Stepping into the wrong carriage at a Sussex village, Elinor Rochdale is swept up in a thrilling and dangerous adventure. Elinor is rather surprised that her prospective employer is quite rich, and more so at tile decayed grandeur of the house to which she is transported. Elinor thought she was entering Highnoons as a governess, but Edward Carlyon, the handsomely fashionable gentleman who carefully interviewed her obviously needed no governess. Carlyon was seeking a wife-not for himself, but for his young cousin, Eustace Cheviot, the dissipated and profligate owner of the ruined estate, who now lay on his deathbed. Surprised and repulsed as she was by this strange proposal, Elinor was nevertheless unable to resist Carlyon and his mystifying plans. Ned persuades Elinor to marry his cousin as a simple business arrangement.A momentous decision... And so in the short span of a few hours would-be governess became a bride - and a widow almost as soon as the ring is on her finger. Even as she assumed the duties of mistress of Highnoons, even as she tried to solve the puzzle that placed her in this unusual situation, Elinor found herself inextricably- drawn to Ned Carlyon, the aloof, caustic man who treated her with nothing more than cousinly respect - the last thing that spirited Elinor wanted.... As partner in a secret conspiracy to save a family's name she finds herself embroiled with uninvited guests, housebreakers, missing government papers, a Napoleonic spy ring, and a shocking murder. And mysterious conspirator Lord Carlyon won't let her leave....

    Her knowledge of English literature, French, history, art and music is non-existent, but she has a thorough grounding in military tactics, can run a business, ride like a Cossack and shoot straight with a pistol.When her dear father is drowned in suspicious circumstances in the South China Sea, Sally is left to fend for herself, an orphan and alone in the smoky fog of Victorian London. Though she doesn't know it, Sally is already in terrible danger. Soon the mystery and the danger will deepen - and at the rotten heart of it all lies the deadly secret of the ruby in the smoke...

    1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .

    ” A timeless tale of love,  devotion . . . and the undead.Jane Slayre, our plucky demon-slaying heroine, a courageous orphan who spurns the detestable vampyre kin who raised her, sets out on the advice of her ghostly uncle to hone her skills as the fearless slayer she’s meant to be. When she takes a job as a governess at a country estate, she falls head-over-heels for her new master, Mr. Rochester, only to discover he’s hiding a violent werewolf in the attic—in the form of his first wife. Can a menagerie of bloodthirsty, flesh-eating, savage creatures-of-the-night keep a swashbuckling nineteenth-century lady from the gentleman she intends to marry? Vampyres, zombies, and werewolves transform Charlotte Brontë’s unforgettable masterpiece into an eerie paranormal adventure that will delight and terrify.

    He invented the inverted detective story and used some of his early experiences as a colonial surgeon in his novels. A large proportion of the Dr Thorndyke stories involve genuine, but often quite arcane, points of scientific knowledge, from areas such as tropical medicine, metallurgy and toxicology. His first stories were written in collaboration with Dr John James Pitcairn (1860-1936), medical officer at Holloway Prison and published under the nom de plume "Clifford Ashdown." His first Thorndyke story, The Red Thumb Mark, was published in 1907 and shortly afterwards he pioneered the inverted detective story, in which the identity of the criminal is shown from the beginning: some short stories with this feature were collected in The Singing Bone in 1912. His other works include John Thorndyke's Cases (1909), The Eye of Osiris (1911), The Vanishing Man (1911), The Mystery of 31 New Inn (1912), The Uttermost Farthing: A Savant's Vendetta (1913) and The Cat's Eye (1923).

    Depicting his wife, Eugenie, as the Lady of Shallot, it's a mesmerising portrait that has come to embody the spirit of the school itself. But now, eighty years after it was created, the 'Lady Window' is due for restoration. The task falls to former alumna Juno McKay. She's restoring it with the help of her friend, Christine Webb, an art historian who is researching the window for her thesis. Christine seems to have discovered some new evidence that suggests that Clare, not her sister Eugenie, was the subject for the 'Lady Window'. But before Christine can discuss her findings with Juno, she's found dead in a boating accident that eerily echoes that fate of the Lady of Shallot. But did she drown or was it something more sinister? As Juno starts to make her own investigations into just how Christine died, she learns more about Augustus Penrose and his family. The 'Lady Window' was not the only thing the Penroses' bequeathed to the world. Madness and deception also form part of their legacy-

    Now updated with new material that brings the killer's picture into clearer focus.In the fall of 1888, all of London was held in the grip of unspeakable terror.  An elusive madman calling himself Jack the Ripper was brutally butchering women in the slums of London’s East End.  Police seemed powerless to stop the killer, who delighted in taunting them and whose crimes were clearly escalating in violence from victim to victim.  And then the Ripper’s violent spree seemingly ended as abruptly as it had begun.  He had struck out of nowhere and then vanished from the scene.  Decades passed, then fifty years, then a hundred, and the Ripper’s bloody sexual crimes became anemic and impotent fodder for puzzles, mystery weekends, crime conventions, and so-called “Ripper Walks” that end with pints of ale in the pubs of Whitechapel.  But to number-one New York Times bestselling novelist Patricia Cornwell, the Ripper murders are not cute little mysteries to be transformed into parlor games or movies but rather a series of terrible crimes that no one should get away with, even after death.  Now Cornwell applies her trademark skills for meticulous research and scientific expertise to dig deeper into the Ripper case than any detective before her—and reveal the true identity of this fabled Victorian killer.In Portrait of a Killer: Jack the Ripper, Case Closed, Cornwell combines the rigorous discipline of twenty-first century police investigation with forensic techniques undreamed of during the late Victorian era to solve one of the most infamous and difficult serial murder cases in history.  Drawing on unparalleled access to original Ripper evidence, documents, and records, as well as archival, academic, and law-enforcement resources, FBI profilers, and top forensic scientists, Cornwell reveals that Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world’s finest museums: Walter Richard Sickert.It has been said of Cornwell that no one depicts the human capability for evil better than she.   Adding layer after layer of circumstantial evidence to the physical evidence discovered by modern forensic science and expert minds, Cornwell shows that Sickert, who died peacefully in his bed in 1942, at the age of 81, was not only one of Great Britain’s greatest painters but also a serial killer, a damaged diabolical man driven by megalomania and hate.  She exposes Sickert as the author of the infamous Ripper letters that were written to the Metropolitan Police and the press.  Her detailed analysis of his paintings shows that his art continually depicted his horrific mutilation of his victims, and her examination of this man’s birth defects, the consequent genital surgical interventions, and their effects on his upbringing present a casebook example of how a psychopathic killer is created.New information and startling revelations detailed in Portrait of a Killer include:- How a year-long battery of more than 100 DNA tests—on samples drawn by Cornwell’s forensics team in September 2001 from original Ripper letters and Sickert documents—yielded the first shadows of the 75- to 114 year-old genetic evid...

    Tillie Pembroke’s sister lies dead, her body drained of blood and with two puncture wounds on her neck. Bram Stoker’s new novel, Dracula, has just been published, and Tillie’s imagination leaps to the impossible: the murderer is a vampire. But it can’t be—can it?A ravenous reader and researcher, Tillie has something of an addiction to truth, and she won’t rest until she unravels the mystery of her sister’s death. Unfortunately, Tillie’s addicted to more than just truth; to ease the pain from a recent injury, she’s taking more and more laudanum…and some in her immediate circle are happy to keep her well supplied.Tillie can’t bring herself to believe vampires exist. But with the hysteria surrounding her sister’s death, the continued vampiric slayings, and the opium swirling through her body, it’s becoming increasingly difficult for a girl who relies on facts and figures to know what’s real—or whether she can trust those closest to her.

    Everyone else goes to Arrowood.The Afghan War is over and a deal with the Irish appears to have brought an end to sectarian violence, but Britain's position in the world is uncertain and the gap between rich and poor is widening. London is a place where the wealthy party while the underclass are tempted into lives of crime, drugs and prostitution. A serial killer stalks the streets. Politicians are embroiled in financial and sexual scandals. The year is 1895.The police don't have the resources to deal with everything that goes on in the capital. The rich turn to a celebrated private detective when they need help: Sherlock Holmes. But in densely populated south London, where the crimes are sleazier and Holmes rarely visits, people turn to Arrowood, a private investigator who despises Holmes, his wealthy clientele and his showy forensic approach to crime. Arrowood understands people, not clues.

    Ellen Wood played upon the anxieties of the Victorian middle classes who feared a breakdown of the social order as divorce became more readily available and promiscuity threatened the sanctity of the family. In her novel the simple act of hiring a governess raises the spectres of murder, disguise, and adultery. Her sensation novel was devoured by readers from the Prince of Wales to Joseph Conrad and continued to fascinate This edition returns for the first time to the racy, slang-ridden narrative of the first edition, rather than the subsequent stylistically 'improved' versions hitherto reproduced by modern editors.

    The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission. As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire. Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves. The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life.

    Kate Moore is looking for a way out of the poverty and violence of her childhood. When a chance encounter on a transatlantic ocean liner brings her face-to-face with the handsome heir to a Chicago fortune, she thinks she may have found her escape—as long as she can keep her past concealed.After exchanging wedding vows, Kate quickly discovers that something isn’t quite right with her husband—or her new family. As Mrs. Matthew Lemont, she must contend with her husband’s disturbing past, his domineering mother, and his overly close sister. Isolated at Lakecrest, the sprawling, secluded Lemont estate, she searches desperately for clues to Matthew’s terrors, which she suspects stem from the mysterious disappearance of his aunt years before. As Kate stumbles deeper into a maze of family secrets, she begins to question everyone’s sanity—especially her own. But just how far will she go to break free of this family’s twisted past?

     The Gallagher family has called Deeprath Castle home for seven hundred years. Nestled in the Wicklow Mountains of Ireland, the estate is now slated to become a public trust, and book lover and scholar Carragh Ryan is hired to take inventory of its historic library. But after meeting Aidan, the current Viscount Gallagher, and his enigmatic family, Carragh knows that her task will be more challenging than she’d thought. Two decades before, Aidan’s parents died violently at Deeprath. The case, which was never closed, has recently been taken up by a new detective determined to find the truth. The couple’s unusual deaths harken back a century, when twenty-three-year-old Lady Jenny Gallagher also died at Deeprath under mysterious circumstances, leaving behind an infant son and her husband, a renowned writer who never published again. These incidents only fueled fantastical theories about the Darkling Bride, a local legend of a sultry and dangerous woman from long ago whose wrath continues to haunt the castle. The past catches up to the present, and odd clues in the house soon have Carragh wondering if there are unseen forces stalking the Gallagher family. As secrets emerge from the shadows and Carragh gets closer to answers—and to Aidan—could she be the Darkling Bride’s next victim?

    Alistair Gellis—rich, handsome, scarred by World War I, and obsessed with ghosts—has been summoned to investigate the spirit of nineteen-year-old maid Maddy Clare, who is haunting the barn where she committed suicide. Since Maddy hated men in life, it is Sarah's task to confront her in death. Soon Sarah is caught up in a deperate struggle. For Maddy's ghost is real, she's angry, and she has powers that defy all reason. Can Sarah and Alistair's assistant, the rough, unsettling Matthew Ryder, discover who Maddy was, where she came from, and what is driving her desire for vengeance—before she destroys them all?

    What starts with a crank call from an old school chum sets the lonely, aloof, financially comfortable Miss Helen Clarvoe on a path as predictable only as madness. Lured from her rooms in a second-rate residential Hollywood hotel, she finds herself stranded in the more perilous terrain of extortion, pornography, vengeance, and ultimately murder.