Since his death, she’s been sleepwalking through life, barely holding on for the sake of her teenage son. Her house is a wreck, the grass is overrun with weeds, and she’s at risk of losing her job. As Paige stares at her neglected lawn, she knows she’s hit rock bottom. So she does something entirely unexpected: she begins to dig.As the hole gets bigger, Paige decides to turn her entire yard into a vegetable garden. The neighbors in her tidy gated community are more than a little alarmed. Paige knows nothing about gardening, and she’s boldly flouting neighborhood-association bylaws. But with the help of new friends, a charming local cop, and the transformative power of the soil, Paige starts to see potential in the chaos of her life. Something big is beginning to take root—both in her garden and in herself.

    Until the day James Carlson Sweatt--the "over tall" eleven-year-old boy who's the talk of the town--walks into her library and changes her life forever. Two misfits whose lonely paths cross at the circulation desk, Peggy and James are odd candidates for friendship, but nevertheless they soon find their lives entwined in ways that neither one could have predicted. In James, Peggy discovers the one person who's ever really understood her, and as he grows--six foot five at age twelve, then seven feet, then eight--so does her heart and their most singular romance. The Giant's House is an unforgettably tender and quirky novel about learning to welcome the unexpected miracle, and about the strength of choosing to love in a world that gives no promises, and no guarantees.

    Lewis yearns for his absent father, befriending the only other fatherless kids: Jimmy and Rose. One afternoon, Jimmy goes missing. The neighborhood in the era of the Cold War, bomb scares, and paranoia seizes the opportunity to further ostracize Ava and her son. Lewis never recovers from the disappearance of his childhood friend. By the time he reaches his twenties, he's living a directionless life, a failure in love, estranged from his mother. Rose is now a schoolteacher in another city, watching over children as she was never able to watch over her own brother. Ava is building a new life for herself in a new decade. When the mystery of Jimmy's disappearance is unexpectedly solved, all three must try to reclaim what they have lost.

    Ten-year-old Ana Jurić is a carefree tomboy who runs the streets of Croatia's capital with her best friend, Luka, takes care of her baby sister, Rahela, and idolizes her father. But as civil war breaks out across Yugoslavia, soccer games and school lessons are supplanted by sniper fire and air raid drills. When tragedy suddenly strikes, Ana is lost to a world of guerilla warfare and child soldiers; a daring escape plan to America becomes her only chance for survival.Ten years later Ana is a college student in New York. She's been hiding her past from her boyfriend, her friends, and most especially herself. Haunted by the events that forever changed her family, she returns alone to Croatia, where she must rediscover the place that was once her home and search for the ghosts of those she's lost.

    Not even Twig’s vivid imagination, keen wit, and dark sense of humor is enough to help her survive the escalating assaults of Helen and a new stepbrother, but help comes from an unexpected source—Frank, her stepfather. Sometimes, having one person who loves and believes in you is all a girl needs to keep hope alive. Often raw and irreverent and sprinkled with all the Southern flavoring found in a good bowl of chicken and dumplings, BREAKING TWIG, is about finding love where we least expect it, destroying lives with easy lies, and realizing each of us determine our own truth. (Taken from author's website.)

    Over the course of five nights, the three reflect on their triumphs and their sorrows: families forsaken, ideals left along the wayside, secrets kept. Their shared search for meaning and direction in a fractured world creates an unexpected kinship that just might help them make sense of the past, find peace in the present, and muster the courage to face the future.

    Lucky for her, a lovable mutt and his tall, sexy, blue-eyed owner provide enough distraction to subdue her paralyzing panic attack. But Beth’s human tranquilizer turns out to be her future brother-in-law, Joe Dempsey, and their instant attraction is both unwelcome and undeniable. Joe expects his brother’s fiancé to follow the materialistic, blonde-bimbo stereotype that is Lucas’ usual fare. Wild-haired, sweet-natured Beth doesn’t fit the part, but she does fit Joe and his island better than any woman he’s ever met. Though the men haven’t been close for years, Joe would never put the moves on his brother’s fiancé. That means Beth is off limits, no matter how much he wants her. When a demanding case pulls Lucas back to the city, Beth realizes her fiancé is already married – to his work. Are solitary nights and mind-numbing dinner parties really what she wants? Torn between loyalty to Lucas and her growing feelings for Joe, Beth rethinks her choices and contemplates a future different from the one laid out before her. One that includes an island, a dog, and a man she can never have.

    The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny. Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

    But when Teddy dies of an overdose on the last day of 1987, Jude's relationship with drugs and with his parents devolves to new extremes. Sent to live with his pot-dealing father in New York City's East Village, Jude stumbles upon straight edge, an underground youth culture powered by the paradoxical aggression of hardcore punk and a righteous intolerance for drugs, meat, and sex. With Teddy's half brother, Johnny, and their new friend, Eliza, Jude tries to honor Teddy's memory through his militantly clean lifestyle. But his addiction to straight edge has its own dangerous consequences. While these teenagers battle to discover themselves, their parents struggle with this new generation's radical reinterpretation of sex, drugs, and rock 'n' roll and their grown-up awareness of nature and nurture, brotherhood and loss.Moving back and forth between Vermont and New York City, Ten Thousand Saints is an emphatically observed story of a frayed tangle of family members brought painfully together by a death, then carried along in anticipation of a new and unexpected life. With empathy and masterful skill, Eleanor Henderson has conjured a rich portrait of the modern age and the struggles that unite and divide generations.

    The protagonist, Abby, is a very different but equally likely and endearing hero as Alex Woods.

    She's taken step one and gotten engaged to a reliable man, but she's beginning to question their relationship. Does he really love her, or is she just arm candy for his political career? Why is her future mother-in-law getting increasingly hostile? Worse, why does he stand up for his mother when she says those awful things, instead of protecting her? Cathy is full of self-doubt. Both of her options—going through with the wedding or breaking off her engagement—are beginning to look like a nightmare either way. She knows her friends will back her up, but she's the one who has to make a decision that's going to tear her apart.

    The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission. As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire. Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves. The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life.

    1 bestselling author Rachael English. Readers of Diane Chamberlain and Kathryn Hughes will love this book. 'A true storyteller who keeps you turning the pages' Cathy Kelly For almost fifty years, Katie Carroll has kept a box tucked away inside her wardrobe. It dates from her time working as a nurse in a west of Ireland mother and baby home in the 1960s. The box contains a notebook holding the details of the babies and young women she met there. It also holds many of the babies' identity bracelets. Following the death of her husband, Katie makes a decision. The information she possesses could help reunite adopted people with their birth mothers, and she decides to post a message on an internet forum. Soon the replies are rolling in, and Katie finds herself returning many of the bracelets to their original owners. She encounters success and failure, heartbreak and joy. But is she prepared for old secrets to be uncovered in her own life? Reader love for Rachael English: 'A cracking page-turner in the best tradition of Maeve Binchy' Patricia Scanlan 'Beautiful, compelling, and sincere in the way of the very best stories and the best books' Irish Independent'An evocative read ... powerful ... If you read authors such as Diane Chamberlain, Sheila O'Flanagan or Maeve Binchy then you should also check this out' Between My Lines'Enchanting, emotional, heartbreaking, ultimately uplifting and just perfect... Rachael English is a wonderful storyteller' Being Anne

    When Jeanne Stewart stops at The Opera Man's Cafe in Weltana, Oregon, to eat pancakes for the first time in twelve years, she has no idea she's also about to order up a whole new future. It's been barely a week since she succumbed to a spectacularly public nervous breakdown in front of hundreds of the nation's most important advertising and PR people. Jeanne certainly had her reasons--her mother's recent death, the discovery that her boyfriend had been sleeping with a dozen other women, and the assault charges that resulted when Jeanne retaliated in a creative way against him, involving condoms and peanut oil. Now, en route to her brother's house in Portland, Jeanne impulsively decides to spend some time in picturesque Weltana. Staying at a B&B run by the eccentric, endearing Rosvita, she meets a circle of quirky new friends at her court-ordered Anger Management classes. Like Jeanne, all of them are trying to become better, braver versions of themselves. Yet the most surprising discoveries are still to come--a good man who steadily makes his way into her heart and a dilapidated house that with love and care might be transformed into something wholly her own, just like the new life she is slowly building, piece by piece. As heartfelt as it is hilarious, The Last Time I Was Me is a warm, wise novel about breaking down, opening up, and finally letting go of everything we thought we should be, in order to claim the life that has been waiting all along.

    Though the message on the kitchen white board is written in Marley's hand, her mother Rachel knows there has to be some other explanation. Marley would never run away.As the days pass and it sinks in that the impossible has occurred, Rachel and her husband Paul are informed that the police have "limited resources." If they want their 14-year-old daughter back, they will have to find her themselves. Desperation becomes determination when Paul turns to Facebook and Twitter, and launches FindMarley.com.But Marley isn't the only one with secrets.With public exposure comes scrutiny, and when Rachel blows a television interview, the dirty speculation begins. Now, the blogosphere is convinced Rachel is hiding something. It's not what they think; Rachel would never hurt Marley. Not intentionally, anyway. But when it's discovered that she's lied, even to the police, the devoted mother becomes a suspect in Marley's disappearance.Is Marley out there somewhere, watching it all happen, or is the truth something far worse?