No one knows how Faye's great-great-grandmother Cally, a newly freed slave barely out of her teens, came to own Joyeuse in the aftermath of the Civil War. No one knows how her descendants hung onto it through Reconstruction, world wars, the Depression, and Jim Crow, but Faye has inherited the island plantation--and the family tenacity. When the property taxes rise beyond her means, she sets out to save Joyeuse by digging for artifacts on her property and the surrounding National Wildlife Refuge and selling them on the black market. A tiny bit of that dead glory would pay a year's taxes. A big valuable chunk of the past would save her home forever.But instead of potsherds and arrowheads, she uncovers a woman's shattered skull, a Jackie Kennedy-style earring nestled against its bony cheek. Faye is torn. If she reports the forty-year-old murder, she'll reveal her illegal livelihood, thus risking jail and the loss of Joyeuse. She doesn't intend to let that happen, so she probes into the dead woman's history , unaware that the past is rushing up on her like a hurricane across deceptively calm Gulf waters. Because the killer is still close at hand, ready to kill again to keep his secrets dead and buried.

    A spinster who lives on the sufferance of her relatives, she would certainly not presume to search the rooms of her host's son and his friend looking for evidence. Reared in the twin virtues of deference and docility, she would absolutely never think to question the imperious Duke of Kesgrave about anything, let alone how he chose to represent the incident to the local constable. And yet when she stumbles upon the bludgeoned corpse of poor Mr. Otley in the deserted library of the Skeffingtons' country house, that's exactly what she does. A Regency Cozy.

    But when his lifelong friend Lady Jane asks for his help, Lenox cannot resist another chance to unravel a mystery, even if it means trudging through the snow to her townhouse next door.One of Jane's former servants, Prudence Smith, is dead -- an apparent suicide. But Lenox suspects something far more sinister: murder by a rare and deadly poison. The house where the girl worked is full of suspects and, though Prudence dabbled with the hearts of more than a few men, Lenox is baffled by an elusive lack of motive in the girl's death.When another body turns up during the London season's most fashionable ball, Lenox must untangle a web of loyalties and animosities. Was it jealousy that killed Prudence? Or was it something else entirely, something that Lenox alone can uncover before the killer strikes again -- disturbingly close to home?

    Actress Lizzie Dixie drowned in the River Thames, so how was she murdered five years later in Highgate Cemetery?Intrepid Fleet Street reporter Penny Green was a friend of Lizzie’s and Scotland Yard needs her help. Does Penny unwittingly hold clues to Lizzie’s mysterious death? Penny must work with Inspector James Blakely to investigate the worlds of theatre, showmen and politicians in search of the truth.But who is following her? And who is sending her threatening letters?Penny is about to discover that Lizzie’s life was more complicated, and dangerous, than she could ever have imagined.If you like a murder mystery then you'll love this atmospheric Victorian mystery by Emily Organ.

    . .December 1918: As a difficult year draws to a close, there is much to celebrate for nineteen-year-old Phoebe Renshaw and her three siblings at their beloved family estate of Foxwood Hall. The dreadful war is finally over; eldest daughter Julia's engagement to their houseguest, the Marquis of Allerton, appears imminent; and all have gathered to enjoy peace on earth, good will toward men. But the peace of Foxwood Hall is shattered on the morning of Boxing Day, when the Marquis goes missing. Not entirely missing, however, as macabre evidence of foul play turns up in gift boxes given to lady's maid Eva Huntford and a handful of others. Having overheard her sister and the Marquis in a heated exchange the night before, Lady Phoebe takes a personal interest in solving the mystery. As the local constable suspects a footman at Foxwood Hall, Phoebe and Eva follow the clues to a different conclusion. But both young women will need to think outside the box to wrap up this case--before a cornered killer lashes out with ill will toward them. . .

    . . Egypt, 1926. Fiercely independent American Jane Wunderly has made up her mind: she won't be swept off her feet on a trip abroad. Despite her Aunt Millie's best efforts at meddling with her love life, the young widow would rather gaze at the Great Pyramids of Giza than into the eyes of a dashing stranger. Yet Jane's plans to remain cool and indifferent become ancient history in the company of Mr. Redvers, a roguish banker she can't quite figure out . . .While the Mena House has its share of charming guests, Anna Stainton isn't one of them. The beautiful socialite makes it clear that she won't share the spotlight with anyone--especially Jane. But Jane soon becomes the center of attention when she's the one standing over her unintentional rival's dead body.Now, with her innocence at stake in a foreign country, Jane must determine who can be trusted, and who had motive to commit a brutal murder. Between Aunt Millie's unusual new acquaintances, a smarmy playboy with an off-putting smile, and the enigmatic Mr. Redvers, someone has too many secrets. Can Jane excavate the horrible truth before her future falls to ruin in Cairo . . . and the body count rises like the desert heat?

    But when her ten-year relationship implodes, Lucy realizes that the plot of her life is in need of a serious rewrite. Calling on her aunt Ellen, Lucy hopes that a little fun in the Outer Banks sun—and some confections from her cousin Josie’s bakery—will help clear her head. But her retreat quickly turns into an unexpected opportunity when Aunt Ellen gets her involved in the lighthouse library tucked away on Bodie Island. Lucy is thrilled to land a librarian job in her favorite place in the world. But when a priceless first edition Jane Austen novel is stolen and the chair of the library board is murdered, Lucy suddenly finds herself ensnared in a real-life mystery—and she’s not so sure there’s going to be a happy ending....

    Fifteen years later she's got a degree in hospitality management and a great job supervising every aspect of the day-to-day operations of a high-end boutique hotel on the Baltimore waterfront. Then her high school best friend asks her to come talk with the town leaders of Asheford, but she won't say why. Kate can't cut her last link to her past, so she agrees to make the short trip across the state to Asheford.Once Kate arrives, the town council members reveal that their town is on the verge of going bankrupt, and they've decided that Kate's skills and knowledge make her the perfect person to cure all their ills. The town has used its last available funds to buy the huge Victorian mansion just outside of town, hoping to use it to attract some of the tourists who travel to visit the nearby Civil War battle sites. Kate has less-than-fond memories of the mansion, for personal reasons, but to make matters worse, the only person who has presented a possible alternate plan is Cordelia Walker--Kate's high school nemesis, who had a hand in driving Kate away from Asheford so many years.But a few days later Kate receives a call from the police--Cordelia has been found dead on the mansion property, and Kate is all-but certain that her name is high on the suspect list. She finds herself juggling the murder investigation and her growing fascination with the magnificent old house that turns out to be full of long-hidden mysteries itself. Kate knows she must clear her name and save her town--before she ends up behind bars.

    He drains his fifth pot of morning tea, and glances outside, where a young, plain woman picks her way between the piles of horse-dung towards his front door.March Middleton is Sidney Grice's ward, and she is determined to help him on his next case. Her guardian thinks women are too feeble for detective work, but when a grisly murder in the slums proves too puzzling for even Sidney Grice's encyclopaedic brain, March Middleton turns out to be rather useful after all...Set in a London still haunted by the spectre of the infamous Spring-heeled Jack, THE MANGLE STREET MURDERS is for those who like their crime original, atmospheric, and very, very funny.

     Though newly-widowed Lily Adler is returning to a society that frowns on independent women, she is determined to create a meaningful life for herself even without a husband. She's no stranger to the glittering world of London's upper crust. At a ball thrown by her oldest friend, Lady Walter, she expects the scandal, gossip, and secrets. What she doesn't expect is the dead body in Lady Walter's garden.Lily overheard the man just minutes before he was shot: young, desperate, and attempting blackmail. But she's willing to leave the matter to the local constables--until Lord Walter bribes the investigating magistrate to drop the case. Stunned and confused, Lily realizes she's the only one with the key to catching the killer.Aided by a roguish navy captain and a mysterious heiress from the West Indies, Lily sets out to discover whether her friend's husband is mixed up in blackmail and murder. The unlikely team tries to conceal their investigation behind the whirl of London's social season, but the dead man knew secrets about people with power. Secrets that they would kill to keep hidden. Now, Lily will have to uncover the truth, before she becomes the murderer's next target.

    Annie’s husband squandered her fortune before committing suicide five years earlier, and one of his creditors is now threatening to take the boardinghouse she owns to pay off a debt. Annie Fuller also has a secret. She supplements her income by giving domestic and business advice as Madam Sibyl, one of San Francisco’s most exclusive clairvoyants, and one of Madam Sibyl’s clients, Matthew Voss, has died. The police believe his death was suicide brought upon by bankruptcy, but Annie believes Voss has been murdered and that his assets have been stolen. Nate Dawson has a problem. As the Voss family lawyer, he would love to believe that Matthew Voss didn't leave his grieving family destitute. But that would mean working with Annie Fuller, a woman who alternatively attracts and infuriates him as she shatters every notion he ever had of proper ladylike behavior. Sparks fly as Anne and Nate pursue the truth about the murder of Matthew Voss in this light-hearted, cozy historical mystery set in the foggy gas-lit world of Victorian San Francisco. Maids of Misfortune is the first book in M. Louisa Locke’s historical mystery series, see also, Uneasy Spirits, and Bloody Lessons, as well as the two short stories based on the characters from the novels, Dandy Detects, and The Misses Moffet Mend a Marriage.

    Mystery author Lady Amy Lovell receives an anonymous letter containing shocking news: her fiancé, Mr. Ronald St. Vincent, has been dabbling in something illegal, which causes her to promptly break their engagement.Two evenings later, as Lady Lovell awaits a visit from Lord William Wethington, fellow member of the Bath Mystery Book Club, her former fiancé makes an unexpected and most unwelcome appearance at her house. She promptly sends him to the library to cool his heels but later discovers the room seemingly empty--until she stumbles upon a dead Mr. St. Vincent with a knife in his chest.Lord Wethington arrives to find Lady Amy screaming and sends for the police, but the Bobbies immediately assume that she is the killer. Desperate to clear her name, Lady Amy and Lord Wethington launch their own investigation--and stir up a hornet's nest of suspects, from the gardener who served time in prison for murder to a vengeful woman who was spurned by St. Vincent before he proposed to Lady Amy.Can they close the book on the case before the real killer gets away with murder?

    It’s 1974 and Ellison Russell’s life revolves around her daughter and her art. She’s long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper’s death. The murder forces Ellison to confront her husband’s proclivities and his crimes—kinky sex, petty cruelties and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer. But with an interfering mother, an adoring father, a teenage daughter, and a cadre of well-meaning friends demanding her attention, can Ellison find the killer before he finds her?

    It sounded so—so aggressive. But she must be exact. “Actually I was a little angry—at his rudeness, you know—so I poked him in the back...” When Miss Seeton walks out after a performance of Carmen and witnesses a real-life stabbing, all she can recall is a shadowy figure. But how could she have guessed that her latest artistic endeavor is a picture-perfect portrait of the killer? Her sketch puts her in a perilous position, for back at her recently inherited cottage in Plummergen village, she’s fated to be a sitting duck . . . for murder most foul! Meet Miss Emily D. Seeton: retired art teacher Miss Seeton steps in where Scotland Yard stumbles. Armed with only her sketch pad and umbrella, she is every inch an eccentric English spinster and the most lovable and unlikely master of detection.

    She's the new collections curator at Old World Wisconsin, an outdoor ethnic museum showcasing 1870s settlement life. On her first day, Chloe meets with an elderly woman who begs her to find a priceless eighteenth-century Norwegian ale bowl that had been donated to the museum years ago. But before Chloe can find the heirloom and return it to her, the woman dies in a suspicious car crash.Digging up the history and whereabouts of the rare artifact quickly turns dangerous. Chloe discovers that someone is desperately trying to cover up all traces of the bowl's existence—by any means necessary. Assisting Chloe is police officer Roelke McKenna, whose own haunting past compels him to protect her. To catch the covetous killer, Chloe must solve a decades-old puzzle . . . before she becomes a part of history herself.