Now time is running out, and his life is falling apart. But he's going to put it back together again. His own way.This is a story about how far love must stretch to gather a life in pieces -- and about how a strong friendship never dies.

    “We are always telling a story to ourselves, about ourselves,” Dustin Tillman likes to say. It’s one of the little mantras he shares with his patients, and it’s meant to be reassuring. But what if that story is a lie?A psychologist in suburban Cleveland, Dustin is drifting through his forties when he hears the news: His adopted brother, Rusty, is being released from prison. Thirty years ago, Rusty received a life sentence for the massacre of Dustin’s parents, aunt, and uncle. The trial came to symbolize the 1980s hysteria over Satanic cults; despite the lack of physical evidence, the jury believed the outlandish accusations Dustin and his cousin made against Rusty. Now, after DNA analysis has overturned the conviction, Dustin braces for a reckoning.Meanwhile, one of Dustin’s patients gets him deeply engaged in a string of drowning deaths involving drunk college boys. At first Dustin dismisses talk of a serial killer as paranoid thinking, but as he gets wrapped up in their amateur investigation, Dustin starts to believe that there’s more to the deaths than coincidence. Soon he becomes obsessed, crossing all professional boundaries—and putting his own family in harm’s way.From one of today’s most renowned practitioners of literary suspense, Ill Will is an intimate thriller about the failures of memory and the perils of self-deception. In Dan Chaon’s nimble, chilling prose, the past looms over the present, turning each into a haunted place.

    We can tell you that this is a story about that special someone: the one you trust, the one you can’t live without.For Ted Flask, that someone special is his aging companion Lily, who happens to be a dog. Lily and the Octopus reminds us how it feels to love fiercely, how difficult it can be to let go, and how the fight for those we love is the greatest fight of all.Remember the last book you told someone they had to read? Lily and the Octopus is the next one.

    Scrawled on the back of the picture are the words 'Forgive me'. Unable to resist the mystery behind it, she begins to unravel the story of two star-crossed lovers and one irrevocable betrayal.Take a moment to savour an evocative, bittersweet love story that echoes through the decades – perfect for fans of Kate Morton, Rachel Hore and Victoria Hislop.

    But when she takes a month-long leave of absence to go on an African vacation, she ends up facing unexpected consequences. After she falls ill and spends six months trapped in a remote village thanks to a devastating earthquake, Emma returns home to discover that her friends, boyfriend, and colleagues thought she was dead--and that her life has moved on without her.As she struggles to re-create her old life, throwing herself into solving a big case for a client and trying to reclaim her beloved apartment from the handsome photographer who assumed her lease, everyone around her thinks she should take the opportunity to change. But is she willing to sacrifice her job, her relationships, and everything else she worked so hard to build?In "Forgotten," Catherine McKenzie tweaks a classic tale of discovering who we really are when everything that brings meaning to our lives is lost.

    The couple have long had a mutual understanding when it comes to their extra-marital pursuits, but with these new allegations, life has become far less comfortable for them both. And when our narrator becomes increasingly infatuated with Vladimir, a celebrated, married young novelist who’s just arrived on campus, their tinder box world comes dangerously close to exploding.With this bold, edgy, and uncommonly assured debut, author Julia May Jonas takes us into charged territory, where the boundaries of morality bump up against the impulses of the human heart. Propulsive, darkly funny, and wildly entertaining, Vladimir perfectly captures the personal and political minefield of our current moment, exposing the nuances and the grey area between power and desire.

    expat community of the Middle East during the rise of the Arab Spring.Both Cassie Hugo and Margaret Brickshaw dutifully followed their soldier husbands to the U.S. embassy in Jordan, but that's about all the women have in common. After two years, Cassie's become an expert on the rules, but newly arrived Margaret sees only her chance to explore. So when a fender-bender sends Margaret to the local police station, Cassie reluctantly agrees to watch Margaret's toddler son. But as the hours pass, Cassie's boredom and frustration turn to fear: Why isn't Margaret answering her phone, and why is it taking so long to sort out a routine accident? Snooping around Margaret's apartment, Cassie begins to question not only her friend's whereabouts but also her own role in Margaret's disappearance. With achingly honest prose and riveting characters, The Confusion of Languages plunges readers into a shattering collision between two women and two worlds, affirming Siobhan Fallon as a powerful voice in American fiction and a storyteller not to be missed.

    When Leah’s former boss and mentor, Judy, dies in an accident and leaves Leah her most prized possession—a flashy red sports car—the shock forces Leah to reevaluate her whole life. Leah is living in Queens with a husband she doesn’t love and a list of unfulfilled ambitions. Returning to San Francisco to claim the mysteriously powerful car, she revisits past lives and loves in several sprawling days colored by sex and sorrow.Dermansky evokes an edgy, capricious, and beautifully haunting heroine—one whose search for realization is as wonderfully unpredictable and hypnotic as the twists and turns of the Pacific Coast Highway. Tautly wound, transgressive, and mordantly funny, The Red Car is an incisive exploration of one woman’s unusual route to self-discovery.

    When June arrives on the coast of New England, baby in arms, an untrustworthy man by her side, Mabel—who rents them a cabin—senses trouble. A few days later, the girl and her child are abandoned. June is soon placed with Mabel’s friend, Iris, in town, and her life becomes entwined with a number of locals who have known one another for decades: a wealthy recluse with a tragic past; a widow in mourning; a forsaken daughter returning for the first time in years, with a stranger in tow; a lawyer, whose longings he can never reveal; and a kindly World War II veteran who serves as the town's sage. Surrounded by the personal histories and secrets of others, June finds the way forward for herself and her son amid revelations of the others' pasts, including loves—and crimes—from years ago.

    Accepting a dream offer at the prestigious Manhattan law firm of Klasko & Fitch, she promises her sweet and supportive longtime boyfriend that the job won’t change her. Yet Alex is seduced by the firm’s money and energy . . . and by her cocksure male colleagues, who quickly take notice of the new girl. She’s never felt so confident and powerful—even the innuendo-laced banter with clients feels fun. In the firm’s most profitable and competitive division, Mergers and Acquisitions, Alex works around the clock, racking up billable hours and entertaining clients late into the evening. While the job is punishing, it has its perks, like a weekend trip to Miami, a ride in a client’s private jet, and more expense-account meals than she can count. But as her clients’ expectations and demands on her increase, and Alex finds herself magnetically drawn to a handsome coworker despite her loving relationship at home, she begins to question everything—including herself. She knows the corporate world isn’t black and white, and that to reach the top means playing by different rules. But who made those rules? And what if the system rigged so that women can’t win, anyway? When something happens that reveals the dark reality of the firm, Alex comes to understand the ways women like her are told—explicitly and implicitly—how they need to behave to succeed in the workplace. Now, she can no longer stand by silently—even if doing what’s right means putting everything on the line to expose the shocking truth.

    Seventeen-year-old Lucy Adler, a street-smart, trash-talking baller, is often the only girl on the public courts. At turns quixotic and cynical, insecure and self-possessed, Lucy is in unrequited love with her best friend and pick-up teammate Percy, scion to a prominent New York family who insists he wishes to resist upper crust fate.As she navigates this complex relationship with all its youthful heartache, Lucy is seduced by a different kind of life—one less consumed by conventional success and the approval of men. A pair of provocative female artists living in what remains of New York’s bohemia invite her into their world, but soon even their paradise begins to show cracks.

    Her family shattered, Riley finds refuge in isolation and drugs until she falls in love with a boy from the reservation, but he, too, is on his way to the war. Riley takes off as well, in search of Mick, or of a way to be in the world without him. She travels from Montana to San Francisco and from there to Vietnam. Among the scarred angels she meets along the way are Primo, a half-blind vet with a secret he can’t keep; Lu, a cab-driving addict with an artist’s eye; Phuong, a Saigon barmaid, Riley’s conscience and confidante; and Grace, a banjo-playing girl on a train, carrying her grandmother’s ashes in a tin box. All are part of a lost generation, coming of age too quickly as they struggle to reassemble lives disordered by pain and loss. At center stage is Riley, a masterpiece of vulnerability and tenacity, wondering if she’ll ever have the courage to return to her parents’ farm, to its ghosts and memories—resident in a place she has surrendered, surely, the right to call home.

    It is 1845, and Hannah Gardner Price has lived all twenty-four years of her life according to the principles of the Nantucket Quaker community in which she was raised, where simplicity and restraint are valued above all, and a woman’s path is expected to lead to marriage and motherhood. But up on the rooftop each night, Hannah pursues a very different—and elusive—goal: discovering a comet and thereby winning a gold medal awarded by the King of Denmark, something unheard of for a woman. And then she meets Isaac Martin, a young, dark-skinned whaler from the Azores who, like herself, has ambitions beyond his expected station in life. Drawn to his intellectual curiosity and honest manner, Hannah agrees to take Isaac on as a student. but when their shared interest in the stars develops into something deeper, Hannah’s standing in the community begins to unravel, challenging her most fundamental beliefs about work and love, and ultimately changing the course of her life forever. Inspired by the work of Maria Mitchell, the first professional female astronomer in America, The Movement of Stars is a richly drawn portrait of desire and ambition in the face of adversity.

    Though she feels safe in this untamed land, Tracy still follows her late mother’s rules: Never Lose Sight of the House. Never Come Home with Dirty Hands. And, above all else, Never Make a Person Bleed.But these precautions aren’t enough to protect Tracy when a stranger attacks her in the woods and knocks her unconscious. The next day, she glimpses an eerily familiar man emerge from the tree line, gravely injured from a vicious knife wound—a wound from a hunting knife similar to the one she carries in her pocket. Was this the man who attacked her and did she almost kill him? With her memories of the events jumbled, Tracy can’t be sure.Helping her father cope with her mother’s death and prepare for the approaching Iditarod, she doesn’t have time to think about what she may have done. Then a mysterious wanderer appears, looking for a job. Tracy senses that Jesse Goodwin is hiding something, but she can’t warn her father without explaining about the attack—or why she’s kept it to herself.It soon becomes clear that something dangerous is going on . . . the way Jesse has wormed his way into the family . . . the threatening face of the stranger in a crowd . . . the boot-prints she finds at the forest’s edge.Her family is in trouble. Will uncovering the truth protect them—or is the threat closer than Tracy suspects?

    Everything falls into their laps without effort: happiness, beauty, good fortune, allure. Betty Stash is not a Beloved—but her little sister, the delightful Gloria, is. She’s the one with the golden curls and sunny disposition and captivating smile, the one whose best friend used to be Betty’s, the one whose husband should have been Betty’s. And then, to everyone’s surprise, Gloria inherits the family manse—a vast, gorgeous pile of ancient stone, imposing timbers, and lush gardens—that was never meant to be hers. Losing what Betty considers her rightful inheritance is the final indignity. As she single-mindedly pursues her plan to see the estate returned to her in all its glory, her determined and increasingly unhinged behavior—aided by poisonous mushrooms, talking walls, and a phantom dog—escalates to the point of no return. The Beloveds will have you wondering if there’s a length to which an envious sister won’t go.