With the stunning popularity of Bernie Sanders and Alexandria Ocasio-Cortez, Americans are embracing the class politics of socialism. But what, exactly, is socialism? And what would a socialist system in America look like? The editor of Jacobin magazine, Sunkara shows that socialism, though often seen primarily as an economic system, in fact offers the means to fight all forms of oppression, including racism and sexism. The ultimate goal is not Soviet-style planning, but to win rights to healthcare, education, and housing, and to create new democratic institutions in workplaces and communities. A primer on socialism for the 21st century, this is a book for anyone seeking an end to the vast inequities of our age.

    David Frum helped make international headlines when President George W. Bush’s 2002 State of the Union address linked international terrorists to Iran, Iraq, and North Korea. But that was only one moment during a crucial time in American history, when a president, an administration, and a country were transformed.Frum worked with President Bush in the Oval Office, traveled with him aboard Air Force One, and studied him closely at meetings and events. He describes how Bush thinks—what this conservative president believes about religion, race, the environment, Jews, Muslims, and America’s future. Frum takes us behind the scenes of one of the most secretive administrations in recent history, with revealing portraits of Karl Rove, Karen Hughes, Condoleezza Rice, and many others. Most significant, he tells the story of the transformation of George W. Bush: how a president whose administration began in uncertainty became one of the most decisive, successful, and popular leaders of our time.Before becoming a White House speechwriter, David Frum was a highly regarded author of books and political commentary and an influential voice on the pages of The Wall Street Journal and The Weekly Standard. His commentary has been described by William F. Buckley as “the most refreshing ideological experience in a generation.” Now, in The Right Man, we see Frum as a front-row observer and participant. Not since Peggy Noonan’s account of her time in the Reagan White House has an insider portrayed a sitting president with such precision, verve, honest admiration, and insight. The Right Man will command international attention for its thoughtful account of George W. Bush in the midst of his greatest challenge. It will be an essential reference for anyone seeking to understand who our president really is and how he is likely to lead us in the future.From the Hardcover edition.

    Packing the Court: The Rise of Judicial Power and the Coming Crisis of the Supreme Court

    In response to the whole range of Dylan early and late (his songs of social conscience, of earthly love, of divine love, and of contemplation), this critical appreciation listens to Dylan's attentive genius, alive in the very words and their rewards. "Fools they made a mock of sin." Dylan's is an art in which sins are laid bare (and resisted), virtues are valued (and manifested), and the graces brought home. The seven deadly sins, the four cardinal virtues (harder to remember?), and the three heavenly graces: these make up everybody's world -- but Dylan's in particular. Or rather, his worlds, since human dealings of every kind are his for the artistic seizing. Pride is anatomized in "Like a Rolling Stone," Envy in "Positively 4th Street," Anger in "Only a Pawn in Their Game" ... But, hearteningly, Justice reclaims "Hattie Carroll," Fortitude "Blowin' in the Wind," Faith "Precious Angel," Hope "Forever Young," and Charity "Watered-Down Love."In The "New Yorker, Alex Ross wrote that "Ricks's writing on Dylan is the best there is. Unlike most rock critics -- 'forty-year-olds talking to ten-year-olds, ' Dylan has called them -- he writes for adults." In the "Times (London), Bryan Appleyard maintained that "Ricks, one of the most distinguished literary critics of our time, is almost the only writer to have applied serious literary intelligence to Dylan ..."Dylan's countless listeners (and even the artist himself, who knows?) may agree with W.H. Auden that Ricks "is exactly the kind of critic every poet dreams of finding."

    Gutzman unveils the radical inconsistency between constitutional law and the rule of law, and shows why and how the Supreme Court should be reined in to the proper role assigned to it by the Founders.