HIS HEART HAS BEEN CUT OUT . . .DI Sam Clayton has never dealt with such an extreme crime in the quiet Norfolk villages that are part of his patch. When a waitress, Emma Dawson, disappears, it looks like the police might have a serial killer on their hands. Emma seems to have been part of cultish group obsessed with contacting the dead via a medieval mystic. But a mysterious Frenchman and one of the local nature wardens are also suspects. The mystery is further complicated by the locals’ reluctance to share their secrets with the police. DI Clayton’s team also harbour some tragic secrets and it looks like only one of his detectives will be kept on, even if they do catch the vicious killer.When another child disappears, DI Clayton faces a race against time to prevent any further crimes. Not only that, but he must confront local superstitions and keep his team under control as violence threatens to spiral out of control.MURDER ON THE MARSH is the first in a new series of page-turning crime thrillers set in an atmospheric part of Norfolk. Perfect for fans of LJ Ross, Mel Sherratt, Angela Marsons, Colin Dexter, or Ruth Rendell.THE TEAMDetective Inspector Sam Clayton leads the investigation into the North Norfolk murders, joined the police straight from school as a beat bobby in Manchester before rising through the ranks of the CID. He was transferred to Norwich after being promoted to DI following a high-profile case investigated by Lancashire Constabulary. He struggles with anger issues and finds solace in playing classical guitar. He lives in hope of a reconciliation with his ex-wife, Claire.Detective Sergeant Neil Pringle lives with his third wife in Norwich, where he was born. But taking care of his two sons with his wife Megan, and two other children with previous wives, has put his finances under strain. He never misses a chance to shine in hopes of securing promotion, and can’t help showing off his local knowledge to colleagues.Detective Sergeant Julie Everett is an intuitive officer who was promoted to detective sergeant from her home town of Ipswich where she had a background in child protection. She is discreet about her personal life among colleagues, particularly about the tragedy which haunts her, but is stressed out because of her work-life balance. She has to deal with a high-pressure job while raising a six-year-old child who moved with her to Norwich.THE SETTINGThe mists sweep across the Glaveny marsh and its muddy channels on the North Norfolk coast, where the reeds rustle and the waist-high grasses whisper in the wind. It is a place, frequented by dog walkers and birdwatchers, where myth and reality collide. Locals talk about a hell hound that roams the marsh in the mist, bringing death in its wake. A medieval mystic who wrote about sin, Mother Julian of Norwich, may have had a connection to the villages dotted with fishermen’s flint cottages. Standing beside the majestic white sails of the windmill in the neighbouring village of Pelham on a clear day you can look over the marsh towards the seal colony on Glaveny Point. As you approach them you can hear the seals and their pups moaning on the shingle. The sound is almost human, like a mermaid’s siren call. When the mist rolls in, it is blindingly thick in minutes. When it retreats, who knows what will be left behind?

    Razor-sharp dialogue. Plots that catch and hold like a noose. These are the hallmarks of crime legend Ruth Rendell. From Doon with Death, now in a striking new paperback edition, is her classic debut novel -- and the book that introduced one of the most popular sleuths of the twentieth century.There is nothing extraordinary about Margaret Parsons, a timid housewife in the quiet town of Kingsmarkham, a woman devoted to her garden, her kitchen, her husband. Except that Margaret Parsons is dead, brutally strangled, her body abandoned in the nearby woods. Who would kill someone with nothing to hide? Inspector Wexford, the formidable chief of police, feels baffled -- until he discovers Margaret's dark secret: a trove of rare books, each volume breathlessly inscribed by a passionate lover identified only as Doon. As Wexford delves deeper into both Mrs. Parsons’ past and the wary community circling round her memory like wolves, the case builds with relentless momentum to a surprise finale as clever as it is blindsiding. In From Doon with Death, Ruth Rendell instantly mastered the form that would become synonymous with her name. Chilling, richly characterized, and ingeniously constructed, this is psychological suspense at its very finest.

    She is a student at a local university. She was a model on a pornographic web site, owned by two of her lecturers. Jon Lehman is the victim’s Business Studies lecturer. He is fond of booze and bedding female students. DI Angus Henderson brings him in for questioning - with tragic consequences for him. Dominic Green is a local gangster. He is a fellow investor in the porn web site. He moves to protect his investment - with painful consequences for his enemies. DI Henderson believes the web site is key to unlocking this case. He digs deeper and deeper until…he is confronted by two vicious animals - but only one of them is human.

    Naked, strung from two parallel wooden posts, the victim was sadistically tortured before meeting an excruciatingly painful death. All the skin has been ripped from her face - while she was still alive. On the nape of her neck has been carved a strange double-cross: the signature of a psychopath known as the Crucifix Killer. But that's impossible. Because two years ago, the Crucifix Killer was caught and executed. Could this therefore be a copycat killer? Or could the unthinkable be true? Is the real killer still out there, ready to embark once again on a vicious and violent killing spree, selecting his victims seemingly at random, taunting Robert Hunter with his inability to catch him? Hunter and his rookie partner are about to enter a nightmare beyond imagining.

    Nell and her father, Homicide Detective Martin Flynn, have never had much of a relationship. And Suffolk County will always be awash in memories of her mother, Marisol, who was brutally murdered when Nell was just seven.When Martin Flynn dies in a motorcycle accident, Nell returns to the house she grew up in so that she can spread her father's ashes and close his estate. At the behest of her father's partner, Detective Lee Davis, Nell becomes involved in an investigation into the murders of two young women in Suffolk County. The further Nell digs, the more likely it seems to her that her father should be the prime suspect--and that his friends on the police force are covering his tracks. Plagued by doubts about her mother's murder--and her own role in exonerating her father in that case--Nell can't help but ask questions about who killed Ria Ruiz and Adriana Marques and why. But she may not like the answers she finds--not just about those she loves, but about herself.

    . . and murder and mayhem ensue.All of them are friends. One of them is a killer.During the languid days of the Christmas break, a group of thirtysomething friends from Oxford meet to welcome in the New Year together, a tradition they began as students ten years ago. For this vacation, they’ve chosen an idyllic and isolated estate in the Scottish Highlands—the perfect place to get away and unwind by themselves.They arrive on December 30th, just before a historic blizzard seals the lodge off from the outside world.Two days later, on New Year’s Day, one of them is dead.The trip began innocently enough: admiring the stunning if foreboding scenery, champagne in front of a crackling fire, and reminiscences about the past. But after a decade, the weight of secret resentments has grown too heavy for the group’s tenuous nostalgia to bear. Amid the boisterous revelry of New Year’s Eve, the cord holding them together snaps.Now one of them is dead . . . and another of them did it.Keep your friends close, the old adage goes. But just how close is too close?

    It's a department known within the force as "The Dark Side," and it's where Malcolm Fox works. He's a serious man with a father in a nursing home and a sister who persists in an abusive relationship, frustrating problems about which he cannot seem to do anything. Then the reluctant Fox is given a new case. There's a cop named Jamie Breck, and he's dirty. The problem is, no one can prove it. As Fox takes on the job, he learns that there's more to Breck than anyone thinks--dangerous knowledge, especially when a vicious murder takes place far too close to home.In THE COMPLAINTS, Rankin proves again why he is one of the world's most beloved and bestselling crime writers, mixing unstoppable pacing with the deeper question of who decides right from wrong.