Instead, he put his work in the service of the imperialist movement that led Japan into World War II. Now, as the mature Ono struggles through the aftermath of that war, his memories of his youth and of the “floating world”—the nocturnal world of pleasure, entertainment, and drink—offer him both escape and redemption, even as they punish him for betraying his early promise. Indicted by society for its defeat and reviled for his past aesthetics, he relives the passage through his personal history that makes him both a hero and a coward but, above all, a human being.

    First published in 1937, Genzaburō Yoshino’s How Do You Live? has long been acknowledged in Japan as a crossover classic for young readers. Academy Award–winning animator Hayao Miyazaki (Spirited Away, My Neighbor Totoro, Howl’s Moving Castle) has called it his favorite childhood book and announced plans to emerge from retirement to make it the basis of a final film. How Do You Live? is narrated in two voices. The first belongs to Copper, fifteen, who after the death of his father must confront inevitable and enormous change, including his own betrayal of his best friend. In between episodes of Copper’s emerging story, his uncle writes to him in a journal, sharing knowledge and offering advice on life’s big questions as Copper begins to encounter them. Over the course of the story, Copper, like his namesake Copernicus, looks to the stars, and uses his discoveries about the heavens, earth, and human nature to answer the question of how he will live. This first-ever English-language translation of a Japanese classic about finding one’s place in a world both infinitely large and unimaginably small is perfect for readers of philosophical fiction like The Alchemist and The Little Prince, as well as Miyazaki fans eager to understand one of his most important influences.

    During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: she makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time.       One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole—a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.

    Genji, the Shining Prince, is the son of an emperor. He is a passionate character whose tempestuous nature, family circumstances, love affairs, alliances, and shifting political fortunes form the core of this magnificent epic. Royall Tyler’s superior translation is detailed, poetic, and superbly true to the Japanese original while allowing the modern reader to appreciate it as a contemporary treasure. Supplemented with detailed notes, glossaries, character lists, and chronologies to help the reader navigate the multigenerational narrative, this comprehensive edition presents this ancient tale in the grand style that it deserves.

    There’s Toshi, the dependable one; Terauchi, the great student; Yuzan, the sad one, grieving over the death of her mother—and trying to hide her sexual orientation from her friends; and Kirarin, the sweet one, whose late nights and reckless behavior remain a secret from those around her. When Toshi’s next-door neighbor is found brutally murdered, the girls suspect the killer is the neighbor’s son, a high school boy they nickname Worm. But when he flees, taking Toshi’s bike and cell phone with him, the four girls get caught up in a tempest of dangers—dangers they never could have even imagined—that rises from within them as well as from the world around them.Psychologically intricate and astute, dark and unflinching, Real World is a searing, eye-opening portrait of teenage life in Japan unlike any we have seen before.

    Frank, an overweight American tourist, has hired Kenji to take him on a guided tour of Tokyo's sleazy nightlife on three successive evenings. But Kenji learns exactly how much he has to fear and how irrevocably his encounter with this great white whale of an American will change his life.

    "Every day of your lives, you must always be sure what you're fighting for." It is Tokyo in 1939. On the Street of a Thousand Blossoms, two orphaned brothers are growing up with their loving grandparents, who inspire them to dream of a future firmly rooted in tradition. The older boy, Hiroshi, shows unusual skill at the national obsession of sumo wrestling, while Kenji is fascinated by the art of creating hard-carved masks for actors in the Noh theater.Across town, a renowned sumo master, Sho Tanaka, lives with his wife and their two young daughters: the delicate, daydreaming Aki and her independent sister, Haru. Life seems full of promise as Kenji begins an informal apprenticeship with the most famous mask-maker in Japan and Hiroshi receives a coveted invitation to train with Tanaka. But then Pearl Harbor changes everything. As the ripples of war spread to both families' quiet neighborhoods, all of the generations must put their dreams on hold---and then find their way in a new Japan.In an exquisitely moving story that spans almost thirty years, Gail Tsukiyama draws us irresistibly into the world of the brothers and the women who love them. It is a world of tradition and change, of heartbreaking loss and surprising hope, and of the impact of events beyond their control on ordinary, decent men and women. Above all, The Street of a Thousand Blossoms is a masterpiece about love and family from a glorious storyteller at the height of her powers.

    The result was an autobiographical narrative, a tale of thirty-six years (1271-1306) in the life of Lady Nijo, starting when she became the concubine of a retired emperor in Kyoto at the age of fourteen and ending, several love affairs later, with an account of her new life as a wandering Buddhist nun.Through the vagaries of history, however, the glory of Lady Nijo's story has taken six and half centuries to arrive. The Confessions of Lady Nijo or Towazugatari in Japanese, was not widely circulated after it was written, perhaps because of the dynastic quarrel that soon split the imperial family, or perhaps because of Lady Nijo's intimate portrait of a very human emperor. Whatever the cause, the book was neglected, then forgotten completely, and only a single manuscript survived. This was finally discovered in 1940, but would not be published until after World War II in 1950. This translation and its annotations draw on multiple Japanese editions, but borrow most heavily from the interpretations offered by Tsugita Kasumi.

    In 2005 it won the prestigious Naoki Prize, awarded semiannually for the best work of popular fiction by an established writer.Sayoko, a thirty-five-year-old homemaker with a three-year-old child, begins working for Aoi, a free-spirited, single career woman her own age who runs a travel agency-housekeeping business. Timid and unable to connect with other mothers in her neighborhood, Sayoko finds herself drawn to Aoi's independent lifestyle and easygoing personality. The two hit it off from the start, beginning a friendship that is for Sayoko also a reaffirmation of what living is about.Aoi, meanwhile, has not always been the self-confident person she appears to be. Severe classroom bullying in junior high had forced her to change schools, uprooting her and her family to the countryside; and at her new school, she was so afraid of again becoming the object of her classmates' cruelties that she spent most of her time steering clear of those around her.The present-day friendship between Sayoko and Aoi on the one hand, and Aoi's painful high school past on the other, form a gripping two-tier narrative that converges in the final chapter. The book touches on a broad range of issues of concern to women today, from marriage and childrearing to being single and working for oneself. It is a universal story about both the fear and the joy of opening up to others.

    Warrior monks in their armed citadels block the road to the capital; castles are destroyed, villages plundered, fields put to the torch.Amid this devastation, three men dream of uniting the nation. At one extreme is the charismatic but brutal Nobunaga, whose ruthless ambition crushes all before him. At the opposite pole is the cold, deliberate Ieyasu, wise in counsel, brave in battle, mature beyond his years. But the keystone of this triumvirate is the most memorable of all, Hideyoshi, who rises from the menial post of sandal bearer to become Taiko-absolute ruler of Japan in the Emperor's name.When Nobunaga emerges from obscurity by destroying an army ten times the size of his own, he allies himself with Ieyasu, whose province is weak, but whose canniness and loyalty make him invaluable. Yet it is the scrawny, monkey-faced Hideyoshi-brash, impulsive, and utterly fearless-who becomes the unlikely savior of this ravaged land. Born the son of a farmer, he takes on the world with nothing but his bare hands and his wits, turning doubters into loyal servants, rivals into faithful friends, and enemies into allies. In all this he uses a piercing insight into human nature that unlocks castle gates, opens men's minds, and captures women's hearts. For Hideyoshi's passions are not limited to war and intrigue-his faithful wife, Nene, holds his love dear, even when she must share it; the chaste Oyu, sister of Hideyoshi's chief strategist, falls prey to his desires; and the seductive Chacha, whom he rescues from the fiery destruction of her father's castle, tempts his weakness.As recounted by Eiji Yoshikawa, author of the international best-seller Musashi, Taiko tells many stories: of the fury of Nobunaga and the fatal arrogance of the black-toothed Yoshimoto; of the pathetic downfall of the House of Takeda; how the scorned Mitsuhide betrayed his master; how once impregnable ramparts fell as their defenders died gloriously. Most of all, though, Taiko is the story of how one man transformed a nation through the force of his will and the depth of his humanity. Filled with scenes of pageantry and violence, acts of treachery and self-sacrifice, tenderness and savagery, Taiko combines the panoramic spectacle of a Kurosawa epic with a vivid evocation of feudal Japan.

    1008 at the height of the Heian period, Lady Sarashina (as she is known) probably wrote most of her work towards the end of her life, long after the events described. Thwarted and saddened by the real world with all its deaths and partings and frustrations, Lady Sarashina protected herself by a barrier of fantasy and so escaped from harsh reality into a rosier more congenial realm. She presents her vision of the world in beautiful prose, the sentences flowing along smoothly so that we feel we are watching a magnificent scroll being slowly unrolled.'It is like seeing a garden at night in which certain parts are lit up so brightly that we can distinguish each blade of grass, each minute insect, each nuance of colour, while the rest of the garden and the tidal wave that threatens it remain in darkness'--Ivan Morris

    The soul hasn't been kicked out of the cycle of rebirth just yet—he's been given a second chance. He must recall the biggest mistake of his past life while on 'homestay' in the body of fourteen-year-old Makoto Kobayashi, who has just committed suicide. It looks like Makoto doesn't have a single friend, and his family don't seem to care about him at all. But as the soul begins to live Makoto's life on his own terms, he grows closer to the family and the people around him, and sees their true colors more clearly, shedding light on Makoto's misunderstandings.Since its initial release over twenty years ago, Colorful has become a part of the literary canon, not only in Japan—where it has sold over a million copies—but around the world, having been translated into several different languages. Now, Eto Mori's beloved classic is finally available in English.

    Curated by Jay Rubin (who has himself freshly translated several of the stories) and introduced by Haruki Murakami this is a book which will be a revelation to many of its readers. Short story writers already well-known to English-language readers are all included - Tanizaki, Akutagawa, Murakami, Mishima, Kawabata, Yoshimoto - but also many surprising new finds. From Tsushima Yuko's 'Flames' to Sawanishi Yuten's 'Filling Up with Sugar', from Hoshi Shin'ichi's 'Shoulder-Top Secretary' to Yoshimoto Banana's 'Bee Honey', The Penguin Book of Japanese Short Stories is filled with fear, charm, beauty and comedy.

    It is here that Kazu’s life in Tokyo began, as a labourer in the run up to the 1964 Olympics, and later where he ended his days, living in the park’s vast homeless ‘villages’, traumatised by the destruction of the 2011 tsunami and enraged by the announcement of the 2020 Olympics.Akutagawa-award-winning author Yū Miri uses her outsider’s perspective as a Zainichi (Korean-Japanese) writer to craft a novel of utmost importance to this moment, a powerful rebuke to the Imperial system and a sensitive, deeply felt depiction of the lives of Japan’s most vulnerable people.

    The young heroine, Otama, is forced by poverty to become a moneylender's mistress. Her dawning consciousness of her predicament brings the novel to a touching climax.