The Nobel Prize-winning writer's masterwork is the engrossing story of a Muslim family in Cairo during Britain's occupation of Egypt in the early decades of the twentieth century.The novels of The Cairo Trilogy trace three generations of the family of tyrannical patriarch Al-Sayyid Ahmad Abd al-Jawad, who rules his household with a strict hand while living a secret life of self-indulgence. Palace Walk introduces us to his gentle, oppressed wife, Amina, his cloistered daughters, Aisha and Khadija, and his three sons–the tragic and idealistic Fahmy, the dissolute hedonist Yasin, and the soul-searching intellectual Kamal. Al-Sayyid Ahmad’s rebellious children struggle to move beyond his domination in Palace of Desire, as the world around them opens to the currents of modernity and political and domestic turmoil brought by the 1920s. Sugar Street brings Mahfouz’s vivid tapestry of an evolving Egypt to a dramatic climax as the aging patriarch sees one grandson become a Communist, one a Muslim fundamentalist, and one the lover of a powerful politician.Throughout the trilogy, the family's trials mirror those of their turbulent country during the years spanning the two World Wars, as change comes to a society that has resisted it for centuries. Filled with compelling drama, earthy humor, and remarkable insight, The Cairo Trilogy is the achievement of a master storyteller.

    Is he a destroyer or a liberator? Why does he fight his hardest battle not against his enemies, but against the woman he loves?

    Their routine, isolated existence is interrupted when a lumberjack arrives at their lakeside cottage and falls in love with Hege, leaving Mattis fearful that he will lose his sister. The careful translation from the Norwegian underscores Vesaas's rare sensitivity in recording Mattis's often insightful view of his world. With a limited understanding of the unpredictable power of nature, Mattis nonetheless turns to the elements to discover the answers—with unsettling results.

    A summer of green apple trees, mowed lawns, and new sneakers. Of half-burnt firecrackers, of gathering dandelions, of Grandma's belly-busting dinner. It was a summer of sorrows and marvels and gold-fuzzed bees. A magical, timeless summer in the life of a twelve-year-old boy named Douglas Spaulding—remembered forever by the incomparable Ray Bradbury.Woven into the novel are the following short stories: Illumination, Dandelion Wine, Summer in the Air, Season of Sitting, The Happiness Machine, The Night, The Lawns of Summer, Season of Disbelief, The Last--the Very Last, The Green Machine, The Trolley, Statues, The Window, The Swan, The Whole Town's Sleeping, Goodbye Grandma, The Tarot Witch, Hotter Than Summer, Dinner at Dawn, The Magical Kitchen, Green Wine for Dreaming.

    He lived only for the day he would be free—free to track down and destroy the man who had put him behind bars.Murder was merciful compared to what Cady had in mind—and what Cady had in mind was Bowden's innocent and lovely teenaged daughter...."A powerful and frightening story." —The New York Times

    One of the results of its publication in the West was Pasternak's complete rejection by Soviet authorities; when he was awarded the Nobel Prize for Literature in 1958 he was compelled to decline it. The book quickly became an international best-seller.Dr. Yury Zhivago, Pasternak's alter ego, is a poet, philosopher, and physician whose life is disrupted by the war and by his love for Lara, the wife of a revolutionary. His artistic nature makes him vulnerable to the brutality and harshness of the Bolsheviks. The poems he writes constitute some of the most beautiful writing featured in the novel.

    and of the extraordinary people Miller knew there: writers (and writers who didn't write), mystics seeking truth in meditation (and the not-so-saintly looking for sex-cults or celebrity), sophisticated children and adult innocents; geniuses, cranks and the unclassifiable.Henry Miller writes with a buoyancy and brimming energy that are infectious. He has a fine touch for comedy. But this is also a serious book the testament of a free spirit who has broken through the restraints and cliches of modern life to find within himself his own kind of paradise.

    The two women are Cesira, a widowed Roman shopkeeper, and her daughter Rosetta, a naive teenager of haunting beauty and devout faith. When the German occupation of Rome becomes imminent, Cesira packs a few provisions, sews her life savings into the seams of her dress, and flees with Rosetta to her native province of Ciociara, a poor, mountainous region south of Rome.Cesira's currency soon loses its value, and a vicious barter economy, fraught with shifty traffickers and thieves, emerges among the mountain peasants and refugees. Mother and daughter endure nine months of hunger, cold, and filth as they await the arrival of the Allied forces. Cesira scarcely cares who wins the war, so long as victory comes soon and brings with it a return to her quiet shopkeeper's life.Instead, the Liberation brings tragedy. While heading back to Rome the pair are attacked by a group of Allied Moroccan soldiers, who rape Rosetta and beat Cesira unconscious. This act of violence and its resulting loss of innocence so embitters Rosetta that she falls numbly into a life of prostitution. Throughout these hardships Moravia offers up an intimate portrayal of the anguish wrought by the devastation of war, both on the battlefield and upon those far from the fray.

    Now, Jean LaFarge finds himself swept up in an epic battle in the wilds of Alaska, where a tyranical Russian has seized control of the fur trade-and the land. But Jean has never backed down from a fight, even one as bold and dangerous as this-a battle that will shape the future of America.

    Their resemblance to each other is uncanny, and they spend the next few hours talking and drinking - until at last John falls into a drunken stupor. It's to be his last carefree moment, for when he wakes, Jean has stolen his identity and disappeared. So the Englishman steps into the Frenchman's shoes, and faces a variety of perplexing roles - as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing.Gripping and complex, The Scapegoat is a masterful exploration of doubling and identity, and of the dark side of the self.

    But just so tiny and meaningless and—sad-making. And the worst part is, if you go bohemian or something crazy like that, you’re conforming just as much only in a different way.’First published in The New Yorker as two sequential stories, ‘Franny’ and ‘Zooey’ offer a dual portrait of the two youngest members of J. D. Salinger’s fictional Glass family.Franny Glass is a pretty, effervescent college student on a date with her intellectually confident boyfriend, Lane. They appear to be the perfect couple, but as they struggle to communicate with each other about the things they really care about, slowly their true feelings come to the surface. The second story in this book, ‘Zooey’, plunges us into the world of her ethereal, sophisticated family. When Franny’s emotional and spiritual doubts reach new heights, her older brother Zooey, a misanthropic former child genius, offers her consolation and brotherly advice.Written in Salinger’s typically irreverent style, these two stories offer a touching snapshot of the distraught mindset of early adulthood and are full of the insightful emotional observations and witty turns of phrase that have helped make Salinger’s reputation what it is today.

    Once on board, they meet the adventurous ship's cat, Jack Tar.Leaving New York's harbor, the friends travel to Africa and Asia, and return through the Panama Canal. At each port they meet a colorful local cat who shows them around. Jenny and her pals have their fortunes told by an Abyssinian cat in Zanzibar; dance the sailor's hornpipe with Bobo the Burmese, another ship's cat who was left behind, in Singapore; and float with Siamese cat Dara in a sampan boat on a Bangkok river—a truly exotic adventure.Ages 6 & up

    Among them is an American submarine captain struggling to resist the knowledge that his wife and children in the United States must be dead. Then a faint Morse code signal is picked up, transmitting from somewhere near Seattle, and Captain Towers must lead his submarine crew on a bleak tour of the ruined world in a desperate search for signs of life. On the Beach is a remarkably convincing portrait of how ordinary people might face the most unimaginable nightmare.

    When one of Daphne's sisters dies, a crisis is provoked that leads Daphne to a mental asylum where she receives shock treatment. Her voice from "the Dead Room" haunts the novel with its poetic insights.

    So Logan Cates naturally headed for Papago Wells. But he wasn’t the only one. Fleeing the fierce Churupati and his Apache warriors, other travelers had come there too. And when the Apaches found them, they began a siege as relentless and unforgiving as the barren land…and just as inescapable.The last thing Cates wanted was to be responsible for the lives of thirteen desperate strangers and a shipment of gold. But he knew that if they were to survive, he was their last chance. He also knew that some in the party were willing to die—or kill—to get their hands on the money. If he couldn’t get them to work together, it wouldn’t be the desert or even the Apaches that would do them in—it would be the greed of the very people he was trying to save.

    When they found a suspect, everyone relaxed except Hugh MacReedy. Maybe he should have stayed out of it, but MacReedy owed a big debt to the patsy they were sending to the electric chair in a week. And he would have stayed out of it, if he'd known what his chances were of coming out alive . . .

    After deciding the wrong man has been arrested for the crime, the detective lays a trap for the real killer—with all the patience of a master fisherman. But cruel turns of plot conspire to make him pay dearly for his pledge. Here Friedrich Dürrenmatt conveys his brilliant ear for dialogue and a devastating sense of timing and suspense. Joel Agee’s skilled translation effectively captures the various voices in the original, as well as its chilling conclusion.One of Dürrenmatt’s most diabolically imagined and constructed novels, The Pledge was adapted for the screen in 2000 in a film directed by Sean Penn and starring Jack Nicholson.

    Nobel Prize-winning author Isaac Bashevis Singer has created a vibrant, resonant, and provocative cast of characters in search of answers to life's greatest dilemmas, challenges, and ironies.

    When he’s hired to build and run the Green Oasis resort, he doesn’t know too much about the pedigree of its owner—and he doesn’t want to. He won’t ask any questions. Just as long as the place is legit and he can run it clean as a whistle. But when trouble checks in, skimming from the casino’s tills is the least of Lloyd’s concerns. The quiet elegance of the hotel lobby turns out to be crawling with contract guns. And after one look from a beautiful woman, Lloyd realizes that he’s about to get some hard answers to the questions he never asked.

    Luckily for him, he can turn to his savvy twin brother, Goldy, who earns a living—disguised as a Sister of Mercy—by selling tickets to Heaven in Harlem.  With Goldy on his side, Jackson is ready for payback.

    . .'So, modestly, begins this firsthand account of the adventures of three women and one man in the hellish aftermath of the war in Europe. Awakened from the nightmare of prison camp, freed from the fear of the Þring squad which had haunted each of them since capture, the four compatriots Þnd that they must still navigate horror itself without food, without papers, without funds. Virtues are all that remain in their possession, and it is these - nobility, friendship, honor, strength, pride in their bloody but unbowed humanity - that guide them home. A tale of bravery that will make you care deeply about its protagonists, and weep tears of wonder at their heroism.

    As Jay Follet hurries back to his home in Knoxville, Tennessee, he is killed in a car accident--a tragedy that destroys not only a life but also the domestic happiness and contentment of a young family. A novel of great courage, lyric force, and powerful emotion, A Death in the Family is a masterpiece of American literature.

    First two robbers appear and hold him up; then things take a turn for the better when broken-nosed Frank Alpine becomes his assistant. But there are complications: Frank, whose reaction to Jews is ambivalent, falls in love with Helen Bober; at the same time he begins to steal from the store.Like Malamud’s best stories, this novel unerringly evokes an immigrant world of cramped circumstances and great expectations. Malamud defined the immigrant experience in a way that has proven vital for several generations of writers.

    The story is at once the age-old tale of utopia and dystopia and the saga of Americans at mid-century, with a history of economic depression, the midwestern dust bowl, and two world wars. First published in 1957, The Green Kingdom was Rachel Maddux's first novel, an ambitious undertaking that had occupied nearly twenty years of her life. Central to the novel is the act of creation - from naming the plants and animals of the kingdom to bearing children. Both Justin Magnus and Erma Herrick discover the wellsprings of their creative energy as they discover the kingdom and, finally, each other in a story that is by turns mystical and realistic, the product of a vivid imagination and keen powers of observation. The Green Kingdom itself is a metaphor for whatever circumstances can make a person feel some control over fate. To live in the Green Kingdom is to inhabit what Maddux calls "the climate of potentiality," and to read The Green Kingdom is an intense experience in which we imagine our own responses to this land that Maddux so carefully delineates.

    Purdy sent copies of these first two books to writers he thought highly of, including the English poet Dame Edith Sitwell. She enthusiastically recommended Purdy's work to an English publisher, Gollancz, who published and distributed Purdy's books in England. Purdy's works were launched in the United States in 1957 in one volume, Color of Darkness: Eleven Stories and a Novella which also includes two new stories as the first offerings in the book. Contents include 1) Color of Darkness 2) You May Safely Gaze 3) Don't Call Me By My Right Name 4) Eventide 5) Why Can't They Tell You Why 6) Man and Wife 7) You Reach For Your Hat 8) A Good Woman 9) Plan Now To Attend 10) Sound of Talking 11) Cutting Edge 12) 63: Dream Palace.

    Professor Timofey Pnin is a haplessly disoriented Russian émigré precariously employed on an American college campus in the 1950's. Pnin struggles to maintain his dignity through a series of comic and sad misunderstandings, all the while falling victim both to subtle academic conspiracies and to the manipulations of a deliberately unreliable narrator.Initially an almost grotesquely comic figure, Pnin gradually grows in stature by contrast with those who laugh at him. Whether taking the wrong train to deliver a lecture in a language he has not mastered or throwing a faculty party during which he learns he is losing his job, the gently preposterous hero of this enchanting novel evokes the reader’s deepest protective instinct.Serialized in The New Yorker and published in book form in 1957, Pnin brought Nabokov both his first National Book Award nomination and hitherto unprecedented popularity.

    She becomes his muse and they fall in love. But even in Hong Kong, where many white expatriates have Chinese mistresses, their romance could jeopardize the things they each hold dear. Set in the mid-1950s, The World of Suzie Wong is a beautifully written time capsule of a novel. First published more than fifty years ago, it resonated with readers worldwide, inspiring a film starring William H olden, a ballet, and even a reggae song. Now readers can experience the romance of this groundbreaking story anew.

    There, on the shelves next to the old books, live the Little People, a tiny family who were once brought from England to Japan by a beloved nanny. Since then, each generation of Moriyama-family children has inherited the responsibility of filling the blue glass with milk to feed the Little People and it's now Yuri's turn. The little girl dutifully fulfils her task but the world around the Moriyama family is changing. Japan is caught in the whirl of what will soon become World War II, turning her beloved older brother into a fanatic nationalist and dividing the family for ever. Sheltered in the garden and the house, Yuri is able to keep the Little People safe, and they do their best to comfort Yuri in return, until one day owing to food restrictions milk is in shorter supply...From the Trade Paperback edition.

    Alfgrimur dreams only of becoming a fisherman like his adoptive grandfather, until he meets Iceland's biggest celebrity. The opera singer Gardar Holm’s international fame is a source of tremendous pride to tiny, insecure Iceland, though no one there has ever heard him sing. A mysterious man who mostly avoids his homeland and repeatedly fails to perform for his adoring countrymen, Gardar takes a particular interest in Alfgrimur’s budding musical talent and urges him to seek out the world beyond the one he knows and loves. But as Alfgrimur discovers that Gardar is not what he seems, he begins to confront the challenge of finding his own path without turning his back on where he came from.

    Thanks to his horrifying physiognomy, which conceals the softest of hearts, he wins a job as manager of a movie house. It is a flea pit, a vile retreat for predatory children, a place where thugs relax between felonies. Its owner, Sam Yudenow, is a sort of philosopher. At first Laverock is dazzled by Sam, by his splendidly garbled speech, his flawless depravity, his complete emancipation from decent instincts. But not for long. Soon he is leading a group seeking to overthrow the vicious tyrant. Fowlers End is a black comic masterpiece filled with exuberant language and outrageous characters.

    A mastermind of the dog-eat-dog world of corporate corruption, Mike Dean uses every asset at his disposal - women, liquor, his own personal magnetism - to take businessmen's minds off their troubles, soften their consciences, muddy their good sense, and bend them to his will. But one of his house guests refuses to see things Mike's way. One of them won't be bought. One of them has a mind, and a heart, of his own. And he's determined to beat Mike at his own game.

    She knew he had a terrible secret and she know he needed help. She knew something was tormenting him.But even Cora, in her dimly lit room, couldn't make Blazer forget.

    Three anonymous, phantom-like people—two men and a woman—drift and muse in the game rooms, corridors and piano alcove of a seaside hotel or sanitorium. The narrator, a newcomer, loves the young woman. Much of the time these two converse, exploring their existence (or non-existence) and their relationship to a professorial man who is "not very old yet strangely ruined." The ambiguous condition of the three suggests the living death of a shared dream, hallucination or endless wait in limbo, where emotions still have sharp validity. At times the novel has the quality of a musical poem, with themes and variations played on certain words: calm, space, light, suffering.

    Exploring the shifting territory between the concrete world and the world of dreams, she questions both the ultimate reality of personal identity and of existence itself.

    For Captain George Anson, the taste of the ice-cold beer served in Alexandria, Egypt remains an indelible memory. When he's assigned to escort two nursing sisters there, he dreams of enjoying that simple pleasure again. But his routine mission turns epic as he and the nurses find themselves driving further and further south to escape the advancing German army.

    Its exciting, closely woven plot would make it a "thriller", were it not lifted far above that genre by this writer's unusual and sombre power: its subtle portrayal of char­acter, and its disturbing suggestions of evil in a person or a place, make it reminiscent of Henry James's eerie masterpiece, The Turn of the Screw.Rachel Greenwood, the sensible, cheer­ful girl against whom all else in the book is skilfully contrasted, takes the post of companion to Victoria M, a young woman who lives in the country at Ashbank House—or Cannel Farm, as the place was called years before, when Victoria was accused of murdering the daughter of Dr. Constantine. After the girl had spent some years in a mental institution, the doctor had taken her back to Cannel Farm and pro­vided a number of people to look after her and amuse her in that secluded place. Rachel, unfavourably impressed by the psychiatrist's glib charm, soon concludes that Victoria is not nearly as unbalanced as she is made out to be.But who can help Rachel to follow the carefully obscured path back to that distant September day? Not Pat Anderson, whose irresponsibility reflects her silly devotion to the doctor. Not the young chauffeur Maurice, with his eye to the main chance. Nor the doctor's two precocious illegitimate children. Henry Festing and his mother might help; but Henry, for some reason of his own, is afraid of Dr. Constantine.In an atmosphere charged like the air before a storm, A Cage for the Nightingale mounts to its dark climax.