This is a story of family intrigues and physical and mental disintegration. Neglected and humiliated by society, each lives in his private world of near madness. Finally one is helped by a rich relative whilst the other dies of neglect. Montherlant portrays with a mixture of irony and sympathy and a terrifying realism the strange twilight world inhabited by these two characters.

    Provocative and original, Time Gifts is a meditation on the nature of time and, especially, on the nature of those at its mercy.

    Gradually she embarks upon a "personal project": she digs pits in the rectory garden and "looks for the dead." Her story, which has brevity and magical intensity of a fairy tale, is marked equally by tragedy and dark humor.Forever Valley is one of three novels that are the first works to appear in English by Marie Redonnet, one of France's most original new authors (the other novels are Hôtel Splendid and Rose Mellie Rose, both also available from the University of Nebraska Press). Translator Jordan Stump notes that these books "unmistakably fit together, although they have neither characters nor setting in common." In all three novels, Redonnet has said, "it is the women who fight, who seek, who create."

    This volume brings together for the first time in English a collection including a series of stories and a novella, formed of a group of linked autobiographical pieces first published posthumously in France as Mon Amie Valentine.

    Its author, Marguerite Vallette-Eymery (1860-1953), who used the pseudonym Rachilde, was a prolific novelist (over sixty works of fiction), playwright, literary critic and reviewer, and a forceful presence in French literary society of her time. The protagonist of the novel, Eliante Donalger, is in some sense an exaggerated double for her creator--bizarre in appearance, clothing, and interests. Instinctively grasping a medical and psychological truth that the turn-of-the-century scientific world was only beginning to understand, Eliante maintains that there is nothing "natural" about human sexual expression. She claims to be in love with an inanimate (though anthropomorphic and sexually ambiguous) object, a Greek amphora, and the novel traces the rivalry between this faithful partner and an ardent human suitor, a young medical student. It is only through juggling, both literally and metaphorically, that Eliante is able to use her seductive power to maintain desire. The surprise ending challenges the limits of such power in a controversial and surprising twist. Although Rachilde's work has been neglected in the past, the women's movement and feminist criticism have stimulated renewed interest in her fiction. The Juggler is a major rediscovery.

    Dick is not only one of the “most valiant psychological explorers of the 20th century” (The New York Times) but a source of divine revelation. Dick, whose work inspired such films as Blade Runner, Total Recall, and Minority Report, dedicated his life to solving one ultimately unanswerable question: What is real?In the riveting style that won accolades for The Adversary, Emmanuel Carrère follows Dick’s strange odyssey from his traumatic beginnings in 1928, when his twin sister died in infancy, to his lonely end in 1982, beset by mystical visions of swirling pink lights, three-eyed invaders, and messages from the Roman Empire. Drawing on interviews as well as unpublished sources, Carrère traces Dick’s multiple marriages, paranoid fantasies, and vertiginous encounters with the drug culture of sixties California. He vividly conjures the spirit of this restless observer of American postwar malaise, whose more than fifty novels subverted the materials of science fiction—parallel universes, intricate time loops, collective delusions—to create classic works of contemporary anxiety.As disturbing and engrossing as a book by its subject, Carrère’s unconventional work interweaves life and art to reveal the maddening genius whose writing foresaw—from cloning to reality TV—a world that looks ever more like one of his inventions.

    Awaiting her husband's arrival on holiday in France, Sheila Redden,quiet, middle-aged doctor's wife, suddenly finds herself caught up in a passionate affair with a young American, ten years her junior, this extraordinary powerful portrayal of a woman transformed by love was shortlisted for the Booker Prize.

    Each man’s life, his story, his situation, is as different from the others’ as can be. What unites them is heartache. Trouble, that is, with women. The meetings are held in a spirit of openness and tolerance. In an almost religious silence each man confesses while the others listen. Philippe is a philosopher of repute. Since the woman he considered to be his perfect mate left him, he has been dating one of the world’s most famous models in an effort to forget. Denis has been working as a waiter for years. Women have lost interest in him entirely and he is in a deep funk because of it. But one day a mysterious woman with a suitcase appears on his doorstep and moves into his living room without explanation, throwing his life into turmoil. Yves is a husband and a cuckold, who, after having discovered his wife’s betrayal, refuses to honor any and all forms of faithfulness. He is spending a lifetime’s worth of savings in search of pleasure.In The Thursday Night Men, Benacquista gives his readers a variety of unexpected and amusing perspectives on romance, the relationship between the sexes, and friendship between men.

    By the time he published The Difficulty of Being in 1947, Jean Cocteau had produced some of the most respected films and literature of the twentieth century, and had worked with the foremost artists of his time, including Proust, Gide, Picasso, and Stravinsky. This memoir tells the inside account of those achievements and of his glittering social circle. Cocteau writes about his childhood, about his development as an artist, and the peculiarity of the artist’s life, about his dreams, friendships, pain, and laughter. He probes his motivations and explains his philosophies, giving intimate details in soaring prose. And sprinkled throughout are anecdotes about the elite and historic people he associated with. Beyond illuminating a truly remarkable life, The Difficulty of Being is an inspiring homage to the belief that art matters.

    To protect the Edge of Time from the disastrous alterations of time travelers, the Aeon Legion seeks the greatest soldiers and warriors from the most bloody, war-torn eras in history. Those they deem worthy gain a chance to compete in the toughest training program ever designed.Terra Mason, a plain eighteen-year-old girl from the modern United States, has an impressive stubborn streak. Her persistence and bravery gains the notice and sponsorship of one of the Aeon Legion's greatest heroines. Now Terra must turn that stubbornness into determination if she is to contend with history's finest soldiers and somehow pass the Aeon Legion's final test, the mysterious Labyrinth. She will not quit. Terra will prove that even someone as average as her can still be a heroine.Hanns Speer is polite, good-natured, charming, a genius inventor of a time travel machine, and a dedicated member of the Nazi Party. Yet he cannot understand why people from the future regard him and his fellow Nazis as monsters. Now he must use his charisma and cunning to challenge the seemingly invincible Aeon Legion and its monopoly on time travel. He will not quit. Hanns will steal history itself if he has to, mistakenly believing it will prove him to be a hero.

    A manic epic, "Reuben, Reuben" is really three books in one, tied together by a 1950s suburban Connecticut setting and hyper-literate cast of characters. A corruptible chicken farmer fearful for the fate of his beloved town, a womanizing poet from Wales (Dylan Thomas in disguise), and a hapless British poet-cum-actor-and-agent all take turns as narrator, revealing different, even conflicting views. But alcoholism, sexism, small-mindedness, and calamity challenge the high spirits of De Vries's well-read suburbanites. Noted as much for his verbal fluidity and wordplay as for his ability to see humor through pain, De Vries will delight both new readers and old in this uproarious modern masterpiece.

    Recalling his youth on the eve of his assassination - as if sensing his impending death - Caesar looks back over his early life up to his forty-third year and the conquest of Gaul. He analyzes and evaluates the worth of the great men he has known - Marius, Sulla, Pompey, Cicero, Cato - and the great military deeds and political upheavals which marked his time. Caesar is a shrewd psychologist and he brilliantly penetrates the underlying causes of events as well as the factions and manoeuvres through which they were perpetrated by the leaders of Rome. Caesar is cynical yet kindly, patient, proud, watchful, a bitter defender of social justice. If the memory he displays in the narrative is keen and circumstantial, it is also particularly impressive in its sentient, purpose-ridden forcefulness and shapes these vital reflections of a major world figure at the height of his powers. The narrative (and one may hope that there will be a second volume describing Caesar's maturity) carries the validity and significance of an historical document; it is fictional biography of a high order. - from the Kirkus review of 1958

    Yet To the End of the World is not total invention as, like all Cendrars’ works, it has some basis in real life. The narrative races between a Foreign Legion barracks in North Africa and the theaters, cafes, dosshouses, and police headquarters of postwar Paris. The central character in this roman à clef is Thérèse, a septuagenarian actress who was once the rival of Sarah Berhardt herself. Her passionate affair with a young deserter from the Foreign Legion (in which Cendrars himself served) is interrupted by the murder of a barman and the impact this event has on all their lives. With its bold and colorful supporting cast—a subterranean gallery of ex-legionnaires, theater types, black marketeers, dubious aristocrats, sexual adventurers, and freaks—entwined with numerous subplots and minor themes, To the End of the World amounts to a grandly picaresque adventure. When it appeared in France in 1956, it offered a ready antedote to the sense of negativity and existential futility that pervaded many novels of the era.

     Pursued by a bounty hunter named Noxia and opposed by an underground team of criminal techno-geneticists, Kress and her friends embark on a deadly quest that makes their previous adventures look like a summer vacation. Travelers is Book 1 of the Transcendent Trilogy in the Conspiracy Series, and picks up where the Resistance Trilogy and Emergents Trilogy leave off.

    Robert Darnton explores the cultural and political significance of these "bad" books and introduces readers to three of the most influential illegal best-sellers, from which he includes substantial excerpts. Winner of the 1995 National Book Critics Circle Award for criticism.