old prayerbook-like pages of The Book of Letters and you will enter a special world of sacred tradition and religious feeling. More than just symbols, all twenty-two letters of the Hebrew alphabet overow with meanings and personalities of their own.

    Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world.   By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.

    That is so; yet, from another point of view, we may surely say that it is at once a philosophy, a religion and a science. It is a philosophy, because it puts plainly before us an explanation of the scheme of evolution of both the souls and the bodies contained in our solar system. It is a religion in so far as, having shown us the course of ordinary evolution, it also puts before us and advises a method of shortening that course, so that by conscious effort we may progress more directly towards the goal. It is a science, because it treats both these subjects as matters not of theological belief but of direct knowledge obtainable by study and investigation. It asserts that man has no need to trust to blind faith, "because he has within him latent powers which, when aroused, enable him to see and examine for himself, and it proceeds to prove its case by showing how those powers may be awakened. It is itself a result of the awakening of such powers by men, for the teachings which it puts before us are founded upon direct observations made in the past, and rendered possible only by such development.

    He than disappeared. The book decodes the symbology found upon and within the Gothic Cathedrals of Europe which have openly displayed the secrets of alchemy for 700 years.

    Bush, September 11th 2001 Evil! Like a zombie back from the grave, it has arisen--a word many of us had long ago relegated to Sunday sermons, video games and horror flicks. But of course, evil is not old fashioned, nor has it ever gone away, and may be as robust as ever. So what is evil? Does it exist? Veteran journalist Bill Hart tries to drag evil out of the darkness and hold it up to the light. In doing so, he has written a very readable account of 5,000 years of philosophy, theology and human history as it reflects and refines its notion of evil. More than an explanation of why bad things happen, "Evil: A Primer" is a tour through the nether regions in search of what we really know.

    The perfect introduction to magic and the occult, it explores forms of divination from astrology and palmistry to the Tarot and runestones, mystical plants and potions such as mandrake, the presence of witchcraft in literature from Shakespeare's Macbeth to the Harry Potter series, and the ways in which magic has interacted with mainstream religions.The most comprehensive illustrated history of witchcraft available, A History of Magic, Witchcraft, and the Occult will enthrall and fascinate you with its lavish illustrated, accessible entries, whether you are a believer or a skeptic.

    Tracing through history, art, and culture, this illustrated book offers an innovative and fresh approach to sigil magick that is accessible and intuitive. You don't need a degree in art or magick to make effective sigils!Learn how to manifest your will through your very own designs. Explore traditional and modern meanings of shapes, symbols, numbers, letters, and colors, while receiving guidance on how to add personal meaning to your marks. Sigil Witchery includes methods of application, tips for choosing materials, and important considerations for both temporary and permanent sigils. This book helps you improve your drawing techniques, use sample exercises to challenge yourself, and gain deeper metaphysical insight and inspiration--all to guide you to develop your own powerful sigil magick.

    Cultural critic George Case explores how the Occult craze permanently changed American society, creating the cultural framework for the political power of the religious right, false accusations of Satanic child abuse, and today’s widespread rejection of science and rationality. An insightful blend of pop culture and social history, “Here’s to My Sweet Satan” lucidly explains how the most technological society on earth became enthralled by the supernatural.

    Complete with charts and graphs and instructive interdimensional physics, The Voudon Gnostic Workbook is an "object of desire" among students of the occult. Weiser's long-anticipated republication of this rare text will be an event in the annals of esoteric publishing, as the book itself is somewhat of an "unholy grail." There are listservers devoted to it and much discussion of the mysteries held within its pages. While The Voudon Gnostic Workbook has remained a controversial book considered important for masters of metaphysics, it recently came into popular culture and renewed popularity when Grant Morrison revealed it had been the inspiration for his cult comics 'The Invisibles', using the cribbed time travel from Bertiaux' s masterwork. Voodoo is not an evil religion and is much misunderstood. It derives from the Dahomean Gods called the "Loa." Esoteric voodoo is actually a highly practical procedure for leading us into making contact with the deepest levels of our being and most ancient modes of consciousness. Michael Bertiaux's Voudon Gnostic Workbook is the most comprehensive and illuminating contemporary book on the subject. Launched out of a correspondence course and series of classes for students and followers of Voudon Gnosticism and the O.T.O., this seminal text is at once one of the most mysterious and magnificent of all esoteric books.

    At every stage of civilization, people have relied on symbolic expression, and advances in science and technology have only increased our dependence on symbols. The language of symbols is considered a science, and this informative volume offers an indispensable tool in the study of symbology. It can be used as a reference or simply browsed for pleasure. Many of its entries — those on architecture, mandala, numbers, serpent, water, and zodiac, for example — can be read as independent essays. The vitality of symbology has never been greater: An essential part of the ancient arts of the Orient and of the Western medieval traditions, symbolism underwent a 20th-century revival with the study of the unconscious, both directly in the field of dreams, visions, and psychoanalysis, and indirectly in art and poetry. A wide audience awaits the assistance of this dictionary in elucidating the symbolic worlds encountered in both the arts and the history of ideas.

    Strange beings who lived in a world of their own (as opposed to the human gods of the European people), irrational powers and menaces, sometimes animal-like, sometimes superhuman, sometimes incalculable in their evil potentialities, they still have the power to move men's thought.By far the most thorough, most useful coverage of the gods of Ancient Egypt is this book by Dr. Budge of the British Museum, one of the foremost Egyptologists of the century. In it is presented practically everything known about the high gods, the local gods, demigods, demons, and mythological figures of Khem. Dr. Budge provides full information on the origins of the ancient religion; its peculiarly Egyptian aspects; evolution of cults, rites, and gods; the priesthoods; the heretical aberration of Ikhnaten and the Aten cult; the cult of Osiris; the Book of the Dead and its rites; the sacred animals and birds; heaven and hell, and much other secret wisdom that has been discovered hidden in mummy cases or written on tomb walls. The text is profusely illustrated, with many reproductions of tomb and mummy-case paintings, while many full texts are presented, with both hieroglyphs and translation.Dr. Budge's book is a standard work in the history of religion. It is also a most useful background book for anyone seriously interested in the life and thought of Ancient Egypt, an explicator of many of the obscurer passages in the Book of Dead.

    Campbell stresses that the borders dividing the Earth have been shattered; that myths and religions have always followed the certain basic archetypes and are no longer exclusive to a single people, region, or religion. He shows how we must recognize their common denominators and allow this knowledge to be of use in fulfilling human potential everywhere.

    Examining American, Soviet and Nazi research, Farrell traces out alchemy’s view of an information-creating physical medium, and shows how this idea is related to the phenomenon of high-spin rotation and the unusual properties in matter that it induces.